| № |
Title |
Genre |
Creators |
Formation |
Version |
Label |
Catalog number |
Matrix number |
Date of recording |
Remarks |
| 2744.1 |
NO HAY QUE HACERSE MALA SANGRE |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA (contracanto por FRANCISCO CANARO) |
ODEON |
— |
8028 |
20/03/1935 |
|
| 2744.2 |
NO HAY QUE HACERSE MALA SANGRE |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA (contracanto por FRANCISCO CANARO) |
ODEON |
4931 A
5158 A |
8028/1 |
20/03/1935 |
Missing in some discographies. |
| 2745 |
ALMA DEL BANDONEON |
Tango |
C: Enrique Santos Discépolo
A: Enrique Santos Discépolo & Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
4933 A |
8029 |
20/03/1935 |
In the General Catalog ("Catálogo General") 1936 of Odeón incorrectly: "ALMA DE BANDONEON". |
| 2746 |
CAMBALACHE |
Tango |
CA: Enrique Santos Discépolo |
Orquesta |
ROBERTO MAIDA |
ODEON |
4932 A |
8030 |
20/03/1935 |
|
| 2747 |
VIVA EL CASORIO |
Ranchera |
C: Luis Teisseire
A: Jesús Fernández Blanco |
Orquesta |
ROBERTO MAIDA |
ODEON |
4931 B |
8031 |
20/03/1935 |
|
| 2748 |
FIESTA GRANADINA |
Pasodoble |
C: Isidro Fabra Bover
A: Robert Chamfleury (Eugène Joseph Gohin) |
Orquesta |
ROBERTO MAIDA |
ODEON |
4932 B |
8042 |
25/03/1935 |
|
| 2749 |
GOLONDRINAS |
Tango |
C: Carlos Gardel
A: Alfredo Le Pera |
Orquesta |
ROBERTO MAIDA |
ODEON |
4935 A
5172 |
8043 |
25/03/1935 |
|
| 2750 |
CIEGO |
Tango |
CA: Luis Rubistein |
Orquesta |
ROBERTO MAIDA |
ODEON |
4936 A |
8044 |
25/03/1935 |
|
| 2751 |
SOLEDAD |
Tango |
C: Carlos Gardel
A: Alfredo Le Pera |
Orquesta |
ROBERTO MAIDA |
ODEON |
4934 A
5166 |
8045 |
25/03/1935 |
|
| 2752 |
VIAJE DE BODAS |
Vals |
C: Eddie Kay (Edmundo Tulli)
A: Pablo Osvaldo Valle |
Orquesta |
ROBERTO MAIDA |
ODEON |
4936 B
6902 |
8062 |
11/04/1935 |
|
| 2753 |
PENAS Y ALEGRIAS |
Pasodoble |
C: Eusebio Severo Giorno
A: José Manuel López Martínez |
Orquesta |
ROBERTO MAIDA |
ODEON |
4935 B |
8063 |
11/04/1935 |
|
| 2754 |
LA REINA DE MI AMOR |
Ranchera |
C: Pascual Biafore
A: Atilano Ortega Sanz |
Orquesta |
ROBERTO MAIDA |
ODEON |
4934 B |
8064 |
11/04/1935 |
|
| 2755 |
NO HAY MAL QUE POR BIEN NO VENGA |
Ranchera |
C: Nazario García
A: Santiago Pablo Scherini |
Orquesta |
ROBERTO MAIDA |
ODEON |
4937 B |
8065 |
11/04/1935 |
|
| |
CAMBALACHE |
Tango |
CA: Enrique Santos Discépolo |
Orquesta |
ERNESTO FAMA con acomp. |
ODEON |
16281 A |
8073 |
16/04/1935 |
In the General Catalog ("Catálogo General") 1936 of Odeón incorrectly attributed to the Orquesta Francisco Canaro. |
| |
ALMA DEL BANDONEON |
Tango |
C: Enrique Santos Discépolo
A: Enrique Santos Discépolo & Luis César Amadori |
Orquesta |
ERNESTO FAMA con acomp. |
ODEON |
16281 B |
8074 |
16/04/1935 |
In the General Catalog ("Catálogo General") 1936 of Odeón incorrectly: "ALMA DE BANDONEON". In this catalog incorrectly attributed to the Orquesta Francisco Canaro. |
| |
NO HAY QUE HACERSE MALA SANGRE |
Tango humorístico |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ERNESTO FAMA con acomp. |
ODEON |
16282 A |
8075 |
16/04/1935 |
In the General Catalog ("Catálogo General") 1936 of Odeón incorrectly attributed to the Orquesta Francisco Canaro. |
| |
NO PUEDE SER |
Tango |
C: Marcos E. Larrosa & Juan Carlos Howard
A: Julio Jorge Nelson |
Orquesta |
ERNESTO FAMA con acomp. |
ODEON |
16282 B |
8076 |
16/04/1935 |
In the General Catalog ("Catálogo General") 1936 of Odeón incorrectly attributed to the Orquesta Francisco Canaro. |
| 2756 |
HORCHATERA VALENCIANA |
Pasodoble |
C: Francisco Alonso López
A: Emilio González del Castillo López & José Muñoz Román |
Orquesta |
ROBERTO MAIDA y coro |
ODEON |
4938 B
5082 B |
8081 |
23/04/1935 |
|
| 2757 |
LA CUCARACHA |
Ranchera |
AR: Miguel Eusebio Bucino |
Orquesta |
ROBERTO MAIDA y coro |
ODEON |
4939 A |
8082 |
23/04/1935 |
On the motive of the traditional. |
| 2758 |
NOCHES DE BUENOS AIRES |
Tango |
C: Alberto Soifer
A: Manuel Romero |
Orquesta |
ROBERTO MAIDA |
ODEON |
4937 A |
8083 |
23/04/1935 |
|
| 2759 |
COGOTE |
Tango |
C: Alberto Soifer
A: Manuel Romero |
Orquesta |
ROBERTO MAIDA |
ODEON |
4938 A |
8084 |
23/04/1935 |
|
| 2760 |
NO ES POR HABLAR MAL |
Ranchera |
C: Ernesto Di Cicco
A: Arsenio Mármol |
Orquesta |
ROBERTO MAIDA |
ODEON |
4941 B |
8089 |
25/04/1935 |
|
| 2761 |
OJOS NEGROS QUE FASCINAN |
Tango |
C: Manuel Salina (Manuel G. Salinger)
A: Florián Rey (Antonio Martínez del Castillo) |
Orquesta |
ROBERTO MAIDA |
ODEON |
4939 B |
8090 |
25/04/1935 |
Original title: "ROMANZA RUSA (OJOS NEGROS)". On the motive of a Russian traditional. |
| 2762 |
SUEÑO DE MUÑECA |
Vals |
C: Juan Canaro
A: Jesús Fernández Blanco |
Orquesta |
ROBERTO MAIDA |
ODEON |
4945 A |
8091 |
25/04/1935 |
|
| 2763 |
LARGA LAS PENAS |
Milonga |
C: Alberto Soifer
A: Manuel Romero |
Orquesta |
ROBERTO MAIDA |
ODEON |
4942 A |
8187 |
11/06/1935 |
|
| 2764 |
CADENA DE AMOR |
Tango |
C: Alberto Soifer
A: Manuel Romero |
Orquesta |
ROBERTO MAIDA |
ODEON |
4941 A |
8188 |
11/06/1935 |
|
| 2765 |
POEMA |
Tango |
C: Antonio Mario Melfi
A: Eduardo Vicente Bianco |
Orquesta |
ROBERTO MAIDA |
ODEON |
4945 B
52367 |
8189 |
11/06/1935 |
|
| 2766 |
EL PINCHE |
Tango |
C: Francisco Canaro & Juan Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
4944 B
51111 B |
8190 |
11/06/1935 |
Original title: "PINCHE". |
| 2767 |
LA REFALOSA |
Polca Tangueada |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
4942 B
4980 A |
8205 |
18/06/1935 |
|
| 2768 |
AMOR Y PRIMAVERA |
Vals |
C: Emile Charles Waldteufel |
Orquesta |
INSTRUMENTAL |
ODEON |
4944 A
51111 A
LDS 750 A |
8206 |
18/06/1935 |
Original title: "AMOUR ET PRINTEMPS". The catalog number of the re-release (51111) is missing in Lefcovich's Canaro discography. |
| |
AMOR Y PRIMAVERA |
Vals |
C: Emile Charles Waldteufel |
Orquesta |
INSTRUMENTAL |
ODEON |
4980 |
8206/1 |
18/06/1935 |
Drafting error in Lefcovich's Canaro discography. |
| 2769 |
LOS PATINADORES |
Vals |
C: Emile Charles Waldteufel |
Orquesta |
INSTRUMENTAL |
ODEON |
4947 B
51112 B |
8207 |
18/06/1935 |
Original title: "LES PATINEURS". |
| 2770 |
HOTEL VICTORIA |
Tango |
C: Feliciano M. Latasa |
Orquesta |
INSTRUMENTAL |
ODEON |
4947 A
51112 A
LDS 782 A |
8208 |
18/06/1935 |
Original title: "GRAN HOTEL VICTORIA". |
| 2771 |
CANARO |
Tango |
C: José Martínez |
Orquesta |
INSTRUMENTAL |
ODEON |
4980 B |
8209 |
18/06/1935 |
|
| 2772 |
LA CARTUJANA |
Pasodoble |
C: José María Palomo Jiménez
A: Sixto Cantabrana Ruiz Aguirre |
Orquesta |
ROBERTO MAIDA |
ODEON |
4946 A
5171 B |
8238 |
18/07/1935 |
The catalog number of the re-release (5171) is missing in Lefcovich's Canaro discography. |
| |
LA CARTUJANA |
Pasodoble |
C: José María Palomo Jiménez
A: Sixto Cantabrana Ruiz Aguirre |
Orquesta |
ROBERTO MAIDA |
ODEON |
|
8238/1 |
18/07/1935 |
Drafting error in Lefcovich's Canaro discography. |
| 2773 |
ENGAÑAME NOMAS |
Tango |
C: Zayra Canicoba
A: Rosendo Llurba Tost |
Orquesta |
ROBERTO MAIDA |
ODEON |
4946 B |
8239 |
18/07/1935 |
|
| 2774 |
SIEMPRE TUYA SERE |
Vals |
C: Pedro C. Barrili
A: Salva Mont |
Orquesta |
ROBERTO MAIDA |
ODEON |
4950 A |
8240 |
18/07/1935 |
|
| 2775 |
DE PURO GUAPO |
Tango |
C: Pedro Blanco Laurenz
A: Manuel Andrés Meaños |
Orquesta |
ROBERTO MAIDA |
ODEON |
4948 A |
8251 |
24/07/1935 |
|
| 2776 |
PREDESTINADO |
Tango |
C: Graciela Capdevila
A: Venancio Juan Clauso |
Orquesta |
ROBERTO MAIDA |
ODEON |
4949 A |
8264 |
02/08/1935 |
In Lefcovich's Canaro discography incorrectly: "PREDESTINADA". |
| 2777 |
LA CANTINERA DEL BATALLON |
Pasodoble |
CA: Fernando de Toledo (Fernando Pascual Ayllón) & Hugo Zamora |
Orquesta |
ROBERTO MAIDA |
ODEON |
4949 B |
8265 |
02/08/1935 |
|
| 2778 |
HAY QUE LLORAR LA CARTA |
Ranchera |
CA: Miguel Eusebio Bucino |
Orquesta |
ROBERTO MAIDA |
ODEON |
4948 B |
8266 |
02/08/1935 |
|
| |
QUE VIEJO ESTOY |
Tango |
CA: Audón López, Francisco de Rose & Juan Miguel Velich |
Guitarras |
CHARLO con acomp. |
ODEON |
— |
8275 |
15/08/1935 |
In Lefcovich's Canaro discography incorrectly: "Orquesta". |
| |
SI |
Vals |
CA: A. Norsino |
Guitarras |
CHARLO con acomp. |
ODEON |
— |
8276 |
15/08/1935 |
In Lefcovich's Canaro discography incorrectly: "Orquesta". |
| 2779 |
AUNQUE NO LO CREAN |
Tango |
CA: Francisco Canaro |
Orquesta |
ROBERTO MAIDA |
ODEON |
4953 A |
8285 |
18/08/1935 |
In Lefcovich's Canaro discography incorrectly: "16/08/1935". |
| 2780 |
CASAS VIEJAS |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA |
ODEON |
4952 A |
8286 |
18/08/1935 |
In Lefcovich's Canaro discography incorrectly: "16/08/1935". |
| 2781.1 |
TU Y YO |
Vals |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA |
ODEON |
— |
8287 |
18/08/1935 |
In Lefcovich's Canaro discography incorrectly: "16/08/1935". |
| 2781.2 |
TU Y YO |
Vals |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA |
ODEON |
4955 A |
8287/1 |
18/08/1935 |
Missing in some discographies. |
| 2782 |
RASCACIELOS (MI BUENOS AIRES) |
Marcha-Bolero |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA |
ODEON |
4952 B |
8288 |
18/08/1935 |
The alternate title is missing in Lefcovich's Canaro discography. In this discography incorrectly or imprecisely: "marcha"; "16/08/1935". |
| 2783.1 |
TANGON |
Nueva Danza |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA |
ODEON |
— |
8289 |
21/08/1935 |
|
| 2783.2 |
TANGON |
Nueva Danza |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA |
ODEON |
4954 A |
8289/1 |
21/08/1935 |
Missing in some discographies. |
| 2784 |
NO HAY AMOR PARA MI SIN TU AMOR |
Fox Trot |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA |
ODEON |
4954 B |
8290 |
21/08/1935 |
|
| 2785 |
LAS CHICAS DEL DIA |
Ranchera |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA (contracanto por FRANCISCO CANARO) |
ODEON |
4953 B |
8291 |
21/08/1935 |
|
| 2786 |
LA COPLA PORTEÑA |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA y coro |
ODEON |
4955 B |
8292 |
21/08/1935 |
In Lefcovich's Canaro discography incorrectly: "8290" (matrix number). |
| 2787 |
TANGON |
Nueva Danza |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11255 A |
8293 |
23/08/1935 |
|
| |
AUNQUE NO LO CREAN |
Tango |
CA: Francisco Canaro |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11255 |
8293 |
25/08/1935 |
Drafting error in Lefcovich's Canaro discography. |
| 2788 |
AUNQUE NO LO CREAN |
Tango |
CA: Francisco Canaro |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11256 A |
8298 |
25/08/1935 |
In Lefcovich's Canaro discography incorrectly: "AUNQUE NO LO CREAS". |
| 2789 |
LAS CHICAS DEL DIA |
Ranchera |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ADA FALCON con acomp. (contracanto por FRANCISCO CANARO) |
ODEON |
11256 B |
8299 |
25/08/1935 |
|
| 2790 |
CASAS VIEJAS |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ADA FALCON & CHARLO con acomp. |
ODEON |
11254 A |
8300 |
25/08/1935 |
|
| 2791 |
TU Y YO |
Vals |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11257 A |
8316 |
20/09/1935 |
|
| 2792 |
NO HAY AMOR PARA MI SIN TU AMOR |
Fox Trot |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ADA FALCON & CHARLO con acomp. |
ODEON |
11254 B |
8317 |
20/09/1935 |
In Lefcovich's Canaro discography incorrectly: "ADA FALCON con acomp.". |
| 2793 |
RASCACIELOS (MI BUENOS AIRES) |
Marcha-Bolero |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11257 B |
8320 |
20/09/1935 |
|
| 2794 |
LA COPLA PORTEÑA |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11255 B |
8321 |
21/09/1935 |
Date of recording according to Gutiérrez Miglio's discography of Ada Falcón; according to Lefcovich's Canaro discography: "20/09/1935". |
| 2795 |
EL BUEY SOLO |
Tango |
C: Agustín Bardi |
Orquesta |
INSTRUMENTAL |
ODEON |
4957 B |
8335 |
27/09/1935 |
In Lefcovich's Canaro discography incorrectly: "ROBERTO MAIDA". |
| 2796 |
PASO AL DEPORTE |
Marcha |
C: Francisco Canaro
A: Enrique Soriano & Juan Lorenti |
Orquesta |
ROBERTO MAIDA |
ODEON |
4956 B |
8336 |
27/09/1935 |
On the record label incorrectly: "E. G. Ursini" (Eduardo G. Ursini) (A). In Lefcovich's Canaro discography incorrectly: "tango". |
| 2797 |
EL QUE A HIERRO MATA |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA |
ODEON |
4956 A |
8341 |
30/09/1935 |
|
| 2798 |
LA PORTEÑA |
Ranchera |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA |
ODEON |
4957 A
5165 |
8342 |
30/09/1935 |
|
| 2799 |
EL QUE A HIERRO MATA |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA con acomp. |
ODEON |
16410 A |
8343 |
30/09/1935 |
In Lefcovich's Canaro discography incorrectly: "16450" (catalog number). |
| 2800 |
DECIME QUE SI |
Tango |
CA: Pascual Biafore |
Orquesta |
ROBERTO MAIDA |
ODEON |
4958 B |
8362 |
09/10/1935 |
In Lefcovich's Canaro discography incorrectly: "4858" (catalog number). |
| 2801 |
PARECE MENTIRA |
Tango |
C: Antonio Rodio
A: Rodolfo Pascual Sciammarella |
Orquesta |
ROBERTO MAIDA |
ODEON |
4960 B |
8363 |
09/10/1935 |
|
| 2802 |
NUNCA ES TARDE |
Vals |
C: Antonio Sureda
A: Gerónimo Sureda |
Orquesta |
ROBERTO MAIDA |
ODEON |
4958 A |
8376 |
17/10/1935 |
In Lefcovich's Canaro discography incorrectly: "tamgp" (tango). |
| 2803 |
PA'QUE BAILEN LAS VIEJAS |
Ranchera |
CA: Antonio Bonavena |
Orquesta |
ROBERTO MAIDA |
ODEON |
4960 A |
8377 |
17/10/1935 |
|
| 2804 |
ROSIO |
Pasodoble |
C: Manuel López Quiroga Miquel
A: Rafael de León y Arias de Saavedra |
Orquesta |
ROBERTO MAIDA |
ODEON |
4962 A
5153 B |
8397 |
22/10/1935 |
In some discographies incorrectly: "ROCIO". In Lefcovich's Canaro discography incorrectly: "5163" (catalog number of the re-release). |
| 2805 |
HORIZONTES |
Tango |
C: Charlo
A: Homero Manzi |
Orquesta |
ROBERTO MAIDA |
ODEON |
4966 A |
8398 |
22/10/1935 |
|
| 2806 |
NENA |
Tango |
C: Angel Félix Danesi
A: Carlos Pesce |
Orquesta |
ROBERTO MAIDA |
ODEON |
4962 B |
8399 |
22/10/1935 |
In Lefcovich's Canaro discography incorrectly: "5163" (catalog number of the re-release). |
| 2807 |
REGRESO |
Tango |
CA: Eduardo Moreno |
Orquesta |
ROBERTO MAIDA |
ODEON |
4978 B |
8400 |
22/10/1935 |
|
| 2808 |
EL INTERNADO |
Tango |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
4964 B |
8419 |
08/11/1935 |
|
| 2809 |
YO QUIERO QUE TU SEPAS |
Vals |
C: Humberto Canaro
A: Alfredo Defilpo |
Orquesta |
ROBERTO MAIDA |
ODEON |
4969 B |
8420 |
08/11/1935 |
|
| 2810 |
SOLO UNA NOVIA |
Tango |
C: José Ranieri
A: Mario César Gomila |
Orquesta |
ROBERTO MAIDA |
ODEON |
4976 B |
8421 |
08/11/1935 |
|
| 2811 |
PARECE MENTIRA |
Tango |
C: Antonio Rodio
A: Rodolfo Pascual Sciammarella |
Orquesta |
CHARLO con acomp. |
ODEON |
16101 |
8429 |
22/11/1935 |
|
| 2812 |
HORIZONTES |
Tango |
C: Charlo
A: Homero Manzi |
Orquesta |
CHARLO con acomp. |
ODEON |
16104 A |
8430 |
22/11/1935 |
|
| 2813 |
VISION |
Tango |
C: Jaime de los Hoyos
A: Nolo López (Manuel López) |
Orquesta |
CHARLO con acomp. |
ODEON |
16104 B |
8431 |
22/11/1935 |
|
| 2814 |
MARGARITA |
Vals |
C: Charlo
A: Luis César Amadori |
Orquesta |
CHARLO con acomp. |
ODEON |
16101 |
8432 |
22/11/1935 |
|
| 2815 |
HAY QUE SEGUIR LA MODA |
Ranchera |
C: Humberto Canaro
A: Marcos E. Larrosa |
Orquesta |
ROBERTO MAIDA |
ODEON |
4966 B |
8439 |
28/11/1935 |
|
| 2816 |
TENE CUIDADO |
Ranchera |
C: Agustín Bardi
A: Jesús Fernández Blanco |
Orquesta |
ROBERTO MAIDA |
ODEON |
4971 |
8440 |
28/11/1935 |
Original title: "TENE CUIDAO". |
| 2817 |
TREN DE CARGA |
Canción |
C: Antonio Domingo Podestá
A: Alfredo Lagazio |
Orquesta |
ROBERTO MAIDA y coro con acomp. |
ODEON |
16410 B |
8441 |
28/11/1935 |
|
| 2818 |
ACLAMACION |
Vals |
C: Emile Charles Waldteufel |
Orquesta |
INSTRUMENTAL |
ODEON |
4964 A |
8446 |
03/12/1935 |
Original title: "ACCLAMATIONS". |
| 2819 |
JUNTANDO AMORES |
Tango |
C: María Isolina Godard |
Orquesta |
INSTRUMENTAL |
ODEON |
4971 |
8447 |
03/12/1935 |
|
| 2820 |
NO NOS VEREMOS MAS |
Vals |
C: Agustín Irusta, Santiago Roberto Fugazot & Lucio Demare
A: Alfredo Navarrine |
Orquesta |
ROBERTO MAIDA |
ODEON |
4968 B |
8448 |
03/12/1935 |
|
| 2821 |
DONDE |
Tango |
C: Agustín Irusta, Santiago Roberto Fugazot & Lucio Demare
A: Antonio Graciani Pérez |
Orquesta |
ROBERTO MAIDA |
ODEON |
4968 A |
8449 |
03/12/1935 |
|
| 2822 |
NO LLOREN MUCHACHOS |
Tango |
CA: Juan Bautista Vescio |
Orquesta |
ROBERTO MAIDA |
ODEON |
4969 A |
8465 |
31/12/1935 |
|
| 2823 |
SECRETO DE AMOR |
Vals |
C: Luis Angel Gaulier & José Vázquez Vigo
A: Luis César Amadori |
Orquesta |
CHARLO con acomp. |
ODEON |
16102 B |
8466 |
31/12/1935 |
Missing in Lefcovich's Canaro discography. On the record label José Vázquez Vigo is missing. |
| 2824 |
PUERTO NUEVO |
Marcha |
C: Hans Diernhammer
A: Luis César Amadori |
Orquesta |
CHARLO con acomp. |
ODEON |
16103 B |
8467 |
31/12/1935 |
|
| 2825 |
OLVIDO |
Tango |
CA: Luis Rubistein & Luis César Amadori |
Orquesta |
CHARLO con acomp. |
ODEON |
16103 A |
8468 |
31/12/1935 |
In Lefcovich's Canaro discography incorrectly: "8467" (matrix number). |
| 2826 |
YO TAMBIEN SOÑE |
Tango |
C: Francisco Canaro
A: Luis César Amadori |
Orquesta |
CHARLO con acomp. |
ODEON |
16102 A |
8469 |
31/12/1935 |
|
| 2827.1 |
YO TAMBIEN SOÑE |
Tango |
C: Francisco Canaro
A: Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
4975 A |
8475 |
12/03/1936 |
|
| 2827.2 |
YO TAMBIEN SOÑE |
Tango |
C: Francisco Canaro
A: Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
4975 A |
8475/1 |
12/03/1936 |
Missing in some discographies. |
| 2828 |
DE CONTRAMANO |
Ranchera |
C: Francisco Canaro
A: Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
4976 A
5152 B |
8476 |
12/03/1936 |
In Lefcovich's Canaro discography incorrectly: "5172" (catalog number of the re-release). |
| 2829 |
OLVIDO |
Tango |
CA: Luis Rubistein & Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
4977 A |
8494 |
18/03/1936 |
In Lefcovich's Canaro discography incorrectly: "12/03/1936". |
| 2830 |
SECRETO DE AMOR |
Vals |
C: Luis Angel Gaulier & José Vázquez Vigo
A: Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
4975 B |
8495 |
18/03/1936 |
On the record label José Vázquez Vigo is missing. |
| 2831 |
PUERTO NUEVO |
Marcha |
C: Hans Diernhammer
A: Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
4977 B |
8496 |
18/03/1936 |
|
| 2832 |
DOLORES |
Vals |
C: Emile Charles Waldteufel |
Orquesta |
INSTRUMENTAL |
ODEON |
4979 A |
8509 |
31/03/1936 |
In some discographies incorrectly: "4797" (catalog number). |
| 2833 |
VALS TRISTE |
Vals |
C: Rodolphe Berger |
Orquesta |
INSTRUMENTAL |
ODEON |
4983 A |
8510 |
31/03/1936 |
Original title: "VALSE TRISTE (A LA TZIGANE)". |
| 2834 |
CANILLITA |
Tango |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
4979 B |
8512 |
31/03/1936 |
In some discographies incorrectly: "4797" (catalog number). |
| 2835 |
PANCHA LA CURIOSA |
Ranchera |
C: Adelio Zeoli
A: Lito Bayardo |
Orquesta |
ROBERTO MAIDA |
ODEON |
4978 A |
8529 |
03/04/1936 |
|
| 2836 |
LAS DOCE MENOS CINCO |
Tango |
C: Agustín Bardi
A: Luis Jorge Bates |
Orquesta |
ROBERTO MAIDA |
ODEON |
4982 B |
8530 |
03/04/1936 |
In Lefcovich's Canaro discography incorrectly: "8529" (matrix number). |
| 2837 |
EL CABURE |
Tango |
C: Arturo De Bassi |
Orquesta |
INSTRUMENTAL |
ODEON |
4983 B
DMO 55552 B |
8538 |
13/04/1936 |
|
| 2838 |
MARCHA DE LA ARMADA |
Marcha |
C: Alberto Soifer
A: Manuel Romero |
Orquesta |
ROBERTO MAIDA |
ODEON |
4982 A
5173 |
8539 |
13/04/1936 |
|
| 2839 |
EL VIEJITO DEL ACORDEON |
Polca |
C: Carmelo Aiello & José Domingo Aiello
A: Mario Pugliese "Cariño" |
Orquesta |
ROBERTO MAIDA, ANGEL RAMOS y coro |
ODEON |
4984 A |
8572 |
12/05/1936 |
In some discographies incorrectly: "ROBERTO MAIDA". |
| 2840 |
COMO LAS FLORES |
Tango |
C: Mario Canaro
A: Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
4984 B |
8573 |
12/05/1936 |
|
| 2841 |
JARDINERITA DE TRIANA |
Pasodoble |
CA: Hugo Zamora |
Orquesta |
ROBERTO MAIDA |
ODEON |
4985 B |
8581 |
20/05/1936 |
In the SADAIC Works Database Félix Lipesker is figuring as co-composer. |
| 2842 |
FRACASO |
Tango |
C: José García López (Roberto Garza)
A: Carlos Bahr |
Orquesta |
ROBERTO MAIDA |
ODEON |
4985 A |
8582 |
20/05/1936 |
|
| 2843 |
DESPUES ARREGLAMOS |
Tango |
C: Francisco J. Lomuto
A: Pancho Laguna (Francisco J. Lomuto) |
Orquesta |
ROBERTO MAIDA |
ODEON |
4987 B |
8583 |
20/05/1936 |
|
| 2844 |
SI DEJARAS DE QUERERME |
Tango |
C: Francisco J. Lomuto
A: Pancho Laguna (Francisco J. Lomuto) |
Orquesta |
ROBERTO MAIDA & ANGEL RAMOS |
ODEON |
4987 A |
8584 |
20/05/1936 |
In some discographies incorrectly: "ROBERTO MAIDA". |
| 2845 |
SERA UNA NOCHE |
Tango |
C: José Tinelli
A: Manuel Enrique Ferradás Campos |
Orquesta |
ROBERTO MAIDA |
ODEON |
4986 A |
8601 |
03/06/1936 |
|
| 2846 |
MI VIDA |
Vals |
C: José Luis Padula
A: Enrique Domingo Cadícamo |
Orquesta |
ROBERTO MAIDA |
ODEON |
4986 B
5156 |
8602 |
03/06/1936 |
|
| 2847 |
NOCHES DE AMOR |
Vals |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
4989 A
5157 A |
8603 |
03/06/1936 |
In Lefcovich's Canaro discography incorrectly: "ROBERTO MAIDA". The catalog number of the re-release (5157) is missing in this discography. |
| |
NOCHES DE AMOR |
Vals |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
4989 |
8603/1 |
03/06/1936 |
Drafting error in Lefcovich's Canaro discography. |
| 2848 |
AGUA BENDITA |
Tango |
C: Enrique Pedro Delfino |
Orquesta |
INSTRUMENTAL |
ODEON |
4989 B |
8604 |
03/06/1936 |
|
| 2849 |
AMOR |
Tango |
C: Carlos Gardel
A: Luis Rubistein |
Orquesta |
ROBERTO MAIDA |
ODEON |
4990 A |
8632 |
14/07/1936 |
|
| 2850 |
MI NOCHE TRISTE |
Tango |
C: Samuel Castriota
A: Pascual Contursi |
Orquesta |
ROBERTO MAIDA |
ODEON |
4992 A
5153 A |
8633 |
14/07/1936 |
|
| 2851 |
FLOR DE ESPAÑA |
Pasodoble |
C: Luis Teisseire |
Orquesta |
INSTRUMENTAL |
ODEON |
4990 B
5125 B |
8634 |
14/07/1936 |
|
| 2852 |
EL ARROYITO |
Tango |
C: Samuel Castriota |
Orquesta |
INSTRUMENTAL |
ODEON |
4992 B
5159 |
8635 |
14/07/1936 |
In Lefcovich's Canaro discography incorrectly: "5125" (additional catalog number). |
| 2853 |
BUEN AMIGO |
Tango |
C: Julio De Caro |
Orquesta |
INSTRUMENTAL |
ODEON |
4993 A |
8636 |
14/07/1936 |
|
| 2854 |
TODO CORAZON |
Tango |
C: Julio De Caro |
Orquesta |
INSTRUMENTAL |
ODEON |
4993 B |
8641 |
17/07/1936 |
|
| 2855.1 |
SILUETA PORTEÑA |
Milonga |
C: Nicolás Luis Cúccaro & Juan Ventura Cúccaro
A: Orlan Daniel (Orlando D'Aniello) & Ernesto Noli |
Orquesta |
ROBERTO MAIDA |
ODEON |
4995 A |
8642 |
17/07/1936 |
|
| 2855.2 |
SILUETA PORTEÑA |
Milonga |
C: Nicolás Luis Cúccaro & Juan Ventura Cúccaro |
Orquesta |
INSTRUMENTAL |
ODEON |
Muestra |
8642/X |
17/07/1936 |
Missing in some discographies. |
| 2856 |
PAQUIYA |
Pasodoble |
CA: Héctor Lomuto |
Orquesta |
ROBERTO MAIDA |
ODEON |
4995 B |
8643 |
17/07/1936 |
Original title: "PAQUILLA". In Lefcovich's Canaro discography incorrectly: "PAQUITA"; "8637" (matrix number). |
| 2857 |
ENVIDIA |
Tango |
C: Francisco Canaro
A: José González Castillo, Antonio Botta & Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
4999 A |
8720 |
26/08/1936 |
|
| 2858 |
EL BICHITO DEL AMOR |
Ranchera |
C: Francisco Canaro
A: José González Castillo, Antonio Botta & Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
4999 B |
8721 |
26/08/1936 |
|
| 2859 |
QUE LE IMPORTA AL MUNDO |
Tango |
C: Francisco Canaro
A: José González Castillo, Antonio Botta & Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
5002 A
5163 |
8722 |
26/08/1936 |
|
| 2860 |
CARIÑO |
Vals Romanza |
C: Francisco Canaro
A: José González Castillo, Antonio Botta & Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
5001 A |
8726 |
01/09/1936 |
In Gutiérrez Miglio's discography of Roberto Maida imprecisely: "vals". |
| 2861 |
LA MARCHA CORDIAL |
Marcha |
C: Francisco Canaro
A: José González Castillo, Antonio Botta & Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
5001 B |
8727 |
01/09/1936 |
|
| 2862 |
COMO TE QUIERO |
Tango |
C: Francisco Canaro
A: José González Castillo, Antonio Botta & Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
5000 A |
8732 |
01/09/1936 |
|
| 2863 |
EL PORTEÑO |
Nuevo Tangón |
C: Francisco Canaro
A: José González Castillo, Antonio Botta & Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
4998 A |
8733 |
01/09/1936 |
|
| 2864 |
ESTAMPA GAUCHA |
Pericón y Firmeza |
C: Francisco Canaro
A: José González Castillo, Antonio Botta & Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
5000 B |
8734 |
01/09/1936 |
In Lefcovich's Canaro discography imprecisely: "pericón". |
| 2865 |
LA PATRIA DEL TANGO (1ª parte) |
Intermedio lírico de la obra |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
40022 A |
8738 |
03/09/1936 |
|
| 2866 |
LA PATRIA DEL TANGO (2ª parte) |
Intermedio lírico de la obra |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
40022 B |
8739 |
03/09/1936 |
In Lefcovich's Canaro discography incorrectly: "ROBERTO MAIDA". |
| 2867 |
LA POLCA DEL ESPIANTE |
Polca |
C: Francisco Canaro
A: José González Castillo, Antonio Botta & Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
4998 B |
8740 |
04/09/1936 |
|
| 2868 |
FIESTA CAMPERA |
Ranchera |
C: Humberto Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
5002 B |
8741 |
04/09/1936 |
Original title: "FIESTA CRIOLLA". |
| 2869 |
COMO TE QUIERO |
Tango |
C: Francisco Canaro
A: José González Castillo, Antonio Botta & Luis César Amadori |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11260 B |
8742 |
07/09/1936 |
|
| 2870 |
EL BICHITO DEL AMOR |
Ranchera |
C: Francisco Canaro
A: José González Castillo, Antonio Botta & Luis César Amadori |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11259 B |
8743 |
07/09/1936 |
|
| 2871 |
QUE LE IMPORTA AL MUNDO |
Tango |
C: Francisco Canaro
A: José González Castillo, Antonio Botta & Luis César Amadori |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11259 A |
8748 |
16/09/1936 |
In Lefcovich's Canaro discography incorrectly: "07/09/1936". |
| 2872 |
EL PORTEÑO |
Nuevo Tangón |
C: Francisco Canaro
A: José González Castillo, Antonio Botta & Luis César Amadori |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11260 A |
8749 |
16/09/1936 |
In Lefcovich's Canaro discography incorrectly: "07/09/1936". |
| 2873 |
ENVIDIA |
Tango |
C: Francisco Canaro
A: José González Castillo, Antonio Botta & Luis César Amadori |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11258 B |
8752 |
19/09/1936 |
|
| 2874 |
MILONGA CRIOLLA |
Milonga |
C: Alberto Soifer
A: Manuel Romero |
Orquesta |
ROBERTO MAIDA |
ODEON |
5005 A |
8782 |
06/10/1936 |
|
| 2875 |
SIEMPRE UNIDOS |
Tango |
C: Alberto Soifer
A: Manuel Romero |
Orquesta |
ROBERTO MAIDA |
ODEON |
5005 B |
8783 |
06/10/1936 |
|
| 2876 |
LA RIBERA |
Tango |
C: Alberto Soifer
A: Manuel Romero |
Orquesta |
ROBERTO MAIDA |
ODEON |
5006 B |
8784 |
06/10/1936 |
|
| 2877 |
NO SUPE VENGARME |
Vals |
C: Alberto Soifer
A: Manuel Romero |
Orquesta |
ROBERTO MAIDA |
ODEON |
5006 A |
8785 |
06/10/1936 |
|
| 2878 |
CARIÑO |
Vals Romanza |
C: Francisco Canaro
A: José González Castillo, Antonio Botta & Luis César Amadori |
Orquesta |
ADA FALCON, AGUSTIN IRUSTA & ROBERTO FUGAZOT con acomp. |
ODEON |
11258 A |
8787 |
08/10/1936 |
In Lefcovich's Canaro discography incorrectly or imprecisely: "vals"; "8752" (matrix number); "19/09/1936". |
| 2879 |
ETINCELLES |
Vals |
C: Emile Charles Waldteufel |
Orquesta |
INSTRUMENTAL |
ODEON |
5013 A |
8812 |
25/10/1936 |
|
| 2880 |
TODO ES CUESTION DE SUERTE |
Tango |
C: Enrique Pedro Delfino
A: Tabanillo (Rubén Fernández de Olivera) |
Orquesta |
ROBERTO MAIDA |
ODEON |
5011 A |
8813 |
25/10/1936 |
|
| 2881 |
FALSEDAD |
Tango |
C: Héctor María Artola
A: Alfredo Navarrine |
Orquesta |
ROBERTO MAIDA |
ODEON |
5009 B |
8814 |
25/10/1936 |
|
| 2882 |
EN LAS SOMBRAS |
Tango |
C: Joaquín Mauricio Mora
A: Manuel Andrés Meaños |
Orquesta |
ROBERTO MAIDA |
ODEON |
5010 |
8815 |
25/10/1936 |
|
| 2883 |
CARIÑO GAUCHO |
Tango |
C: Francisco Canaro & Lucio Demare
A: Claudio Martínez Payva |
Orquesta |
ROBERTO MAIDA & ANGEL RAMOS |
ODEON |
5014 A
5165 |
8822 |
18/11/1936 |
In some discographies incorrectly: "ROBERTO MAIDA". |
| 2884 |
SUEÑO FUE |
Vals |
C: Juan Canaro
A: Jesús Fernández Blanco |
Orquesta |
ROBERTO MAIDA |
ODEON |
5009 A |
8823 |
18/11/1936 |
|
| 2885 |
MILONGUITA |
Tango |
C: Enrique Pedro Delfino
A: Samuel Linning (Samuel Linnig) |
Orquesta |
ROBERTO MAIDA |
ODEON |
5013 B
5157 B
5278 A
51121 A |
8828 |
20/11/1936 |
Alternate title: "ESTHERCITA". |
| 2886 |
COFRECITO |
Vals |
C: Joaquín Mauricio Mora & N.N.
A: José María Contursi |
Orquesta |
ROBERTO MAIDA |
ODEON |
5010 |
8829 |
20/11/1936 |
|
| 2887 |
ERA UN GITANILLO |
Pasodoble |
C: Renzo Massobrio & Juan Caldarella
A: Juan Caldarella |
Orquesta |
ROBERTO MAIDA |
ODEON |
5011 B |
8830 |
20/11/1936 |
|
| 2888 |
SE EMPIEZA JUGANDO |
Ranchera |
C: Guillermo del Ciancio
A: Emilio Fresedo |
Orquesta |
ROBERTO MAIDA |
ODEON |
5014 B |
8831 |
20/11/1936 |
|
| 2889 |
PASSA L'AMORE |
Pasodoble |
C: Charlo
A: Mario Battistella |
Orquesta |
ROBERTO MAIDA |
ODEON |
5018 B
5172 |
8899 |
19/02/1937 |
In Gutiérrez Miglio's discography of Roberto Maida incorrectly: "PASA EL AMOR". |
| 2890 |
MILAGRO |
Tango |
CA: Luis Rubistein |
Orquesta |
ROBERTO MAIDA |
ODEON |
5019 A |
8900 |
19/02/1937 |
|
| 2891 |
EN VOZ BAJA |
Vals |
C: Germán Rogelio Teisseire
A: Diego E. Perkins |
Orquesta |
ROBERTO MAIDA |
ODEON |
5019 B |
8901 |
19/02/1937 |
|
| 2892 |
DON ALVARO |
Tango |
C: Charlo |
Orquesta |
INSTRUMENTAL |
ODEON |
5018 A |
8902 |
19/02/1937 |
|
| 2893 |
LA MARCHA DEL FOOT-BALL |
Marcha |
C: Alberto Soifer
A: Manuel Romero |
Orquesta |
ROBERTO MAIDA |
ODEON |
5017 B |
8907 |
23/02/1937 |
In Gutiérrez Miglio's discography of Roberto Maida incorrectly: "LA MARCHA DEL FOOTBALL". |
| 2894 |
DESENCANTO |
Tango |
C: Enrique Santos Discépolo
A: Enrique Santos Discépolo & Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
5017 A |
8908 |
23/02/1937 |
|
| 2895 |
EN UN RINCON DE HUNGRIA |
Vals |
C: Justo César Ginzo
A: Elizardo Martínez Vilas |
Orquesta |
ROBERTO MAIDA |
ODEON |
5020 B |
8909 |
23/02/1937 |
|
| 2896 |
QUE NADIE SE ENTERE |
Tango |
CA: Alberto Gómez |
Orquesta |
ROBERTO MAIDA |
ODEON |
5020 A |
8910 |
23/02/1937 |
|
| 2897 |
JAMAS |
Ranchera |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA y coro |
ODEON |
5025 A |
8941 |
10/04/1937 |
|
| 2898 |
RESENTIMIENTO |
Tango |
CA: Francisco Canaro |
Orquesta |
ROBERTO MAIDA |
ODEON |
5026 A |
8942 |
10/04/1937 |
|
| 2899 |
MAL DE AUSENCIA |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA |
ODEON |
5025 B |
8943 |
10/04/1937 |
|
| 2900 |
TIEMPOS VIEJOS |
Tango |
C: Francisco Canaro
A: Manuel Romero |
Orquesta |
ROBERTO MAIDA |
ODEON |
Muestra |
? |
XX/XX/1937 |
Missing in some discographies. Alternate title: "TE ACORDAS HERMANO". |
| 2901 |
DESCONFIALE |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA y coro |
ODEON |
5024 B |
8967 |
19/04/1937 |
|
| 2902 |
MI CORAZON |
Vals |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA |
ODEON |
5026 B |
8968 |
19/04/1937 |
|
| 2903 |
MAL DE AMORES |
Canción |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ROBERTO MAIDA & ANGEL RAMOS |
ODEON |
5024 A |
8969 |
19/04/1937 |
In some discographies incorrectly: "ROBERTO MAIDA". |
| 2904 |
TRISTE DOMINGO |
Vals Húngaro |
C: Rezső Seress
AR: Julio Rosenberg
A: Francisco Gorrindo |
Orquesta |
ROBERTO MAIDA |
ODEON |
5023 A |
8984 |
26/04/1937 |
Original title: "SZOMORÚ VASÁRNAP", English title: "GLOOMY SUNDAY". Also figuring on the record label: "Laszlo" (László Jávor, author of the original words). In Lefcovich's Canaro discography incorrectly: "INSTRUMENTAL". |
| 2905 |
NOVIA |
Tango |
C: Francisco Rofrano
A: Francisco Gorrindo |
Orquesta |
ROBERTO MAIDA |
ODEON |
5023 B
5173 |
8985 |
26/04/1937 |
The catalog number of the re-release (5173) is missing in Lefcovich's Canaro discography. |
| 2906 |
MAL DE AUSENCIA |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11262 B |
9001 |
12/05/1937 |
|
| 2907 |
JAMAS |
Ranchera |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11262 A |
9002 |
12/05/1937 |
|
| 2908 |
MI CORAZON |
Vals |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11263 B |
9003 |
12/05/1937 |
In Lefcovich's Canaro discography and Gutiérrez Miglio's discography of Ada Falcón incorrectly: "tango". |
| 2909 |
RESENTIMIENTO |
Tango |
CA: Francisco Canaro |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11263 A |
9004 |
12/05/1937 |
In Lefcovich's Canaro discography and Gutiérrez Miglio's discography of Ada Falcón incorrectly: "vals". In Lefcovich's Canaro discography incorrectly: "9001" (matrix number). |
| 2910 |
REDENCION |
Tango |
C: José Vázquez Vigo
A: Carmelo Santiago |
Orquesta |
ROBERTO MAIDA |
ODEON |
5027 |
9021 |
24/05/1937 |
|
| 2911 |
MAMITA |
Vals |
C: Julio Rosenberg
A: Alex (H. Víctor Martín Goldstrom) |
Orquesta |
ROBERTO MAIDA & ANGEL RAMOS |
ODEON |
5027 |
9022 |
24/05/1937 |
In some discographies incorrectly: "ROBERTO MAIDA". |
| 2912 |
CHARITO |
Pasodoble |
CA: Héctor Lomuto |
Orquesta |
ROBERTO MAIDA |
ODEON |
5028 B |
9023 |
24/05/1937 |
|
| 2913 |
SI YO TE CONTARA |
Tango |
C: Antonio Rodio
A: Celedonio Esteban Flores |
Orquesta |
ROBERTO MAIDA |
ODEON |
5030 A |
9024 |
24/05/1937 |
|
| 2914 |
VIEJAS ALEGRIAS |
Tango |
C: Charlo
A: Enrique Domingo Cadícamo |
Orquesta |
CHARLO con acomp. |
ODEON |
16109 B |
9025 |
26/05/1937 |
|
| 2915 |
MILONGA DE MIS AMORES |
Milonga |
C: Pedro Blanco Laurenz |
Orquesta |
INSTRUMENTAL |
ODEON |
5028 A |
9026 |
26/05/1937 |
|
| 2916 |
PA'LA MOZADA |
Polca |
C: Renzo Massobrio & Juan Caldarella
A: Jesús Fernández Blanco |
Orquesta |
ROBERTO MAIDA |
ODEON |
5030 B |
9027 |
26/05/1937 |
In Gutiérrez Miglio's discography of Roberto Maida incorrectly: "ranchera". |
| 2917 |
JUVENTUD |
Marcha |
C: Eusebio Severo Giorno
A: Arsenio Mármol |
Orquesta |
ROBERTO MAIDA |
ODEON |
5031 B |
9028 |
26/05/1937 |
|
| 2918 |
PASA EL AMOR |
Canción |
C: Charlo
A: Mario Battistella |
Orquesta |
CHARLO con acomp. |
ODEON |
16109 A |
9029 |
26/05/1937 |
Original title: "PASSA L'AMORE". |
| 2919 |
VIEJAS ALEGRIAS |
Tango |
C: Charlo
A: Enrique Domingo Cadícamo |
Orquesta |
ROBERTO MAIDA |
ODEON |
5031 A |
9030 |
27/05/1937 |
|
| 2920 |
TIEMPOS VIEJOS |
Tango |
C: Francisco Canaro
A: Manuel Romero |
Orquesta |
CHARLO con acomp. |
ODEON |
16108 A |
9031 |
27/05/1937 |
Alternate title: "TE ACORDAS HERMANO". |
| 2921 |
DESCONFIALE |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CHARLO con acomp. |
ODEON |
16108 B |
9032 |
27/05/1937 |
|
| 2922 |
NO CANTES ESE TANGO |
Tango |
C: Francisco J. Lomuto
A: Rodolfo Blas Arrigorriaga |
Orquesta |
ROBERTO MAIDA |
ODEON |
5033 A |
9033 |
27/05/1937 |
|
| 2923 |
QUE HACES PATORUZU |
Ranchera |
CA: Lito Bayardo |
Orquesta |
ROBERTO MAIDA |
ODEON |
5033 B |
9034 |
27/05/1937 |
|
| 2924 |
PARA MI GAUCHA |
Ranchera |
C: Cayetano Puglisi & Luis Elías Cosenza |
Orquesta |
INSTRUMENTAL |
ODEON |
5037 B
5196 B |
9105 |
12/06/1937 |
|
| 2925 |
LA PUÑALADA |
Tango |
C: Pintín Castellanos |
Orquesta |
INSTRUMENTAL |
ODEON |
5038 A
LDS 836 A |
9106 |
12/06/1937 |
|
| 2926 |
LA POLCA DEL AUXILIO |
Polca |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
5038 B |
9107 |
12/06/1937 |
Original title: "LA POLKA DEL AUXILIO". |
| 2927 |
NO ME PREGUNTES NADA |
Tango |
C: Angel Ciriaco Ortiz
A: Enrique Domingo Cadícamo |
Orquesta |
ROBERTO MAIDA |
ODEON |
5037 A |
9108 |
12/06/1937 |
In Lefcovich's Canaro discography incorrectly: "NO ME PREGUNTEN NADA". |
| 2928 |
DOS MUJERES Y UN CANTAR |
Pasodoble |
C: Luis María Boerr |
Orquesta |
INSTRUMENTAL |
ODEON |
5035 B
5140 B |
9113 |
20/06/1937 |
In some discographies incorrectly: "ROBERTO MAIDA". The catalog number of the re-release (5140) is missing in Lefcovich's Canaro discography; in this discography incorrectly: "18/06/1937". |
| |
DOS MUJERES Y UN CANTAR |
Pasodoble |
C: Luis María Boerr
A: Carlos C. Du Herme |
Orquesta |
ROBERTO MAIDA |
ODEON |
5035 |
9113/1 |
18/06/1937 |
Drafting error in Lefcovich's Canaro discography. |
| 2929 |
SE LO LLEVARON |
Tango |
C: Agustín Bardi |
Orquesta |
INSTRUMENTAL |
ODEON |
5035 A
5146 |
9114 |
20/06/1937 |
In Lefcovich's Canaro discography incorrectly: "18/06/1937". |
| 2930 |
COPOS DE NIEVE |
Tango |
C: Raúl Cuello Rodríguez
A: Enrique Miguel Gaudino |
Orquesta |
ROBERTO MAIDA |
ODEON |
5036 B |
9115 |
20/06/1937 |
In Lefcovich's Canaro discography incorrectly: "18/06/1937". |
| 2931 |
ESTUDIANTINA |
Vals |
CA: Ernesto Lecuona Casado |
Orquesta |
ROBERTO MAIDA |
ODEON |
5036 A
5163
DMO 55552 A |
9116 |
20/06/1937 |
In Lefcovich's Canaro discography incorrectly: "18/06/1937". |
| |
ESTUDIANTINA |
Vals |
CA: Ernesto Lecuona Casado |
Orquesta |
ROBERTO MAIDA |
ODEON |
5163 |
9116/1 |
20/06/1938 |
Drafting error in Lefcovich's Canaro discography. |
| 2932.1 |
ALLA EN EL RANCHO GRANDE |
Canción ranchera |
AR: Guillermo Posadas |
Orquesta |
INSTRUMENTAL |
ODEON (CL)? |
5032 B? |
9134 |
06/07/1937 |
Genre according to the score (Ed. Neumann, 1937); on the record labels incorrectly: "Pasodoble". According to unconfirmed sources, the instrumental version of ALLA EN EL RANCHO GRANDE was released on an Odeón Chile record. As record № 5033 A contains matrix № 9134/2 this would be record № 5032 B containing matrix № 9134 or matrix № 9134/1. |
| 2932.2 |
ALLA EN EL RANCHO GRANDE |
Canción ranchera |
AR: Guillermo Posadas |
Orquesta |
INSTRUMENTAL? |
ODEON (CL)? |
5032 B? |
9134/1 |
06/07/1937 |
Genre according to the score (Ed. Neumann, 1937); on the record labels incorrectly: "Pasodoble". According to unconfirmed sources, the instrumental version of ALLA EN EL RANCHO GRANDE was released on an Odeón Chile record. As record № 5033 A contains matrix № 9134/2 this would be record № 5032 B containing matrix № 9134 or matrix № 9134/1. |
| 2932.3 |
ALLA EN EL RANCHO GRANDE |
Canción ranchera |
AR: Guillermo Posadas |
Orquesta |
ROBERTO MAIDA (contracanto por FRANCISCO CANARO) |
ODEON |
5039 B
5062 B |
9134/2 |
06/07/1937 |
Missing in some discographies. Genre according to the score (Ed. Neumann, 1937); on the record labels incorrectly: "Pasodoble". |
| 2933 |
CARA SUCIA |
Tango |
C: Francisco Canaro
A: Juan Andrés Caruso |
Orquesta |
ROBERTO MAIDA |
ODEON |
5039 A
5152 A |
9135 |
06/07/1937 |
|
| 2934 |
PURA MILONGA |
Tango |
C: José Domingo Pécora |
Orquesta |
INSTRUMENTAL |
ODEON |
5041 A
5140 A |
9138 |
10/08/1937 |
|
| 2935 |
YO QUIERO UNA MUJER |
Polca |
CA: Héctor Marcó (Héctor Domingo Marcolongo) |
Orquesta |
ROBERTO MAIDA |
ODEON |
5045 B
DMO 55552 B |
9139 |
10/08/1937 |
|
| 2936 |
MILONGA TRISTE |
Milonga |
C: Sebastián Piana
A: Homero Manzi |
Orquesta |
ROBERTO MAIDA |
ODEON |
5052 B
51113 B |
9140 |
10/08/1937 |
|
| 2937 |
MILONGA DE ANTAÑO |
Milonga |
C: Francisco Rofrano |
Orquesta |
INSTRUMENTAL |
ODEON |
5045 A
DMO 55552 B |
9146 |
19/08/1937 |
|
| 2938 |
INVIERNO |
Tango |
C: Horacio G. Pettorossi
A: Enrique Domingo Cadícamo |
Orquesta |
ROBERTO MAIDA |
ODEON |
5043 B |
9147 |
19/08/1937 |
|
| 2939 |
EL CANTAR DE UN BOHEMIO |
Pasodoble bolero |
C: Feliciano Juan Brunelli |
Orquesta |
INSTRUMENTAL |
ODEON |
5043 A |
9148 |
19/08/1937 |
In Lefcovich's Canaro discography imprecisely: "pasodoble". |
| 2940 |
CHINITA MIA |
Ranchera |
C: José Ranieri |
Orquesta |
INSTRUMENTAL |
ODEON |
5041 B
5146 |
9149 |
19/08/1937 |
|
| 2941 |
AMELIA |
Polca |
C: Domingo Santa Cruz |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4100 B |
9154 |
26/08/1937 |
|
| 2942 |
VIENTO EN POPA |
Tango |
C: Rosendo A. Mendizábal |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4100 A |
9155 |
26/08/1937 |
|
| 2943 |
PERICON NACIONAL |
Pericón |
C: Gerardo Grasso |
Orquesta |
INSTRUMENTAL |
ODEON |
5052 A
51113 A |
9156 |
26/08/1937 |
|
| 2944 |
GALLEGA |
Pasodoble |
CA: Antonio Bonavena |
Orquesta |
ROBERTO MAIDA |
ODEON |
5050 B |
9168 |
28/09/1937 |
|
| 2945 |
VIEJOS TIEMPOS |
Tango |
C: Carlos Gardel
A: Alfredo Le Pera |
Orquesta |
ROBERTO MAIDA |
ODEON |
5050 A |
9169 |
28/09/1937 |
|
| 2946 |
JUGANDO AL AMOR |
Polca |
C: Juan Canaro
A: Carlos Pesce |
Orquesta |
ROBERTO MAIDA |
ODEON |
5047 B
5154 |
9170 |
28/09/1937 |
|
| 2947 |
PICARONA |
Ranchera |
C: Antonino Adelino Cipolla
A: Alfredo Angel Pelaia |
Orquesta |
ROBERTO MAIDA |
ODEON |
5049 |
9171 |
28/09/1937 |
|
| 2948 |
EL DIA QUE YO PUEDA |
Tango |
C: Francisco Canaro
A: Celedonio Esteban Flores |
Orquesta |
ROBERTO MAIDA |
ODEON |
5047 A
5062 A
LDS 836 B |
9172 |
28/09/1937 |
|
| 2949 |
Y SE FUE LA VIEJA |
Tango |
CA: Miguel Eusebio Bucino |
Orquesta |
ROBERTO MAIDA |
ODEON |
5049 |
9173 |
28/09/1937 |
|
| 2950 |
ESPERAR |
Vals |
CA: Enrique Santos Discépolo |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11264 B |
9174 |
29/09/1937 |
|
| 2951 |
EL DIA QUE YO PUEDA |
Tango |
C: Francisco Canaro
A: Celedonio Esteban Flores |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11264 A |
9175 |
29/09/1937 |
|
| 2952 |
NO CANTES VICTORIA |
Tango |
C: Juan Canaro |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4101 B |
9176 |
29/09/1937 |
In Lefcovich's Canaro discography incorrectly: "4161" (catalog number). |
| 2953 |
MUÑECA DE CRISTAL |
Vals |
C: Ernesto Lecuona Casado |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4101 A |
9177 |
29/09/1937 |
In Lefcovich's Canaro discography incorrectly: "4161" (catalog number). |
| 2954 |
CONDENA |
Tango |
C: Enrique Santos Discépolo & Francisco Pracánico
A: Enrique Santos Discépolo |
Orquesta |
ROBERTO MAIDA |
ODEON |
5056 A |
9204 |
08/11/1937 |
|
| 2955 |
AMANECIENDO |
Ranchera |
C: Humberto Canaro
A: Luis Casanova |
Orquesta |
ROBERTO MAIDA |
ODEON |
5056 B |
9205 |
08/11/1937 |
|
| 2956 |
RINCON FLORIDO |
Tango |
C: Zayra Canicoba
A: Oscar Lomuto |
Orquesta |
ROBERTO MAIDA |
ODEON |
5057 B |
9206 |
08/11/1937 |
|
| 2957 |
LA NOCHE QUE ME ESPERES |
Vals |
CA: Juan Canaro |
Orquesta |
ROBERTO MAIDA |
ODEON |
5057 A
LDS 836 B |
9207 |
08/11/1937 |
|
| 2958 |
LAS CUARENTA |
Tango |
C: Roberto León Grela
A: Francisco Gorrindo |
Orquesta |
ROBERTO MAIDA |
ODEON |
5053 A
LDS 836 B |
9208 |
08/11/1937 |
|
| 2959.1 |
ARGENTINA |
Ranchera |
CA: Héctor Lomuto |
Orquesta |
ROBERTO MAIDA |
ODEON |
— |
9209 |
08/11/1937 |
|
| 2959.2 |
ARGENTINA |
Ranchera |
CA: Héctor Lomuto |
Orquesta |
ROBERTO MAIDA |
ODEON |
5053 B |
9209/1 |
08/11/1937 |
Missing in some discographies. |
| 2960 |
LOS TIEMPOS CAMBIAN |
Tango |
C: Pascual Biafore |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4102 B |
9214 |
15/11/1937 |
According to some discographies: "11/11/1937". |
| 2961 |
QUIERO QUE ME QUIERAS |
Vals |
C: Antonio Sureda |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4102 A |
9215 |
15/11/1937 |
|
| 2962 |
EL CHOCLO |
Tango |
C: Angel G. Villoldo |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4103 A
51083 A |
9216 |
15/11/1937 |
|
| 2963 |
RECUERDOS |
Polca |
C: Domingo Santa Cruz |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4103 B
51083 B |
9217 |
15/11/1937 |
Missing in Lefcovich's Canaro discography. |
| 2964 |
RECUERDOS DE PARIS |
Tango |
C: Mario Canaro
A: Carmelo Santiago |
Orquesta |
ROBERTO MAIDA |
ODEON |
5055 B |
9218 |
16/11/1937 |
|
| 2965 |
AY MI NENA |
Vals |
C: Francisco J. Lomuto
A: Antonio Botta |
Orquesta |
ROBERTO MAIDA |
ODEON |
5055 A |
9219 |
16/11/1937 |
|
| 2966 |
BOYERA |
Tonada del Carretero |
C: Andrés R. Domenech & Pedro Rubbione
A: Alberto Vacarezza |
Orquesta |
FRANCISCO AMOR con acomp. |
ODEON |
16400 A
46109 B |
9228 |
24/11/1937 |
The catalog number of the re-release (46109) is missing in Lefcovich's Canaro discography. |
| 2967.1 |
VIDALITAS |
Canción |
C: Andrés R. Domenech & Pedro Rubbione
A: Alberto Vacarezza |
Orquesta |
FRANCISCO AMOR con acomp. |
ODEON |
— |
9229 |
24/11/1937 |
In Lefcovich's Canaro discography incorrectly: "MULITA". |
| 2967.2 |
VIDALITAS |
Canción |
C: Andrés R. Domenech & Pedro Rubbione
A: Alberto Vacarezza |
Orquesta |
FRANCISCO AMOR con acomp. |
ODEON |
16400 B |
9229/1 |
24/11/1937 |
Missing in Lefcovich's Canaro discography. |
| 2968 |
PACIENCIA |
Tango |
C: Juan D'Arienzo
A: Francisco Gorrindo |
Orquesta |
ROBERTO MAIDA |
ODEON |
5059 A
LDS 836 A |
9316 |
03/03/1938 |
|
| 2969 |
EL ADIOS |
Tango |
C: Maruja Pacheco Huergo
A: Virgilio San Clemente |
Orquesta |
ROBERTO MAIDA |
ODEON |
5059 B
LDS 836 B |
9317 |
03/03/1938 |
|
| 2970 |
CUANDO EL CORAZON |
Tango |
C: Francisco Canaro
A: Carmelo Santiago |
Orquesta |
ROBERTO MAIDA |
ODEON |
5060 A
LDS 836 A |
9318 |
03/03/1938 |
|
| 2971 |
LA MELODIA DE NUESTRO ADIOS |
Tango |
C: Fioravanti Di Cicco |
Orquesta |
INSTRUMENTAL |
ODEON |
5060 B |
9319 |
03/03/1938 |
|
| 2972 |
HAY QUE ACLARAR |
Tango |
C: Francisco Canaro
A: Gerónimo Félix Martinelli Massa & Ismael Roberto Aguilar |
Orquesta |
ROBERTO MAIDA |
ODEON |
5061 A |
9320 |
03/03/1938 |
|
| 2973 |
MILONGA DEL CORAZON |
Milonga |
CA: Miguel Eusebio Bucino |
Orquesta |
ROBERTO MAIDA |
ODEON |
5061 B |
9321 |
03/03/1938 |
|
| 2974 |
LA CLAVADA |
Tango |
C: Ernesto Federico Zambonini |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4104 A
30104 B |
9322 |
03/03/1938 |
The catalog number of the re-release (30104) is missing in Lefcovich's Canaro discography. |
| 2975 |
EL PARDO CEJAS |
Tango |
C: Prudencio Aragón |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4104 B |
9323 |
03/03/1938 |
|
| 2976 |
DERECHO VIEJO |
Tango |
C: Eduardo Arolas |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4106 B |
9340 |
15/03/1938 |
|
| 2977 |
VIBRACIONES DEL ALMA |
Vals |
C: Francisco Canaro |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4106 A |
9341 |
15/03/1938 |
|
| 2978 |
LORENZO |
Tango |
C: Agustín Bardi |
Orquesta |
INSTRUMENTAL |
ODEON |
5063 A |
9346 |
24/03/1938 |
|
| 2979 |
RETINTIN |
Tango |
C: Eduardo Arolas |
Orquesta |
INSTRUMENTAL |
ODEON |
5063 B |
9347 |
24/03/1938 |
|
| 2980 |
PAMPA |
Tango |
C: Francisco Pracánico |
Orquesta |
INSTRUMENTAL |
ODEON |
5064 A
5154 |
9348 |
24/03/1938 |
|
| 2981 |
CORAZON DE ORO |
Vals |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
5064 B
5084 B |
9349 |
24/03/1938 |
|
| 2982 |
DON ESTEBAN |
Tango |
C: Augusto Pedro Berto |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4105 A
51084 A |
9350 |
24/03/1938 |
The catalog number of the re-release (51084) is missing in Lefcovich's Canaro discography. |
| 2983 |
RODRIGUEZ PEÑA |
Tango |
C: Vicente Greco |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4105 B
51084 B |
9351 |
24/03/1938 |
In Lefcovich's Canaro discography incorrectly: "4107" (catalog number). |
| 2984 |
FILOMENA |
Pasodoble |
C: Federico Ruiz Díaz & Guillermo Posadas
A: G. Ross (Jorge del Moral Ugarte) |
Orquesta |
ROBERTO MAIDA |
ODEON |
5065 A |
9371 |
21/04/1938 |
Genre according to the score (Ed. Fermata, 1938): "marcha-pasodoble". |
| 2985 |
HISTORIA SENTIMENTAL |
Milonga |
C: Humberto Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
5065 B
DMO 55552 A |
9372 |
21/04/1938 |
In some discographies incorrectly: "ROBERTO MAIDA". |
| 2986 |
INDIFERENCIA |
Tango |
C: Rodolfo Biagi
A: Juan Carlos Thorry |
Orquesta |
ROBERTO MAIDA |
ODEON |
5066 A |
9373 |
21/04/1938 |
|
| 2987 |
SUEÑO DE AMOR |
Vals |
C: Humberto Canaro
A: Angel Greco |
Orquesta |
ROBERTO MAIDA |
ODEON |
5066 B |
9374 |
21/04/1938 |
|
| 2988 |
ZORRO GRIS |
Tango |
C: Rafael Tuegols |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4107 A
51086 A |
9375 |
21/04/1938 |
|
| 2989 |
MARIANITO |
Tango |
C: Domingo Salerno |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4107 B
51086 B |
9376 |
21/04/1938 |
|
| 2990.1 |
AVE DE PASO |
Tango |
C: Charlo
A: Enrique Domingo Cadícamo |
Orquesta |
ROBERTO MAIDA |
ODEON |
— |
9382 |
26/04/1938 |
|
| 2990.2 |
AVE DE PASO |
Tango |
C: Charlo
A: Enrique Domingo Cadícamo |
Orquesta |
ROBERTO MAIDA |
ODEON |
5071 A |
9382/1 |
26/04/1938 |
Missing in some discographies. |
| 2991 |
ANDALUCIA CANTA |
Pasodoble |
CA: Manuel García Matos |
Orquesta |
ROBERTO MAIDA |
ODEON |
5071 B |
9383 |
26/04/1938 |
|
| 2992 |
EL POLLO RICARDO |
Tango |
C: Luis Alberto Fernández |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4108 A
51087 A |
9396 |
09/05/1938 |
|
| 2993 |
CHAMPAGNE TANGO |
Tango |
C: Manuel Gregorio Aróztegui |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4108 B
51087 B |
9397 |
09/05/1938 |
|
| 2994 |
25 DE MAYO |
Tango |
C: José Luis Padula
A: Enrique Domingo Cadícamo |
Orquesta |
ROBERTO MAIDA |
ODEON |
5069 A |
9398 |
09/05/1938 |
|
| 2995 |
ESPAÑA CAÑI |
Pasodoble |
C: Pascual Marquina Narro |
Orquesta |
INSTRUMENTAL |
ODEON |
5069 B
30131 B |
9399 |
09/05/1938 |
|
| 2996 |
MUCHACHITA DEL CAMPO |
Tango |
C: Francisco J. Lomuto
A: Manuel Romero |
Orquesta |
ROBERTO MAIDA & ANGEL RAMOS |
ODEON |
5067 A |
9420 |
23/05/1938 |
In some discographies incorrectly: "ROBERTO MAIDA". |
| 2997 |
LA MILONGA DE MIS TIEMPOS |
Milonga |
C: Luis Riccardi |
Orquesta |
INSTRUMENTAL |
ODEON |
5067 B
DMO 55552 A |
9421 |
23/05/1938 |
In Lefcovich's Canaro discography incorrectly: "DE MIS TIEMPOS". |
| 2998 |
LA CANCION DEL CAMINO |
Marcha |
C: Francisco J. Lomuto
A: Manuel Romero |
Orquesta |
ROBERTO MAIDA y coro |
ODEON |
5068 A
5161 |
9422 |
23/05/1938 |
In some discographies incorrectly: "tango". |
| 2999 |
FIEBRE |
Tango |
C: Humberto Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
5068 B |
9423 |
23/05/1938 |
On the record label incorrectly: "Tango con estribillo". |
| 3000 |
POR TU QUERER |
Tango |
C: Roberto Girard |
Orquesta |
INSTRUMENTAL |
ODEON |
5070 A |
9424 |
23/05/1938 |
|
| 3001 |
CUANDO EL CORAZON |
Tango |
C: Francisco Canaro
A: Carmelo Santiago |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11265 A |
9425 |
23/05/1938 |
|
| 3002 |
MILONGA DEL CORAZON |
Milonga |
CA: Miguel Eusebio Bucino |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11265 B |
9426 |
23/05/1938 |
|
| 3003 |
AURA QUE NO VE LA VIEJA |
Ranchera |
C: Víctor Pontino
A: José González Castillo |
Orquesta |
ROBERTO MAIDA |
ODEON |
5070 B |
9427 |
23/05/1938 |
|
| 3004 |
POBRE CORAZON |
Tango |
C: Lucio Demare
A: Alfredo Navarrine |
Orquesta |
AGUSTIN IRUSTA con acomp. |
ODEON |
14171 A |
9429 |
26/05/1938 |
In Lefcovich's Canaro discography incorrectly: "NO PUEDE SER"; "vals". |
| 3005 |
ESTE AMOR |
Vals |
C: Lucio Demare
A: Alfredo Navarrine |
Orquesta |
AGUSTIN IRUSTA con acomp. |
ODEON |
14171 B |
9430 |
26/05/1938 |
In Lefcovich's Canaro discography incorrectly: "tango". |
| 3006 |
MATE AMARGO |
Tango |
C: Prudencio Aragón |
Orquesta |
INSTRUMENTAL |
ODEON |
5088 B |
9459 |
20/06/1938 |
|
| 3007 |
PURA PARADA |
Tango |
C: Juan Francisco Noli |
Orquesta |
INSTRUMENTAL |
ODEON |
5073 B |
9460 |
20/06/1938 |
|
| 3008 |
ADIOS MUCHACHOS |
Tango |
C: Julio César Sanders
A: César Felipe Vedani |
Orquesta |
ROBERTO MAIDA |
ODEON |
5095 A |
9461 |
20/06/1938 |
|
| 3009 |
MILONGA BRAVA |
Milonga |
C: Antonino Adelino Cipolla
A: Celedonio Esteban Flores |
Orquesta |
ROBERTO MAIDA |
ODEON |
5073 A |
9462 |
20/06/1938 |
Registered under the title "YO FUI LA MILONGA BRAVA". |
| 3010 |
PEDILE PERMISO |
Polca humorística |
C: Alberto Gambino
A: Jesús Fernández Blanco |
Orquesta |
ROBERTO MAIDA |
ODEON |
5072 B |
9463 |
20/06/1938 |
In Gutiérrez Miglio's discography of Roberto Maida incorrectly: "ranchera". |
| 3011 |
YO TAMBIEN FUI PIBE |
Tango |
C: Agustín Bardi
A: César Felipe Vedani |
Orquesta |
ROBERTO MAIDA |
ODEON |
5072 A |
9464 |
20/06/1938 |
|
| 3012 |
ALMA EN PENA |
Tango |
C: Anselmo Alfredo Aieta |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4109 B
51088 B |
9465 |
20/06/1938 |
|
| 3013 |
LOCA |
Tango |
C: Manuel Jovés |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4109 A
51088 A |
9466 |
20/06/1938 |
|
| 3014.1 |
MILONGON |
Milongón |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
— |
9467 |
20/06/1938 |
In Lefcovich's Canaro discography incorrectly: "milonga"; "51088" (catalog number of the re-release). |
| 3014.2 |
MILONGON |
Milongón |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
— |
9467/1 |
20/06/1938 |
Missing in some discographies. |
| 3014.3 |
MILONGON |
Milongón |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
5081 A |
9467/2 |
20/06/1938 |
Missing in some discographies. On the record label it says: "Con este disco cúmplensen [sic] las 4.000 grabaciones realizadas para "ODEON" por Francisco Canaro" (With this record the recordings realized by Francisco Canaro for "ODEON" reach 4000). |
| 3015 |
LA MALEVA |
Tango |
C: Antonio Buglione |
Orquesta |
INSTRUMENTAL |
ODEON |
5075 A
LDS 836 A |
9511 |
14/07/1938 |
|
| 3016 |
PECADO MORTAL |
Tango |
C: Ada Falcón |
Orquesta |
INSTRUMENTAL |
ODEON |
5074 B |
9512 |
14/07/1938 |
|
| 3017 |
RELIQUIAS PORTEÑAS |
Milonga |
C: Graciano De Leone |
Orquesta |
INSTRUMENTAL |
ODEON |
5075 B |
9513 |
14/07/1938 |
|
| 3018 |
EL GARRON |
Tango |
C: Celestino Pantaleón Ferrer |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4110 B
51089 B |
9514 |
14/07/1938 |
On the record label incorrectly: "Aurelio Ferrer" (C). |
| 3019 |
EL ALACRAN |
Tango |
C: Francisco Canaro |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4110 A
51089 A |
9515 |
14/07/1938 |
|
| 3020 |
TI-PI-TIN |
Vals |
CA: María Grever |
Orquesta |
ROBERTO MAIDA |
ODEON |
5074 A |
9533 |
26/07/1938 |
In Lefcovich's Canaro discography incorrectly: "TI PI TIN". |
| 3021.1 |
FRIO |
Tango |
C: Joaquín Mauricio Mora
A: José María Contursi |
Orquesta |
ROBERTO MAIDA |
ODEON |
— |
9534 |
26/07/1938 |
|
| 3021.2 |
FRIO |
Tango |
C: Joaquín Mauricio Mora
A: José María Contursi |
Orquesta |
ROBERTO MAIDA |
ODEON |
5076 A |
9534/1 |
26/07/1938 |
Missing in some discographies. |
| 3022 |
LA CANCION DEL GITANO |
Pasodoble |
C: José Francisco García |
Orquesta |
INSTRUMENTAL |
ODEON |
5076 B
5196 A |
9535 |
26/07/1938 |
The catalog number of the re-release (5196) is missing in Lefcovich's Canaro discography. |
| 3023 |
ENTRADA PROHIBIDA |
Tango |
C: Luis Teisseire |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4111 A |
9557 |
04/08/1938 |
According to Lefcovich's Canaro discography: "02/08/1938". |
| 3024 |
ALFREDO |
Tango |
C: Humberto Canaro |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4111 B |
9558 |
04/08/1938 |
According to Lefcovich's Canaro discography: "02/08/1938". |
| 3025 |
SALU SALU |
Rumba |
C: Francisco Canaro
A: Homero Manzi |
Orquesta |
FRANCISCO AMOR |
ODEON |
5081 B |
9559 |
04/08/1938 |
Original title: "SALUD SALUD". According to some discographies: "02/08/1938". |
| 3026 |
TU YA NO SOPLAS |
Pasodoble |
C: Lorenzo Barcelata Castro
A: Ernesto M. Cortázar Hernández |
Orquesta |
ROBERTO MAIDA |
ODEON |
5079 A |
9592 |
22/08/1938 |
In some discographies incorrectly: "corrido". |
| 3027 |
TU BONDAD |
Tango |
C: Mario Canaro
A: Celedonio Esteban Flores |
Orquesta |
ROBERTO MAIDA |
ODEON |
5079 B |
9593 |
22/08/1938 |
|
| 3028 |
DESALIENTO |
Tango |
C: Armando Baliotti
A: Luis Castiñeira (Benigno Luis Castiñeira) |
Orquesta |
ROBERTO MAIDA |
ODEON |
5077 A |
9594 |
22/08/1938 |
|
| 3029 |
ROMANTICA |
Vals |
C: Félix Lipesker
A: Homero Manzi |
Orquesta |
ROBERTO MAIDA |
ODEON |
5077 B
52367
LDS 836 A |
9595 |
22/08/1938 |
|
| 3030 |
NADA MAS |
Tango |
CA: Juan D'Arienzo & Luis Rubistein |
Orquesta |
ROBERTO MAIDA |
ODEON |
5078 A |
9596 |
22/08/1938 |
|
| 3031 |
DOLOR GITANO |
Pasodoble |
C: Anselmo Alfredo Aieta
A: Jesús Fernández Blanco |
Orquesta |
ROBERTO MAIDA |
ODEON |
5078 B |
9597 |
22/08/1938 |
|
| 3032 |
MILONGON |
Milongón |
C: Francisco Canaro
A: Homero Manzi |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11267 A |
9636 |
28/09/1938 |
In some discographies incorrectly: "milonga". |
| 3033 |
NADA MAS |
Tango |
CA: Juan D'Arienzo & Luis Rubistein |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11268 A |
9637 |
28/09/1938 |
|
| 3034 |
SALU SALU |
Rumba |
C: Francisco Canaro
A: Homero Manzi |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11267 B |
9638 |
28/09/1938 |
Original title: "SALUD SALUD". |
| 3035 |
NO MIENTAS |
Tango |
C: Alfredo Mario Lattero & Salustiano Paco Varela (Héctor Varela)
A: Héctor Marcó (Héctor Domingo Marcolongo) |
Orquesta |
ADA FALCON con acomp. |
ODEON |
11268 B |
9639 |
28/09/1938 |
|
| 3036 |
EL TRIUNFO DE TUS OJOS |
Vals |
CA: Juan Canaro |
Orquesta |
ROBERTO MAIDA |
ODEON |
5080 B |
9646 |
07/10/1938 |
|
| 3037 |
VIEJA AMIGA |
Tango |
C: Pedro Blanco Laurenz |
Orquesta |
INSTRUMENTAL |
ODEON |
5080 A |
9647 |
07/10/1938 |
In some discographies incorrectly: "ROBERTO MAIDA". |
| 3038 |
NO ME JURES |
Vals |
CA: Roberto Puccio & Miguel Angel Puccio |
Orquesta |
ROBERTO MAIDA |
ODEON |
5083 A |
9648 |
07/10/1938 |
|
| 3039 |
DESPRECIO |
Tango |
C: Ricardo Tanturi
A: Francisco García Jiménez |
Orquesta |
ROBERTO MAIDA |
ODEON |
5083 B |
9649 |
07/10/1938 |
|
| 3040.1 |
CIERTOS AMORES |
Tango |
C: Rafael Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
— |
9650 |
07/10/1938 |
In Lefcovich's Canaro discography incorrectly: "CIERTO AMORES". |
| 3040.2 |
CIERTOS AMORES |
Tango |
C: Rafael Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
5089 B |
9650/1 |
07/10/1938 |
Missing in some discographies. |
| 3041 |
MI BUENOS AIRES |
Milonga |
C: Francisco Rofrano |
Orquesta |
INSTRUMENTAL |
ODEON |
5091 B |
9651 |
07/10/1938 |
In Lefcovich's Canaro discography incorrectly: "5089" (catalog number). |
| 3042 |
CALLECITA DE MI NOVIA |
Tango |
C: Francisco J. Lomuto
A: Antonio Botta |
Orquesta |
ROBERTO MAIDA |
ODEON |
5090 A |
9717 |
18/11/1938 |
|
| 3043 |
OLVIDAME |
Tango |
CA: Miguel Eusebio Bucino |
Orquesta |
ROBERTO MAIDA |
ODEON |
5085 B |
9718 |
18/11/1938 |
|
| 3044 |
SANGRE DE SUBURBIO |
Tango |
C: Héctor Palacios (Héctor Eloy Eguía)
A: Iván Diez (Augusto Arturo Martini) |
Orquesta |
ROBERTO MAIDA |
ODEON |
5092 A |
9719 |
18/11/1938 |
|
| 3045 |
QUEBRANTO |
Tango |
C: Ateo Dapiaggi
A: Francisco Antonio Lío |
Orquesta |
ROBERTO MAIDA |
ODEON |
5086 B |
9720 |
18/11/1938 |
|
| 3046 |
MADRESELVA |
Tango |
C: Francisco Canaro
A: Luis César Amadori |
Orquesta |
ROBERTO MAIDA |
ODEON |
5084 A
LDS 836 A |
9721 |
18/11/1938 |
|
| 3047 |
QUE COSA MAS LINDA |
Ranchera |
C: Rodolfo Pascual Sciammarella
A: Alberto Vacarezza |
Orquesta |
ROBERTO MAIDA |
ODEON |
5086 A |
9725 |
25/11/1938 |
Original title: "QUE COSA MAS LINDA BAILAR LA RANCHERA". |
| 3048 |
YO SERE COMO TU QUIERAS |
Tango |
CA: Héctor Lomuto |
Orquesta |
ROBERTO MAIDA |
ODEON |
5087 A |
9726 |
25/11/1938 |
On the record label incorrectly: "F. Lomuto" (Francisco Lomuto) (CA). |
| 3049 |
SUFRA |
Tango |
C: Francisco Canaro |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4112 B |
9727 |
25/11/1938 |
|
| 3050 |
NUBES DE HUMO (FUME COMPADRE) |
Tango |
C: Manuel Jovés |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4112 A
30105 A |
9728 |
25/11/1938 |
The alternate title is missing in Lefcovich's Canaro discography. In this discography incorrectly: "30106" (catalog number of the re-release). |
| 3051 |
DIME QUE SI |
Vals |
C: Alfonso Esparza Oteo
A: Alfonso Espriú Herrera |
Orquesta |
FRANCISCO AMOR |
ODEON |
5085 A |
9736 |
29/11/1938 |
|
| 3052 |
FAROLITO |
Vals |
C: Agustín Lara Aguirre
A: María Teresa Lara |
Orquesta |
FRANCISCO AMOR |
ODEON |
5089 A |
9737 |
29/11/1938 |
|
| 3053 |
SUPLICIO |
Tango |
C: Carlos Viván
A: Francisco Bohigas |
Orquesta |
ROBERTO MAIDA |
ODEON |
5091 A |
9747 |
03/12/1938 |
|
| 3054 |
LA PUESTERA |
Ranchera |
C: Humberto Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
5090 B |
9748 |
03/12/1938 |
|
| 3055 |
TRES [sic] JOLIE |
Vals |
C: Emile Charles Waldteufel |
Orquesta |
INSTRUMENTAL |
ODEON |
5095 B
DMO 55552 A |
9749 |
03/12/1938 |
Correct title: "TRÈS JOLIE" (Very pretty). |
| 3056 |
CALLEJON ANDALUZ |
Pasodoble |
C: Daniel Cauvilla Prim |
Orquesta |
INSTRUMENTAL |
ODEON |
5087 B |
9750 |
03/12/1938 |
In some discographies incorrectly: "ROBERTO MAIDA". |
| 3057 |
MANO A MANO |
Tango |
C: Carlos Gardel & José Razzano
A: Celedonio Esteban Flores |
Orquesta |
ROBERTO MAIDA |
ODEON |
5088 A |
9756 |
13/12/1938 |
|
| 3058 |
AL SON DEL ACORDEON |
Ranchera |
C: Pascual Biafore
A: Atilano Ortega Sanz |
Orquesta |
FRANCISCO AMOR |
ODEON |
5092 B |
9757 |
13/12/1938 |
In some discographies incorrectly: "ROBERTO MAIDA". |
| 3059 |
EL 16 |
Tango |
C: Alberico Spátola |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4113 B |
9758 |
13/12/1938 |
Original title: "16". |
| 3060 |
LA VIRUTA |
Tango |
C: Vicente Greco |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4113 A
30105 B |
9759 |
13/12/1938 |
The catalog number of the re-release (30105) is missing in Lefcovich's Canaro discography. |
| 3061.1 |
POR VOS YO ME ROMPO TODO |
Tango |
CA: Francisco Canaro |
Orquesta |
ERNESTO FAMA |
ODEON |
5093 A |
9814 |
27/02/1939 |
|
| 3061.2 |
POR VOS YO ME ROMPO TODO |
Tango |
CA: Francisco Canaro |
Orquesta |
ERNESTO FAMA |
ODEON |
5093 A |
9814/1 |
27/02/1939 |
Missing in some discographies. |
| 3062 |
MALA SUERTE |
Tango |
C: Francisco J. Lomuto
A: Francisco Gorrindo |
Orquesta |
ERNESTO FAMA |
ODEON |
5094 A |
9815 |
27/02/1939 |
|
| 3063 |
DONDE ANDARA |
Tango |
C: Juan Canaro
A: Carlos Pesce |
Orquesta |
ERNESTO FAMA |
ODEON |
5094 B
LDS 836 B |
9816 |
27/02/1939 |
|
| 3064 |
A LA HUACACHINA |
Pasodoble |
C: Francisco Pérez Anampa
A: Carlos Saco Herrera |
Orquesta |
FRANCISCO AMOR |
ODEON |
5093 B |
9817 |
27/02/1939 |
|
| 3065 |
MULITA |
Canción |
CA: Francisco Amor |
Orquesta |
FRANCISCO AMOR |
ODEON |
5112 A
46109 A |
9818 |
27/02/1939 |
The catalog number of the re-release (46109) is missing in some discographies. |
| 3066 |
EL BROCAL |
Estilo |
C: Francisco Canaro
A: Juan Andrés Caruso |
Orquesta |
FRANCISCO AMOR |
ODEON |
5112 B |
9819 |
27/02/1939 |
|
| 3067 |
TORMENTA |
Tango |
CA: Enrique Santos Discépolo |
Orquesta |
ERNESTO FAMA |
ODEON |
5096 A |
9838 |
28/03/1939 |
|
| 3068 |
NOCHE DE ESTRELLAS |
Vals |
C: José Luis Padula
A: Enrique Domingo Cadícamo |
Orquesta |
ERNESTO FAMA |
ODEON |
5096 B
LDS 805 A
LDS 836 B |
9839 |
28/03/1939 |
|
| 3069 |
VANIDAD |
Tango |
C: Gerardo Hernán Matos Rodríguez
A: Washington Montreal |
Orquesta |
ERNESTO FAMA |
ODEON |
5097 A |
9840 |
28/03/1939 |
|
| 3070 |
QUE IMPORTA |
Tango |
C: Ricardo Tanturi
A: Juan Carlos Thorry |
Orquesta |
ERNESTO FAMA |
ODEON |
5102 B |
9841 |
28/03/1939 |
|
| 3071 |
TRA-LA-LA |
Vals |
C: Luis Teisseire & Germán Rogelio Teisseire
A: Jesús Fernández Blanco |
Orquesta |
ERNESTO FAMA |
ODEON |
5102 A |
9842 |
28/03/1939 |
|
| 3072 |
MATE COCIDO |
Ranchera |
C: Enrique N. García
A: Lito Bayardo |
Orquesta |
FRANCISCO AMOR |
ODEON |
5097 B |
9849 |
30/03/1939 |
In Lefcovich's Canaro discography incorrectly: "tango". In some discographies incorrectly: "ERNESTO FAMA". |
| 3073.1 |
LA ZANDUNGA |
Canción Popular Mexicana, en tiempo de Vals |
AR: Guillermo Posadas |
Orquesta |
FRANCISCO AMOR |
ODEON |
— |
9850 |
30/03/1939 |
|
| 3073.2 |
LA ZANDUNGA |
Canción Popular Mexicana, en tiempo de Vals |
AR: Guillermo Posadas |
Orquesta |
FRANCISCO AMOR |
ODEON |
5099 A
5264 B |
9850/1 |
30/03/1939 |
Missing in some discographies. |
| 3074 |
LO PASAO PASO |
Tango |
CA: Miguel Eusebio Bucino |
Orquesta |
ERNESTO FAMA |
ODEON |
5099 B
LDS 805 B |
9851 |
30/03/1939 |
|
| 3075 |
Y NO PUEDE SER |
Tango |
C: Aníbal Carmelo Troilo
A: José María Contursi |
Orquesta |
ERNESTO FAMA |
ODEON |
5108 A |
9852 |
30/03/1939 |
|
| 3076 |
EL FLETE |
Tango |
C: Vicente Greco |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4114 B
52664 A |
9853 |
30/03/1939 |
The catalog number of the re-release (52664) is missing in some discographies. |
| 3077.1 |
DUELO CRIOLLO |
Tango |
C: Juan Bautista Domingo Rezzano |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
— |
9854 |
30/03/1939 |
In Lefcovich's Canaro discography incorrectly: "Vicente Greco" (C). |
| 3077.2 |
DUELO CRIOLLO |
Tango |
C: Juan Bautista Domingo Rezzano |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4114 A |
9854/1 |
30/03/1939 |
Missing in some discographies. |
| 3078 |
EL PARAGÜERO |
Arreglo en tiempo de Ranchera |
C: Vincent Rose & Larry Stock
A: Artemia Victoria Lavelli |
Orquesta |
ERNESTO FAMA |
ODEON |
5098 A |
9888 |
13/04/1939 |
Original title: "UMBRELLA MAN". Also figuring on the record label: "J. Cavanaugh" (James Cavanaugh, author of the original words). |
| 3079 |
ESPAÑA Y ARGENTINA |
Pasodoble |
C: Ataliva Montenegro
A: Hilario Flores de Quintana |
Orquesta |
ERNESTO FAMA |
ODEON |
5108 B |
9889 |
13/04/1939 |
|
| 3080 |
QUIERO VERTE UNA VEZ MAS |
Tango |
C: Mario Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
5098 B |
9890 |
13/04/1939 |
|
| 3081 |
LO QUE ESTA BIEN ESTA BIEN |
Tango |
C: Roberto Firpo |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4115 A |
9891 |
13/04/1939 |
Original title: "LO QUE ESTA BIEN 'TA BIEN". |
| 3082 |
DE MI FLOR |
Tango |
C: Roberto Firpo |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4115 B |
9892 |
13/04/1939 |
|
| 3083 |
MAS ALLA |
Tango |
C: Joaquín Mauricio Mora
A: José María Contursi |
Orquesta |
ERNESTO FAMA |
ODEON |
5104 A |
9918 |
04/05/1939 |
|
| 3084 |
TE QUIERO TODAVIA |
Tango |
C: José Ranieri
A: Mario César Gomila |
Orquesta |
ERNESTO FAMA |
ODEON |
5100 A |
9919 |
04/05/1939 |
|
| 3085 |
MARIANA |
Pasodoble |
CA: Alejandro Gutiérrez del Barrio |
Orquesta |
ERNESTO FAMA |
ODEON |
5100 B |
9920 |
04/05/1939 |
On the record label incorrectly: "Héctor Lomuto" (CA). |
| 3086 |
ATARDECER |
Tango |
C: Luis Teisseire & Germán Rogelio Teisseire |
Orquesta |
INSTRUMENTAL |
ODEON |
5105 |
9921 |
04/05/1939 |
|
| 3087 |
SE FUE LA MOZA |
Ranchera |
CA: Antonio Bonavena |
Orquesta |
FRANCISCO AMOR |
ODEON |
5105 |
9924 |
08/05/1939 |
In some discographies incorrectly: "ERNESTO FAMA". |
| 3088 |
OJOS VERDES |
Vals |
C: Humberto Canaro
A: Alfredo Defilpo |
Orquesta |
FRANCISCO AMOR |
ODEON |
5104 B |
9925 |
08/05/1939 |
|
| 3089 |
LOS INDIOS |
Tango |
C: Francisco Canaro |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4117 B |
9926 |
08/05/1939 |
|
| 3090 |
MATASANO |
Tango |
C: Francisco Canaro |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4117 A |
9927 |
08/05/1939 |
|
| 3091 |
NOSTALGIA GRIS |
Vals |
C: Alberto Tavarozzi
A: Yaraví (Italo Silvestre Gianetti) |
Orquesta |
ERNESTO FAMA |
ODEON |
5107 B |
9941 |
19/05/1939 |
|
| 3092 |
MILONGUEANDO |
Milonga |
C: Francisco Pracánico
A: Carlos Pesce |
Orquesta |
ERNESTO FAMA |
ODEON |
5107 A |
9942 |
19/05/1939 |
|
| 3093 |
AL SUBIR AL BAJAR |
Tango |
C: Alberto Suárez Villanueva
A: Enrique Domingo Cadícamo |
Orquesta |
ERNESTO FAMA |
ODEON |
5106 |
9943 |
19/05/1939 |
|
| 3094 |
TRIUNFAR |
Marcha |
C: Alberto Soifer
A: Manuel Romero |
Orquesta |
ERNESTO FAMA |
ODEON |
5106 |
9944 |
19/05/1939 |
In Lefcovich's Canaro discography incorrectly: "9943" (matrix number). |
| 3095 |
EL SOL DEL 25 |
Gato Patriótico |
C: Carlos Gardel & José Razzano
A: Domingo Vicente Lombardi |
Orquesta |
FRANCISCO AMOR |
ODEON |
5101 A |
9947 |
22/05/1939 |
|
| 3096 |
LA CHOYANA |
Chacarera |
CA: René Ruiz (Segundo René Leoncio Ruiz) & Alberto Hilarión Acuña |
Orquesta |
FRANCISCO AMOR |
ODEON |
5101 B |
9948 |
22/05/1939 |
|
| 3097 |
LA REZONGONA |
Tango |
C: Francisco J. Lomuto |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4116 A
30106 B
55704 |
9949 |
22/05/1939 |
|
| 3098 |
EL IRRESISTIBLE |
Tango |
C: Lorenzo Logatti |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4116 B |
9950 |
22/05/1939 |
|
| 3099 |
ABANDONADA |
Tango |
C: Francisco Canaro
A: Manuel Romero |
Orquesta |
ERNESTO FAMA |
ODEON |
5110 A
52697
LDS 805 B |
10070 |
11/09/1939 |
|
| 3100 |
QUE ES LO QUE TIENE LA BAHIANA (QUE E QUE A BAHIANA TEM) |
Arreglo en Tiempo de Tango |
C: Dorival Caymmi
AR: Francisco Canaro |
Orquesta |
ERNESTO FAMA |
ODEON |
5114 B |
10071 |
11/09/1939 |
The alternate title is missing in some discographies. In Lefcovich's Canaro discography imprecisely: "tango". |
| 3101 |
PATRIA HERMANA |
Marcha Heroica |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ERNESTO FAMA & FRANCISCO AMOR |
ODEON |
5114 A |
10072 |
11/09/1939 |
In Gutiérrez Miglio's discography of Ernesto Famá imprecisely: "marcha". |
| 3102 |
MOSTERIO |
Tango |
C: Alberto Gambino
A: Alí Salem de Baraja (Fortunato Benzaquen) |
Orquesta |
ERNESTO FAMA |
ODEON |
5111 A |
10073 |
11/09/1939 |
|
| 3103 |
SALUD DINERO Y AMOR |
Vals |
CA: Rodolfo Pascual Sciammarella |
Orquesta |
FRANCISCO AMOR |
ODEON |
5111 B |
10074 |
11/09/1939 |
|
| 3104 |
EL CIRUJA |
Tango |
C: Ernesto Natividad de la Cruz |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4118 A
55704
51090 A |
10083 |
14/09/1939 |
|
| 3105 |
GLORIA |
Tango |
C: Humberto Canaro |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4118 B
51090 B |
10084 |
14/09/1939 |
The catalog number of the re-release (51090) is missing in Lefcovich's Canaro discography. |
| 3106 |
OLIMPIA |
Tango |
CA: Carlos Alberto Bolia |
Orquesta |
ERNESTO FAMA |
ODEON |
5113 B |
10085 |
14/09/1939 |
Exclusively Paraguay. Missing in Gutiérrez Miglio's discography of Ernesto Famá. In some discographies incorrectly: "INSTRUMENTAL". |
| 3107 |
OLIMPIA |
Tango |
C: Carlos Alberto Bolia |
Orquesta |
INSTRUMENTAL |
ODEON |
5115 B |
10086 |
14/09/1939 |
|
| 3108 |
CUARTITO AZUL |
Tango |
C: Mariano Mores
A: Mario Battistella |
Orquesta |
FRANCISCO AMOR |
ODEON |
5110 B
LDS 805 A |
10087 |
14/09/1939 |
|
| 3109 |
AMOR IMPOSIBLE |
Vals |
C: Carlos Alberto Bolia
A: José I. Trujillo |
Orquesta |
FRANCISCO AMOR |
ODEON |
5113 A
5115 A |
10088 |
14/09/1939 |
|
| 3110 |
LA MILONGA DE BUENOS AIRES |
Milonga |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ERNESTO FAMA |
ODEON |
5118 A |
10114 |
09/10/1939 |
|
| 3111.1 |
TODO TE NOMBRA |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ERNESTO FAMA |
ODEON |
— |
10115 |
09/10/1939 |
|
| 3111.2 |
TODO TE NOMBRA |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ERNESTO FAMA |
ODEON |
5117 A
LDS 805 A |
10115/1 |
09/10/1939 |
Missing in some discographies. |
| 3112 |
YO NACI PARA QUERER |
Tango |
CA: Francisco Canaro |
Orquesta |
ERNESTO FAMA |
ODEON |
5119 A |
10116 |
09/10/1939 |
|
| 3113 |
PORQUE SI |
Vals |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ERNESTO FAMA |
ODEON |
5120 A |
10117 |
09/10/1939 |
|
| 3114 |
EL REY DEL BOSQUE |
Tango Sinfónico |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
5116 A |
10118 |
09/10/1939 |
In Lefcovich's Canaro discography imprecisely: "tango". |
| 3115 |
LA POLCA DEL CASAMIENTO |
Polca |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
5116 B |
10119 |
09/10/1939 |
Original title: "LA POLKA DEL CASAMIENTO". |
| 3116 |
LOS PARIAS |
Marcha Gaucha |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
FRANCISCO AMOR |
ODEON |
5119 B |
10123 |
13/10/1939 |
|
| 3117.1 |
LAS PROMESAS EN AMOR |
Ranchera |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
FRANCISCO AMOR |
ODEON |
— |
10124 |
13/10/1939 |
|
| 3117.2 |
LAS PROMESAS EN AMOR |
Ranchera |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
FRANCISCO AMOR |
ODEON |
5117 B |
10124/1 |
13/10/1939 |
Missing in some discographies. |
| 3118 |
SUBLEVACION |
Estilo |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
FRANCISCO AMOR |
ODEON |
5121 B |
10125 |
13/10/1939 |
|
| 3119 |
ESA ES MI PATRIA |
Gato Estilizado |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
FRANCISCO AMOR |
ODEON |
5121 A |
10126 |
13/10/1939 |
In Lefcovich's Canaro discography imprecisely: "gato". |
| 3120.1 |
DONDE HAY UN NOVIO |
Ranchera |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ERNESTO FAMA |
ODEON |
— |
10127 |
13/10/1939 |
|
| 3120.2 |
DONDE HAY UN NOVIO |
Ranchera |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ERNESTO FAMA |
ODEON |
5118 B |
10127/1 |
13/10/1939 |
Missing in some discographies. |
| 3121 |
EL VINO TRISTE |
Tango |
C: Juan D'Arienzo
A: Manuel Romero |
Orquesta |
ERNESTO FAMA |
ODEON |
5122 A
LDS 805 B |
10142 |
25/10/1939 |
|
| 3122 |
TANGO AMIGO |
Tango |
C: Francisco J. Lomuto
A: Manuel Romero |
Orquesta |
ERNESTO FAMA |
ODEON |
5120 B |
10143 |
25/10/1939 |
|
| 3123 |
NO ME PREGUNTEN PORQUE |
Tango |
C: Carlos Di Sarli
A: Reynaldo Pignataro (Reinaldo Pignataro) |
Orquesta |
ERNESTO FAMA |
ODEON |
5124 A |
10144 |
25/10/1939 |
|
| 3124 |
SINFONIA DE ARRABAL |
Tango |
CA: Maruja Pacheco Huergo |
Orquesta |
ERNESTO FAMA |
ODEON |
5126 A |
10181 |
23/11/1939 |
|
| 3125 |
NO HAY TIERRA COMO LA MIA |
Milonga |
C: Charlo
A: Enrique Domingo Cadícamo |
Orquesta |
ERNESTO FAMA |
ODEON |
5124 B
5278 B
51121 B
LDS 805 A |
10182 |
23/11/1939 |
|
| 3126.1 |
ALGUN DIA TE DIRE |
Tango |
C: Gorni Kramer
A: Artemia Victoria Lavelli |
Orquesta |
ERNESTO FAMA |
ODEON |
5123 A |
10183 |
23/11/1939 |
Original title: "UN GIORNO TI DIRÒ". |
| 3126.2 |
ALGUN DIA TE DIRE |
Tango |
C: Gorni Kramer
A: Artemia Victoria Lavelli |
Orquesta |
ERNESTO FAMA |
ODEON |
5123 A |
10183/1 |
23/11/1939 |
Missing in some discographies. Original title: "UN GIORNO TI DIRÒ". |
| 3127 |
QUERUBIN |
Polca |
C: Lorenzo Logatti
A: Jesús Fernández Blanco |
Orquesta |
ERNESTO FAMA |
ODEON |
5126 B |
10184 |
23/11/1939 |
In Lefcovich's Canaro discography incorrectly: "QUERUMBIN". |
| 3128 |
CUANDO LLORA LA MILONGA |
Tango |
C: Juan de Dios Filiberto |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4119 A |
10187 |
29/11/1939 |
In some discographies incorrectly: "10188" (matrix number). |
| 3129 |
JOAQUINA |
Tango |
C: Juan Bergamino |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4119 B |
10188 |
29/11/1939 |
In some discographies incorrectly: "10187" (matrix number). |
| 3130 |
LOS GRANADEROS DE SAN MARTIN |
Ranchera |
CA: Héctor Lomuto |
Orquesta |
ERNESTO FAMA |
ODEON |
5122 B
30138 A
51143 A |
10189 |
29/11/1939 |
|
| 3131 |
EL VALS DEL ESTUDIANTE |
Vals |
C: José Canet
A: Felipe Mitre Navas |
Orquesta |
ERNESTO FAMA |
ODEON |
5123 B
LDS 805 B |
10190 |
29/11/1939 |
|
| 3132 |
COMPADRON |
Tango |
C: Luis N. Visca |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4120 B
51091 B |
10305 |
26/01/1940 |
The catalog number of the re-release (51091) is missing in Lefcovich's Canaro discography. |
| 3133 |
QUEJAS DE BANDONEON |
Tango |
C: Juan de Dios Filiberto |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4120 A
51091 A |
10306 |
26/01/1940 |
The catalog number of the re-release (51091) is missing in Lefcovich's Canaro discography. |
| 3134 |
A QUIEN LE PUEDE IMPORTAR |
Tango |
C: Mariano Mores
A: Enrique Domingo Cadícamo |
Orquesta |
ERNESTO FAMA |
ODEON |
5127 A |
10307 |
26/01/1940 |
|
| 3135 |
MUCHACHITA PORTEÑA |
Vals |
C: Mariano Mores
A: Alberto Vacarezza |
Orquesta |
FRANCISCO AMOR |
ODEON |
5127 B |
10308 |
26/01/1940 |
|
| 3136 |
MI SERENATA |
Tango |
C: Edgardo Donato
A: Juan Carlos Thorry |
Orquesta |
FRANCISCO AMOR |
ODEON |
5128 A |
10346 |
14/03/1940 |
|
| 3137 |
DEJALO CORRER |
Corrido |
CA: Oscar Rubens |
Orquesta |
FRANCISCO AMOR |
ODEON |
5128 B |
10347 |
14/03/1940 |
|
| 3138 |
ESTA NOCHE |
Tango |
C: Carlos Marcucci
A: Lito Bayardo |
Orquesta |
ERNESTO FAMA |
ODEON |
5129 A
LDS 805 A |
10348 |
14/03/1940 |
|
| 3139 |
CUANDO ESTABA ENAMORADO |
Vals |
CA: Rodolfo Pascual Sciammarella |
Orquesta |
FRANCISCO AMOR |
ODEON |
5129 B |
10349 |
14/03/1940 |
|
| 3140 |
PIMIENTA |
Tango |
C: Osvaldo Nicolás Fresedo |
Orquesta |
INSTRUMENTAL |
ODEON |
5131 B
DMO 55552 A |
10377 |
02/04/1940 |
|
| 3141 |
TANGO MILONGUERO |
Tango |
C: Freddy Scorticati (Federico Agustín Scorticati) |
Orquesta |
INSTRUMENTAL |
ODEON |
5132 A |
10378 |
02/04/1940 |
In Lefcovich's Canaro discography incorrectly: "TANGO MILONGERO". |
| 3142 |
LA MILONGA RETOBADA |
Milonga |
C: Panchito Aranaz (Francisco Aranaz) |
Orquesta |
INSTRUMENTAL |
ODEON |
5132 B |
10379 |
02/04/1940 |
|
| 3143 |
TENGO MIL NOVIAS |
Vals |
C: Enrique Aquilino Rodríguez
A: Enrique Domingo Cadícamo |
Orquesta |
FRANCISCO AMOR |
ODEON |
5131 A |
10380 |
02/04/1940 |
In Lefcovich's Canaro discography incorrectly: "tango". |
| 3144 |
EL CORAZON ME ENGAÑO |
Tango |
CA: Miguel Eusebio Bucino |
Orquesta |
ERNESTO FAMA |
ODEON |
5134 A |
10412 |
16/04/1940 |
|
| 3145 |
A MANO LIMPIA |
Tango |
C: Pintín Castellanos |
Orquesta |
INSTRUMENTAL |
ODEON |
5137 B
DMO 55552 B |
10413 |
16/04/1940 |
|
| 3146 |
MILONGA CLASICA |
Milonga |
C: Luis Riccardi |
Orquesta |
INSTRUMENTAL |
ODEON |
5135 A |
10416 |
18/04/1940 |
|
| 3147 |
SENTIMIENTO GAUCHO |
Tango |
C: Francisco Canaro & Rafael Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
5142 A |
10417 |
18/04/1940 |
|
| 3148.1 |
NOBLEZA DE ARRABAL |
Tango |
C: Francisco Canaro |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4121 A |
10418 |
18/04/1940 |
|
| 3148.2 |
NOBLEZA DE ARRABAL |
Tango |
C: Francisco Canaro |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
55541 A |
10418/1 |
18/04/1940 |
Missing in some discographies. |
| 3149 |
MILONGON DE MI FLOR |
Milonga |
C: José Vázquez Vigo |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4121 B |
10419 |
18/04/1940 |
In Lefcovich's Canaro discography incorrectly: "MILONGA DE MI FLOR". |
| 3150 |
ESTRELLITA MIA |
Vals |
C: Alberto Soifer
A: Roberto Ratti |
Orquesta |
ERNESTO FAMA |
ODEON |
5134 B |
10455 |
09/05/1940 |
|
| 3151 |
MARTIRIO |
Tango |
CA: Enrique Santos Discépolo |
Orquesta |
ERNESTO FAMA |
ODEON |
5133 A |
10456 |
09/05/1940 |
|
| 3152 |
EL DIA QUE TE FUISTE |
Vals |
CA: Héctor Lomuto |
Orquesta |
FRANCISCO AMOR |
ODEON |
5137 A |
10457 |
09/05/1940 |
|
| 3153 |
DOÑA MERCEDES |
Polca |
C: Marino García |
Orquesta |
INSTRUMENTAL |
ODEON |
5139 B |
10458 |
09/05/1940 |
|
| 3154 |
LA VIDA SE VA |
Vals |
C: Sebastián Lombardo
A: Francisco Amor |
Orquesta |
FRANCISCO AMOR |
ODEON |
5133 B |
10464 |
10/05/1940 |
In some discographies incorrectly: "ERNESTO FAMA". |
| 3155.1 |
LA MELODIA DEL CORAZON |
Tango |
C: Fioravanti Di Cicco & Héctor María Artola
A: Carmelo Santiago |
Orquesta |
FRANCISCO AMOR |
ODEON |
— |
10465 |
10/05/1940 |
|
| 3155.2 |
LA MELODIA DEL CORAZON |
Tango |
C: Fioravanti Di Cicco & Héctor María Artola
A: Carmelo Santiago |
Orquesta |
FRANCISCO AMOR |
ODEON |
5143 A |
10465/1 |
10/05/1940 |
Missing in some discographies. |
| 3156 |
EL RODEO |
Tango |
C: Agustín Bardi |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4124 A |
10466 |
10/05/1940 |
|
| 3157 |
ESTAMPA DE VARON |
Milonga |
C: Mariano Mores |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4124 B |
10467 |
10/05/1940 |
|
| 3158 |
DESPUES DE QUERERLA TANTO |
Milonga |
C: Carmelo Di Nápoli
A: Enrique Dizeo |
Orquesta |
ERNESTO FAMA |
ODEON |
5138 B |
10476 |
16/05/1940 |
In some discographies incorrectly: "tango". |
| 3159 |
MELODIA ORIENTAL |
Tango |
C: Roberto Zerrillo & Juan Carlos Howard
A: Enrique Domingo Cadícamo |
Orquesta |
FRANCISCO AMOR |
ODEON |
5136 A |
10477 |
16/05/1940 |
In Lefcovich's Canaro discography incorrectly: "5138" (catalog number). |
| 3160 |
QUEREME UN POQUITO |
Ranchera |
C: Antonio Sureda |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4123 B |
10478 |
16/05/1940 |
|
| 3161 |
SOY LA MILONGA DEL CENTRO |
Milonga |
C: Domingo Salerno |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4123 A |
10479 |
16/05/1940 |
In Lefcovich's Canaro discography incorrectly: "10469" (matrix number). |
| 3162 |
LLANTO |
Tango |
C: Pedro Mario Maffia
A: Homero Manzi |
Orquesta |
ERNESTO FAMA |
ODEON |
5135 B |
10484 |
20/05/1940 |
|
| 3163 |
RADIOAMOR |
Pasodoble-Marcha Característica |
C: Roberto Zerrillo & Juan Carlos Howard
A: Enrique Domingo Cadícamo |
Orquesta |
ERNESTO FAMA |
ODEON |
5136 B |
10485 |
20/05/1940 |
In Lefcovich's Canaro discography incorrectly: "RADIO AMOR". |
| 3164 |
BANDONEON DE MIS AMORES |
Tango |
C: Freddy Scorticati (Federico Agustín Scorticati) |
Orquesta |
INSTRUMENTAL |
ODEON |
5138 A |
10486 |
20/05/1940 |
Solo bandoneons with accomp. by orchestra. |
| 3165 |
ESTA VA PARA LOS NOVIOS |
Ranchera |
C: Alfredo Seghini |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4128 B |
10491 |
22/05/1940 |
In Lefcovich's Canaro discography incorrectly: "ESTA YA PARA LOS NOVIOS". |
| 3166 |
OLGA |
Vals |
C: Francisco Peña |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4122 A
51092 A |
10492 |
22/05/1940 |
The catalog number of the re-release (51092) is missing in some discographies. On record № 51092 later replaced by matriz № 21066. |
| 3167 |
PAJARO CIEGO |
Tango |
C: Antonio Bonavena
A: Lito Bayardo |
Orquesta |
ERNESTO FAMA & FRANCISCO AMOR |
ODEON |
5139 A |
10493 |
22/05/1940 |
In some discographies incorrectly: "ERNESTO FAMA". |
| 3168 |
PAN NUESTRO |
Tango |
C: Juan Francisco Noli |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4122 B
51092 B |
10494 |
22/05/1940 |
The catalog number of the re-release (51092) is missing in some discographies. On record № 51092 later replaced by matriz № 21067. |
| 3169 |
YO TAMBIEN QUIERO CANTAR |
Milonga |
C: José Domingo Pécora & Ricardo Malerba |
Quinteto Don Pancho |
INSTRUMENTAL |
ODEON |
4128 A |
10495 |
23/05/1940 |
Genre according to the General Catalog (Catálogo General) 1944 of Odeón-Columbia; on the record label incorrectly: "Tango". |
| 3170 |
CLAVEL SEVILLANO |
Pasodoble |
C: Julio F. Pollero & Bernardino José Domínguez |
Orquesta |
INSTRUMENTAL |
ODEON |
5143 B |
10496 |
23/05/1940 |
In some discographies incorrectly: "ERNESTO FAMA". |
| 3171 |
DESDE EL ALMA |
Vals |
C: Rosita Melo |
Orquesta |
INSTRUMENTAL |
ODEON |
5142 B |
10497 |
23/05/1940 |
|
| 3172 |
COMO DOS EXTRAÑOS |
Tango |
C: Pedro Blanco Laurenz
A: José María Contursi |
Orquesta |
ERNESTO FAMA |
ODEON |
5145 A |
10714 |
30/09/1940 |
|
| 3173 |
POR QUERERTE |
Tango |
C: Freddy Scorticati (Federico Agustín Scorticati)
A: Celedonio Esteban Flores |
Orquesta |
ERNESTO FAMA |
ODEON |
5177 A |
10715 |
30/09/1940 |
On the record label incorrectly: "Enrique Cadícamo" (A). |
| 3174 |
EN UN BESO LA VIDA |
Tango |
C: Carlos Di Sarli
A: Héctor Marcó (Héctor Domingo Marcolongo) |
Orquesta |
ERNESTO FAMA |
ODEON |
5141 B |
10716 |
30/09/1940 |
|
| 3175 |
NO ME PIDAS LA EXCLUSIVA |
Tango |
C: Julio De Caro
A: Enrique Domingo Cadícamo |
Orquesta |
ERNESTO FAMA |
ODEON |
5176 A |
10717 |
30/09/1940 |
|
| 3176 |
DEJA EL MUNDO COMO ESTA |
Tango |
C: Rodolfo Biagi
A: Rodolfo Pascual Sciammarella |
Orquesta |
ERNESTO FAMA (contracanto por FRANCISCO CANARO) |
ODEON |
5160 A |
10718 |
30/09/1940 |
|
| 3177 |
CHIRUZA [sic] |
Tango |
C: Juan D'Arienzo
A: Nolo López (Manuel López) |
Orquesta |
ERNESTO FAMA |
ODEON |
5144 B |
10719 |
30/09/1940 |
Original title: "CHIRUSA". |
| 3178 |
EL CUARTO ESTA POR LLEGAR |
Tango |
C: José Domingo Pécora
A: Alfredo Alberto Gallípoli |
Orquesta |
ERNESTO FAMA |
ODEON |
5174 A |
10728 |
03/10/1940 |
|
| 3179 |
PARQUE PATRICIOS |
Milonga |
CA: Antonio Radicci & Francisco Laino |
Orquesta |
ERNESTO FAMA |
ODEON |
5145 B |
10729 |
03/10/1940 |
|
| 3180 |
POR TI SOLO CANTO |
Pasodoble |
C: Orestes Sebastián Spadone
A: Luis Pérez Aguirre |
Orquesta |
ERNESTO FAMA |
ODEON |
5184 B |
10730 |
03/10/1940 |
|
| 3181 |
LA CUARENTONA |
Ranchera |
C: Agustín Santiago Caro
A: Gerónimo Gradito |
Orquesta |
ERNESTO FAMA |
ODEON |
5176 B |
10768 |
14/10/1940 |
|
| 3182 |
MOROCHA TRISTE |
Vals |
C: Enrique Maciel
A: Horacio Sanguinetti |
Orquesta |
FRANCISCO AMOR |
ODEON |
5144 A |
10769 |
14/10/1940 |
|
| 3183 |
UN AMOR |
Tango |
C: Mario Maurano & Alfredo Antonio Malerba
A: Luis Rubistein |
Orquesta |
FRANCISCO AMOR |
ODEON |
5141 A |
10770 |
14/10/1940 |
|
| 3184 |
QUECA |
Tango |
C: Modesto Ocampo |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4127 B |
10771 |
14/10/1940 |
|
| 3185 |
LA SONAMBULA |
Tango |
C: Pascual F. Cardarópoli |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4127 A
30106 A |
10772 |
14/10/1940 |
The catalog number of the re-release (30106) is missing in some discographies. |
| 3186 |
TORMENTA EN EL ALMA |
Vals |
C: José Luis Padula
A: Enrique Domingo Cadícamo |
Orquesta |
ERNESTO FAMA & MIRNA MORES |
ODEON |
5177 B |
10795 |
28/10/1940 |
In some discographies incorrectly: "ERNESTO FAMA & MARIANO MORES", "FRANCISCO AMOR". |
| 3187 |
TAN SOLO TU |
Tango |
C: Mariano Mores
A: Marvil (Elisardo Martínez Vilas) |
Orquesta |
MIRNA MORES |
ODEON |
5175 A |
10796 |
28/10/1940 |
In some discographies incorrectly: "ERNESTO FAMA". |
| 3188 |
CANARO EN PARIS |
Tango |
C: Alejandro Scarpino & Juan Caldarella |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4125 A
51093 A |
10797 |
28/10/1940 |
The catalog number of the re-release (51093) is missing in some discographies. On record № 51093 later replaced by matriz № 20904. |
| 3189 |
EL CRITICON |
Polca |
CA: Rodolfo Pascual Sciammarella |
Orquesta |
FRANCISCO AMOR |
ODEON |
5174 B |
10812 |
04/11/1940 |
|
| 3190 |
FEDERICO A CASA |
Polca |
C: Roberto Zerrillo & Juan Carlos Howard
A: Francisco Federico |
Orquesta |
FRANCISCO AMOR |
ODEON |
5160 B |
10813 |
04/11/1940 |
|
| 3191 |
TE QUIERO |
Pasodoble-Bolero |
CA: Luis Rubistein |
Orquesta |
FRANCISCO AMOR |
ODEON |
5175 B |
10814 |
04/11/1940 |
|
| 3192 |
NOCHE PRIMAVERAL |
Vals |
CA: Bernardino Terés |
Orquesta |
FRANCISCO AMOR |
ODEON |
5185 B |
10815 |
05/11/1940 |
|
| 3193 |
A UNA MUJER |
Vals |
C: Horacio Adolfo Salgán |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4126 A
52664 B |
10866 |
22/11/1940 |
The catalog number of the re-release (52664) is missing in some discographies. |
| 3194 |
MANO BRAVA |
Tango |
C: Francisco Canaro & Juan Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4125 B
51093 B |
10867 |
22/11/1940 |
The catalog number of the re-release (51093) is missing in some discographies. On record № 51093 later replaced by matriz № 20929. |
| 3195 |
LA MILONGA OPTIMISTA |
Milonga |
C: Mariano Mores |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4126 B |
10868 |
22/11/1940 |
Original title: "LA MILONGA DEL CARNAVAL". In Lefcovich's Canaro discography incorrectly: "4125" (catalog number). |
| 3196 |
TIEMPO PERDIDO |
Tango |
C: Nicolás Messuti |
Orquesta |
INSTRUMENTAL |
ODEON |
5178 A |
10973 |
08/01/1941 |
According to Lefcovich's Canaro discography: "09/01/1941". |
| 3197 |
LO QUE EL VIENTO SE LLEVO |
Tango |
C: Roberto Lurati
A: Alfredo Basso |
Orquesta |
FRANCISCO AMOR |
ODEON |
5179 A |
10974 |
09/01/1941 |
|
| 3198 |
MIRA QUE NENA |
Polca |
CA: Hugo Moreno (Vicente Ascone) & Rosendo Cruz (Gerardo Adroher) |
Orquesta |
FRANCISCO AMOR |
ODEON |
5180 B |
10975 |
09/01/1941 |
|
| 3199 |
AMOR AMOR VENI |
Vals |
CA: Mariano Ramiro Ochoa Induráin |
Orquesta |
FRANCISCO AMOR |
ODEON |
5181 B |
10976 |
09/01/1941 |
|
| 3200 |
EN LA NOCHE AZUL |
Vals |
C: Francisco Maquieira Sobreira
A: Juan Carlos Patrón |
Orquesta |
FRANCISCO AMOR |
ODEON |
5179 B |
10977 |
09/01/1941 |
|
| 3201 |
LA REQUEBRADA |
Milonga |
CA: Juan Carlos Pons Christophersen |
Orquesta |
ERNESTO FAMA |
ODEON |
5178 B |
10978 |
09/01/1941 |
|
| 3202 |
FALSA ILUSION |
Tango |
C: Bruno Galeotti
A: Alcides de María |
Orquesta |
ERNESTO FAMA |
ODEON |
5180 A |
10979 |
09/01/1941 |
|
| 3203 |
PAMENTOS DEL BANDONEON |
Tango |
CA: Daniel Jabif Crespin |
Orquesta |
ERNESTO FAMA |
ODEON |
5181 A |
10980 |
09/01/1941 |
In some discographies incorrectly: "PAMENTOS DE BANDONEON", "LAMENTOS DEL BANDONEON"; "INSTRUMENTAL". |
| 3204 |
PAJARILLO PAJARILLO |
Corrido |
C: Alvaro Retana Ramírez de Arellano
A: Angel Hernández de Lorenzo
AR: Andrés Alvarez Calvillo (Calvetty) |
Orquesta |
FRANCISCO AMOR |
ODEON |
5182 B |
10990 |
15/01/1941 |
|
| 3205 |
CHARLEMOS |
Tango |
CA: Luis Rubistein |
Orquesta |
ERNESTO FAMA |
ODEON |
5182 A |
10991 |
15/01/1941 |
|
| 3206 |
TANGUANO (QUE TE DURE CHE CIPRIANO) |
Nuevo Ritmo (Mezcla de Tango, Milonga y Candombe) |
CA: Francisco Canaro |
Orquesta |
ERNESTO FAMA |
ODEON |
5183 A |
11044 |
28/02/1941 |
The alternate title is missing in some discographies. |
| 3207 |
RELIQUIAS PORTEÑAS |
Potpourri de Tangos |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
5186 B |
11045 |
28/02/1941 |
Contains motives from ALMA DE BOHEMIO, MI NOCHE TRISTE, EL CHOCLO, EL IRRESISTIBLE, MADRESELVA, A MEDIA LUZ, MILONGUITA, RODRIGUEZ PEÑA, LA MOROCHA, SENTIMIENTO GAUCHO. In Lefcovich's Canaro discography imprecisely: "potpourri". |
| 3208.1 |
LA BANDERA DE MI PATRIA |
Marcha Patriótica Escolar |
CA: Francisco Canaro |
Orquesta |
FRANCISCO AMOR |
ODEON |
— |
11056 |
28/02/1941 |
In some discographies imprecisely: "marcha". |
| 3208.2 |
LA BANDERA DE MI PATRIA |
Marcha Patriótica Escolar |
CA: Francisco Canaro |
Orquesta |
FRANCISCO AMOR |
ODEON |
— |
11056/1 |
28/02/1941 |
Missing in some discographies. |
| 3208.3 |
LA BANDERA DE MI PATRIA |
Marcha Patriótica Escolar |
CA: Francisco Canaro |
Orquesta |
FRANCISCO AMOR |
ODEON |
5186 A |
11056/2 |
28/02/1941 |
Missing in some discographies. |
| 3209 |
MALDICION GITANA |
Polca Festiva |
CA: Francisco Canaro |
Orquesta |
ERNESTO FAMA, FRANCISCO AMOR & BLACKIE |
ODEON |
5183 B |
11057 |
28/02/1941 |
In Gutiérrez Miglio's discography of Ernesto Famá imprecisely: "polca". In some discographies incorrectly: "ERNESTO FAMA & FRANCISCO AMOR". |
| 3210 |
20 AÑOS |
Tango |
C: Teófilo Lespés
A: Carlos Pesce |
Orquesta |
ERNESTO FAMA |
ODEON |
5184 A |
11058 |
28/02/1941 |
In some discographies incorrectly: "VEINTE AÑOS". |
| 3211 |
EL PREGON |
Tango |
C: Cátulo Castillo
A: José González Castillo |
Orquesta |
ERNESTO FAMA |
ODEON |
5185 A |
11059 |
28/02/1941 |
|
| 3212 |
EN ESTA TARDE GRIS |
Tango |
C: Mariano Mores
A: José María Contursi |
Orquesta |
FRANCISCO AMOR |
ODEON |
5187 A
52687 A
LDS 805 A |
11171 |
09/05/1941 |
|
| 3213 |
BAJO EL CIELO AZUL |
Vals |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
FRANCISCO AMOR |
ODEON |
5188 B
LDS 805 B |
11172 |
09/05/1941 |
|
| 3214 |
CUATRO PALABRAS |
Vals Criollo |
CA: Miguel Eusebio Bucino |
Orquesta |
ERNESTO FAMA |
ODEON |
5187 B |
11173 |
09/05/1941 |
In Gutiérrez Miglio's discography of Ernesto Famá imprecisely: "vals". |
| 3215 |
EL TIGRE |
Tango Sinfónico |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
5188 A |
11185 |
15/05/1941 |
In Lefcovich's Canaro discography incorrectly: "tango milonga". |
| 3216 |
EL RECUERDO DE LOS TANGOS |
Tango |
CA: Francisco Canaro |
Orquesta |
ERNESTO FAMA |
ODEON |
5189 A |
11186 |
15/05/1941 |
|
| 3217 |
LA GALARCITA |
Tango |
C: Mauricio Guariglia |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4133 A
55739 A |
11197 |
21/05/1941 |
The catalog number of the re-release (55739) is missing in some discographies. In Lefcovich's Canaro discography incorrectly: "10197" (matrix number). |
| 3218.1 |
EL OTARIO |
Tango |
C: Gerardo Metallo |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4132 A |
11198 |
21/05/1941 |
In Lefcovich's Canaro discography incorrectly: "10198" (matrix number). |
| 3218.2 |
EL OTARIO |
Tango |
C: Gerardo Metallo |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
55541 B |
11198/1 |
21/05/1941 |
Missing in some discographies. |
| 3219.1 |
APASIONADAMENTE |
Canción |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ERNESTO FAMA & MIRNA MORES |
ODEON |
Muestra |
11199 |
21/05/1941 |
In some discographies incorrectly: "INSTRUMENTAL". |
| 3219.2 |
APASIONADAMENTE |
Canción |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ERNESTO FAMA & MIRNA MORES |
ODEON |
Muestra |
11199/1 |
21/05/1941 |
Missing in some discographies. |
| 3220 |
MINTIERON TUS LABIOS |
Tango |
C: Humberto Canaro
A: Eugenio Cárdenas |
Orquesta |
ERNESTO FAMA |
ODEON |
5193 A |
11223 |
30/05/1941 |
|
| 3221 |
YO TE LO ARREGLO TODO |
Corrido Porteño |
C: Francisco Canaro
A: Luis César Amadori |
Orquesta |
ERNESTO FAMA |
ODEON |
5189 B |
11224 |
30/05/1941 |
In Lefcovich's Canaro discography imprecisely: "corrido". In some discographies incorrectly: "FRANCISCO AMOR". |
| 3222 |
VAMOS CORAZON |
Tango |
C: Juan José Guichandut & Fidel Pintos
A: Carlos Bahr |
Orquesta |
ERNESTO FAMA |
ODEON |
5191 A |
11225 |
30/05/1941 |
|
| 3223 |
POR DONDE ANDARA |
Tango |
C: Salvador Merico
A: Atilio Supparo |
Orquesta |
ERNESTO FAMA |
ODEON |
5194 A |
11226 |
30/05/1941 |
|
| 3224 |
ECHALE SAL |
Tango |
C: Miguel Caló & Víctor Braña |
Orquesta |
INSTRUMENTAL |
ODEON |
5194 B |
11227 |
30/05/1941 |
|
| 3225 |
EL PORTEÑITO |
Tango |
C: Angel G. Villoldo |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4130 A
51094 A |
11234 |
06/06/1941 |
The catalog number of the re-release (51094) is missing in some discographies. On record № 51094 later replaced by matriz № 23933. |
| 3226 |
A MI MADRE |
Vals |
C: Francisco Peña |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4130 B
51094 B |
11235 |
06/06/1941 |
The catalog number of the re-release (51094) is missing in some discographies. On record № 51094 later replaced by matriz № 23108. |
| 3227 |
ACARICIANDO RECUERDOS |
Vals Criollo |
C: Agustín Irusta
A: César Felipe Vedani |
Orquesta |
FRANCISCO AMOR |
ODEON |
5191 B |
11236 |
06/06/1941 |
In Lefcovich's Canaro discography imprecisely: "vals". |
| 3228 |
TRES RECUERDOS |
Vals |
C: Rodolfo Pascual Sciammarella
A: Manuel Romero |
Orquesta |
FRANCISCO AMOR |
ODEON |
5190 A |
11237 |
06/06/1941 |
|
| 3229 |
ENTRE REJAS INVISIBLES |
Tango |
C: Alberto Benito Cima
A: Onofre Carlos Mir |
Orquesta |
ERNESTO FAMA |
ODEON |
5195 A |
11249 |
13/06/1941 |
|
| 3230 |
ALMA PORTEÑA |
Milonga |
C: Antonio Polito
A: Francisco Laino |
Orquesta |
ERNESTO FAMA |
ODEON |
5192 B |
11250 |
13/06/1941 |
|
| 3231 |
COPA DE AJENJO |
Tango |
C: Juan Canaro
A: Carlos Pesce |
Orquesta |
FRANCISCO AMOR |
ODEON |
5190 B
52697
LDS 805 B |
11269 |
19/06/1941 |
|
| 3232 |
A MI NO ME HABLEN DE PENAS |
Tango |
CA: Enrique Domingo Cadícamo |
Orquesta |
FRANCISCO AMOR |
ODEON |
5192 A |
11270 |
19/06/1941 |
|
| 3233 |
BARDI |
Tango |
C: José Luis Padula |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4129 A |
11275 |
01/07/1941 |
|
| 3234 |
LA COSQUILLOSA |
Polca |
C: Rafael Rossi |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4129 B |
11276 |
01/07/1941 |
|
| 3235 |
YA LO SABES (NO TE CASES) |
Vals |
C: Rafael Canaro & Oscar Sabino
A: Aristeo Salgueiro |
Orquesta |
FRANCISCO AMOR y coro |
ODEON |
5193 B |
11277 |
01/07/1941 |
|
| 3236 |
EL SILBIDO |
Tango |
CA: Alfredo Bigeschi |
Orquesta |
FRANCISCO AMOR |
ODEON |
5195 B |
11278 |
01/07/1941 |
|
| 3237 |
APASIONADAMENTE |
Vals |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ERNESTO FAMA |
ODEON |
5197 A |
11483 |
06/10/1941 |
|
| 3238 |
TODA MI VIDA |
Tango |
C: Aníbal Carmelo Troilo
A: José María Contursi |
Orquesta |
ERNESTO FAMA |
ODEON |
5197 B
52687 B
LDS 816 B |
11484 |
06/10/1941 |
|
| 3239 |
LA ROMPEDORA |
Milongón |
C: Pintín Castellanos |
Orquesta |
INSTRUMENTAL |
ODEON |
5198 B |
11485 |
06/10/1941 |
Original title: "EL POTRO". In some discographies incorrectly: "milonga". |
| 3240 |
EL CUARTEADOR |
Tango |
C: Rosendo Luna (Enrique Domingo Cadícamo)
A: Enrique Domingo Cadícamo |
Orquesta |
FRANCISCO AMOR |
ODEON |
5198 A |
11486 |
06/10/1941 |
|
| 3241 |
PAPIRUSA |
Tango |
CA: Arturo De Bassi |
Orquesta |
ERNESTO FAMA |
ODEON |
5201 A |
11523 |
21/10/1941 |
Date of recording according to Gutiérrez Miglio's discography of Ernesto Famá; according to other discographies: "22/10/1941". |
| 3242.1 |
EL LLORON |
Tango |
C: Juan Maglio
A: Enrique Domingo Cadícamo |
Orquesta |
ERNESTO FAMA (contracanto por coro) |
ODEON |
— |
11524 |
22/10/1941 |
On the record label of record № 5199 Ambrosio Radrizzani is figuring as composer. |
| 3242.2 |
EL LLORON |
Tango |
C: Juan Maglio
A: Enrique Domingo Cadícamo |
Orquesta |
ERNESTO FAMA (contracanto por coro) |
ODEON |
5199 A |
11524/1 |
22/10/1941 |
Missing in some discographies. On the record label Ambrosio Radrizzani is figuring as composer. |
| 3243 |
MAÑANA JUEGA |
Tango |
C: José Felipe Pérez Roselli
A: Alberto Vacarezza |
Orquesta |
ERNESTO FAMA |
ODEON |
5199 B |
11525 |
22/10/1941 |
|
| 3244.1 |
ANOCHE SOÑE |
Vals |
CA: José Bohr |
Orquesta |
EDUARDO ADRIAN |
ODEON |
— |
11526 |
22/10/1941 |
|
| 3244.2 |
ANOCHE SOÑE |
Vals |
CA: José Bohr |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5201 B |
11526/1 |
22/10/1941 |
Missing in some discographies. |
| 3245 |
LA VIDA EN MIL GRAMOS |
Vals |
CA: Rodolfo Pascual Sciammarella |
Orquesta |
CARLOS ROLDAN & BLACKIE |
ODEON |
5200 B |
11534 |
28/10/1941 |
In some discographies incorrectly: "ERNSTO FAMA". Date of recording according to Gutiérrez Miglio's discography of Carlos Roldán; according to other discographies: "29/10/1941". |
| 3246 |
INFAMIA |
Tango |
CA: Enrique Santos Discépolo |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5200 A |
11535 |
29/10/1941 |
|
| 3247 |
REINA DE SABA |
Tango (de la Guardia Vieja) |
C: Rosendo A. Mendizábal |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4131 B
55739 B |
11544 |
05/11/1941 |
In some discographies imprecisely: "tango". |
| 3248 |
LA CARA DE LA LUNA |
Tango |
C: Manuel O. Campoamor |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4133 B
30104 A |
11545 |
05/11/1941 |
In Lefcovich's Canaro discography incorrectly: "4131" (catalog number). |
| 3249 |
LA CHIFLADA |
Tango (de la Guardia Vieja) |
C: Juan Carlos Bazán |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4131 A |
11546 |
05/11/1941 |
In some discographies imprecisely: "tango". |
| 3250 |
YO TE QUIERO MI BIEN |
Vals |
C: Adolfo Antonio Mondino |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4132 B |
11547 |
05/11/1941 |
|
| 3251 |
DECILE QUE VUELVA |
Tango |
CA: Miguel Eusebio Bucino |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5202 B |
11631 |
10/12/1941 |
|
| 3252 |
TANGO DE MEDIANOCHE |
Tango |
C: Rafael Canaro
A: Enrique Domingo Cadícamo |
Orquesta |
CARLOS ROLDAN |
ODEON |
5207 A |
11632 |
10/12/1941 |
In some discographies incorrectly: "TANGO DE LA MEDIANOCHE". |
| 3253 |
RANCHO ALEGRE |
Corrido |
CA: Felipe Bermejo Araujo |
Orquesta |
CARLOS ROLDAN y coro |
ODEON |
5202 A |
11633 |
10/12/1941 |
In Lefcovich's Canaro discography incorrectly: "5207" (catalog number); "11632" (matrix number). |
| 3254 |
EL VALS DE LOS ABUELOS |
Vals |
CA: Luis Rubistein |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5203 B |
11647 |
17/12/1941 |
|
| 3255 |
PALOMITA BLANCA |
Tango Gaucho |
CA: Ramón Collazo |
Orquesta |
CARLOS ROLDAN |
ODEON |
5205 B |
11648 |
17/12/1941 |
|
| 3256 |
SENCILLO Y COMPADRE |
Tango |
C: Juan José Guichandut
A: Carlos Bahr |
Orquesta |
CARLOS ROLDAN |
ODEON |
5203 A |
11649 |
17/12/1941 |
|
| 3257 |
CA-RAN-CAN-FU |
Milonga |
C: Roberto Zerrillo & Fernando F. Martín
A: Celedonio Esteban Flores |
Orquesta |
CARLOS ROLDAN |
ODEON |
5205 A |
11650 |
17/12/1941 |
Original title: "CARAN-CAN-FUN". |
| 3258 |
OH-TE-LO |
Corrido |
CA: Miguel Eusebio Bucino |
Orquesta |
CARLOS ROLDAN & BLACKIE |
ODEON |
5204 B |
11710 |
13/01/1942 |
In Lefcovich's Canaro discography incorrectly: "OH TE LO". On the record label incorrectly: "CARLOS ROLDAN". |
| 3259 |
EL CHINO PANTALEON |
Milonga Tangueada |
CA: Francisco Canaro |
Orquesta |
CARLOS ROLDAN |
ODEON |
5204 A
55157 A |
11711 |
13/01/1942 |
|
| 3260 |
ROSA MORENA |
Milonga Candombe |
C: Enrique Maciel
A: Héctor Pedro Blomberg |
Orquesta |
CARLOS ROLDAN |
ODEON |
5207 B |
11727 |
16/01/1942 |
Alternate title: "ABUELITA DOMINGA". In Lefcovich's Canaro discography incorrectly: "milonga". |
| 3261 |
CANDOMBE CRIOLLO |
Milonga Candombe |
C: Francisco J. Lomuto
A: Pancho Laguna (Francisco J. Lomuto) |
Orquesta |
CARLOS ROLDAN y coro |
ODEON |
5206 A |
11728 |
20/01/1942 |
|
| 3262 |
UNA CARTA |
Tango |
CA: Miguel Eusebio Bucino |
Orquesta |
CARLOS ROLDAN |
ODEON |
5206 B |
11729 |
20/01/1942 |
|
| 3263 |
GALOPA GALOPA |
Corrido |
CA: Nicanor Molinare Rencoret |
Orquesta |
CARLOS ROLDAN |
ODEON |
5208 A |
11906 |
06/04/1942 |
|
| 3264 |
MI CASTIGO |
Tango |
C: Julio César Sanders
A: César Felipe Vedani |
Orquesta |
CARLOS ROLDAN |
ODEON |
5208 B
LDS 816 A |
11907 |
06/04/1942 |
|
| 3265 |
EN EL VIEJO CAFE |
Tango |
C: Ernesto Di Cicco
A: José María Contursi |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5217 A |
11908 |
06/04/1942 |
|
| 3266 |
AMANDO EN SILENCIO |
Tango |
C: José Domingo Pécora
A: Francisco García Jiménez |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5217 B |
11909 |
06/04/1942 |
|
| 3267 |
LOS OJOS MAS LINDOS |
Tango |
CA: Francisco Canaro |
Orquesta |
CARLOS ROLDAN |
ODEON |
5209 A |
11955 |
22/04/1942 |
|
| 3268 |
LA MILONGA DE MIS PERROS |
Milonga Característica |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN |
ODEON |
5210 A |
11956 |
22/04/1942 |
In Lefcovich's Canaro discography imprecisely: "milonga". In this discography incorrectly: "5209" (catalog number). |
| 3269 |
VIVIRE CON TU RECUERDO |
Vals |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5209 B |
11960 |
24/04/1942 |
|
| 3270 |
CORAZON ENCADENADO |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5211 A
55815 |
11961 |
24/04/1942 |
In Lefcovich's Canaro discography incorrectly: "CORAZON ENCANDENADO". |
| 3271 |
PAJA BRAVA |
Pericón |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN |
ODEON |
5212 A
51115 A |
11962 |
24/04/1942 |
In Lefcovich's Canaro discography incorrectly: "55115" (catalog number of the re-release). |
| 3272 |
DESPUES DEL AGUACERO |
Marcha Malambo |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN |
ODEON |
5212 B
51115 B |
11973 |
06/05/1942 |
In Lefcovich's Canaro discography incorrectly: "marcha". |
| 3273 |
RAFAEL |
Mazurca |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
SUSY DEL CARRIL |
ODEON |
5210 B |
11974 |
06/05/1942 |
|
| 3274 |
NO LO CREAS POR FAVOR |
Murga-Corrido |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
SUSY DEL CARRIL |
ODEON |
5211 B
LDS 816 B |
11975 |
06/05/1942 |
In Lefcovich's Canaro discography imprecisely: "corrido". |
| 3275 |
MARIPOSA NOCTURNA |
Tango |
CA: Manuel Fernández y González |
Orquesta |
CARLOS ROLDAN |
ODEON |
5216 A
LDS 816 A |
12052 |
22/06/1942 |
Original title: "POBRE MARIPOSA NOCTURNA". |
| 3276 |
MARIA REMEDIOS |
Vals |
C: Germán Rogelio Teisseire
A: Carlos Pesce |
Orquesta |
CARLOS ROLDAN |
ODEON |
5216 B |
12053 |
22/06/1942 |
|
| 3277 |
ROSALIA |
Corrido |
CA: Ramón Collazo |
Orquesta |
CARLOS ROLDAN |
ODEON |
5214 B |
12054 |
22/06/1942 |
|
| 3278 |
ES MEJOR PERDONAR |
Tango |
C: Pedro Blanco Laurenz
A: José María Contursi |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5214 A
52660
LDS 816 A |
12055 |
22/06/1942 |
The first catalog number (5214) is missing in Lefcovich's Canaro discography. |
| 3279 |
LOS HARAPOS DE MIS SUEÑOS |
Tango |
C: Mario Canaro
A: Francisco García Jiménez |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5215 A |
12056 |
22/06/1942 |
|
| 3280 |
HACE UN AÑO |
Canción Ranchera Mexicana |
CA: Felipe Valdez Leal |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5215 B |
12057 |
22/06/1942 |
In Lefcovich's Canaro discography imprecisely: "canción ranchera". |
| 3281 |
CUANDO UN VIEJO SE ENAMORA |
Milonga |
C: Rodolfo Pascual Sciammarella
A: Manuel Romero |
Orquesta |
CARLOS ROLDAN |
ODEON |
5213 B |
12064 |
30/06/1942 |
According to Gutiérrez Miglio's discography of Carlos Roldán: "22/06/1942". |
| 3282 |
NECESITO OLVIDAR |
Tango |
C: Rodolfo Pascual Sciammarella
A: Manuel Romero |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5213 A
52660
LDS 816 B |
12065 |
30/06/1942 |
|
| |
CORAZON ENCADENADO |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta [Roberto Garza] |
ADA FALCON con acomp. |
ODEON |
11269 A |
12142 |
04/08/1942 |
In Lefcovich's Canaro discography incorrectly: "CORAZON ENCANDENADO". In the General Catalog ("Catálogo General") 1944 of Odeón-Columbia incorrectly attributed to the Orquesta Francisco Canaro. |
| |
VIVIRE CON TU RECUERDO |
Vals |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta [Roberto Garza] |
ADA FALCON con acomp. |
ODEON |
11269 B |
12143 |
04/08/1942 |
In the General Catalog ("Catálogo General") 1944 of Odeón-Columbia incorrectly attributed to the Orquesta Francisco Canaro. |
| 3283 |
CLARO DE LUNA |
Vals |
C: José Decuzzi
A: Alberto Cosentino |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5219 B |
12265 |
30/09/1942 |
|
| 3284 |
GRICEL |
Tango |
C: Mariano Mores
A: José María Contursi |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5218 A
52672
LDS 816 A |
12266 |
30/09/1942 |
The first catalog number of the re-release (52672) is missing in Lefcovich's Canaro discography. |
| 3285 |
QUE ME QUITEN LO BAILAO |
Tango |
CA: Miguel Eusebio Bucino |
Orquesta |
CARLOS ROLDAN |
ODEON |
5219 A |
12267 |
30/09/1942 |
|
| 3286 |
SAN BENITO DE PALERMO |
Milonga |
C: Juan Francisco Noli
A: Carlos Pesce |
Orquesta |
CARLOS ROLDAN |
ODEON |
5218 B |
12268 |
30/09/1942 |
|
| 3287 |
POCO A POCO DESPACITO |
Tango |
CA: Don Vargas (Egidio Pittaluga) |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5221 A |
12351 |
13/11/1942 |
|
| 3288 |
VA A CANTAR UN RUISEÑOR |
Tango |
C: Andrés R. Domenech
A: Carlos Pesce |
Orquesta |
CARLOS ROLDAN |
ODEON |
5220 A |
12352 |
13/11/1942 |
|
| 3289 |
MI CHAPALITA |
Corrido |
C: Humberto Canaro
A: Carlos Pesce |
Orquesta |
CARLOS ROLDAN |
ODEON |
5221 B |
12353 |
13/11/1942 |
|
| 3290 |
AY JALISCO NO TE RAJES |
Corrido |
C: Manuel Esperón González
A: Ernesto M. Cortázar Hernández |
Orquesta |
CARLOS ROLDAN & EDUARDO ADRIAN |
ODEON |
5222 A
5264 A |
12366 |
18/11/1942 |
In Lefcovich's Canaro discography incorrectly: "5221" (catalog number). |
| 3291 |
SOY UN PORTEÑO |
Milonga |
C: José Razzano
A: Celedonio Esteban Flores |
Orquesta |
CARLOS ROLDAN |
ODEON |
5220 B |
12367 |
18/11/1942 |
|
| 3292 |
CANTANDO SE VAN LAS PENAS |
Tango |
C: Juan Canaro
A: Ricardo Duggan |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5222 B |
12368 |
18/11/1942 |
|
| 3293 |
LA BIEN PAGA |
Vals |
C: Juan Mostazo Morales
A: Ramón Perelló Rodenas
AR: Francisco Canaro |
Orquesta |
EDUARDO ADRIAN y coro |
ODEON |
5223 A |
12456 |
29/12/1942 |
In some discographies imprecisely: "arreglo en vals". |
| 3294 |
MUCHACHA |
Vals |
C: Félix Lipesker
A: Homero Manzi |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5224 B |
12457 |
29/12/1942 |
|
| 3295 |
POR LAS CALLES DE LA VIDA |
Tango |
C: Rosendo Luna (Enrique Domingo Cadícamo)
A: Enrique Domingo Cadícamo |
Orquesta |
CARLOS ROLDAN |
ODEON |
5223 B |
12458 |
29/12/1942 |
|
| 3296 |
EL CORNETIN |
Tango |
C: Pedro Mario Maffia
A: Cátulo Castillo & Homero Manzi |
Orquesta |
CARLOS ROLDAN |
ODEON |
5224 A |
12459 |
29/12/1942 |
Original title: "CORNETIN". |
| 3297 |
EL TROVERO |
Vals |
C: Rafael Tuegols & Agustín Irusta |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4134 B
51095 B |
12466 |
30/12/1942 |
|
| 3298 |
MILONGA CON VARIACIONES |
Tango Milonga |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4134 A
51095 A |
12467 |
30/12/1942 |
Original title: "MILONGA CON VARIACION". In Lefcovich's Canaro discography imprecisely: "tango". |
| 3299 |
EL SALEROSO |
Pasodoble |
C: Héctor Lomuto
A: Gerardo González |
Orquesta |
CARLOS ROLDAN |
ODEON |
5225 B |
12468 |
30/12/1942 |
In Lefcovich's Canaro discography incorrectly: "52254" (catalog number). |
| 3300 |
NIDO GAUCHO |
Tango |
C: Carlos Di Sarli
A: Héctor Marcó (Héctor Domingo Marcolongo) |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5225 A
LDS 816 B |
12469 |
30/12/1942 |
|
| 3301 |
LA NIÑA DE LA VENTERA |
Arreglo en Tiempo de Vals |
C: Manuel López Quiroga Miquel
A: Rafael de León y Arias de Saavedra
AR: Francisco Canaro |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5226 B |
12647 |
18/03/1943 |
|
| 3302 |
NENE CAPRICHOSO |
Tango Humorístico |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN y coro |
ODEON |
5226 A |
12648 |
18/03/1943 |
|
| 3303 |
ASI SE BAILA EL TANGO |
Tango |
C: Elías Randal
A: Marvil (Elisardo Martínez Vilas) |
Orquesta |
CARLOS ROLDAN |
ODEON |
5227 A |
12649 |
18/03/1943 |
In Lefcovich's Canaro discography incorrectly: "5226" (catalog number). |
| 3304 |
MANDEME MI GENERAL |
Milonga Militar del 70 |
C: Andrés Manuel Fraga
A: Francisco García Jiménez |
Orquesta |
CARLOS ROLDAN |
ODEON |
5227 B |
12650 |
18/03/1943 |
In Lefcovich's Canaro discography imprecisely: "milonga militar". |
| 3305.1 |
TANGO BRUJO |
Tango |
CA: Francisco Canaro |
Orquesta |
CARLOS ROLDAN |
ODEON |
— |
12741 |
05/05/1943 |
In Lefcovich's Canaro discography incorrectly: "5227" (catalog number). |
| 3305.2 |
TANGO BRUJO |
Tango |
CA: Francisco Canaro |
Orquesta |
CARLOS ROLDAN |
ODEON |
— |
12741/1 |
05/05/1943 |
Missing in some discographies. |
| 3305.3 |
TANGO BRUJO |
Tango |
CA: Francisco Canaro |
Orquesta |
CARLOS ROLDAN |
ODEON |
5228 A
LDS 816 B |
12741/2 |
05/05/1943 |
Missing in some discographies. |
| 3306 |
TRANQUILO VIEJO TRANQUILO |
Tango Cómico |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN |
ODEON |
5230 A |
12742 |
05/05/1943 |
In some discographies imprecisely: "tango". |
| 3307.1 |
SOÑAR Y NADA MAS |
Vals Serenata |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN & EDUARDO ADRIAN |
ODEON |
— |
12743 |
05/05/1943 |
|
| 3307.2 |
SOÑAR Y NADA MAS |
Vals Serenata |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN & EDUARDO ADRIAN |
ODEON |
5229 B
5284 A
30126 B
51134 B |
12743/1 |
05/05/1943 |
Missing in some discographies. |
| 3308.1 |
Y NO LA PUEDO OLVIDAR |
Tango Canción |
CA: Francisco Canaro |
Orquesta |
EDUARDO ADRIAN |
ODEON |
— |
12744 |
05/05/1943 |
In some discographies imprecisely: "tango". |
| 3308.2 |
Y NO LA PUEDO OLVIDAR |
Tango Canción |
CA: Francisco Canaro |
Orquesta |
EDUARDO ADRIAN |
ODEON |
— |
12744/1 |
05/05/1943 |
Missing in some discographies. |
| 3308.3 |
Y NO LA PUEDO OLVIDAR |
Tango Canción |
CA: Francisco Canaro |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5229 A
55157 B |
12744/2 |
05/05/1943 |
Missing in some discographies. |
| 3309 |
CANDOMBE |
Candombe |
CA: Francisco Canaro |
Orquesta |
CARLOS ROLDAN |
ODEON |
5228 B |
12758 |
12/05/1943 |
|
| 3310 |
DESESPERANZA |
Vidalita |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
MARIANO MORES y coro |
ODEON |
5231
DMO 55552 B |
12759 |
12/05/1943 |
|
| 3311 |
EL MOÑO ROJO |
Minué |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5231
DMO 55552 A |
12760 |
12/05/1943 |
|
| 3312 |
CON LOS AMIGOS (A MI MADRE) |
Vals |
CA: Carlos Gardel & José Razzano |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5232 A |
12761 |
12/05/1943 |
The alternate title is missing in some discographies. |
| 3313 |
SE DICE DE MI |
Milonga |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN |
ODEON |
5230 B |
12779 |
19/05/1943 |
|
| 3314.1 |
CADA VEZ QUE ME RECUERDES |
Tango |
C: Mariano Mores
A: José María Contursi |
Orquesta |
EDUARDO ADRIAN |
ODEON |
— |
12799 |
26/05/1943 |
|
| 3314.2 |
CADA VEZ QUE ME RECUERDES |
Tango |
C: Mariano Mores
A: José María Contursi |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5232 B
52672 |
12799/1 |
26/05/1943 |
Missing in some discographies. |
| 3315 |
UNO |
Tango |
C: Mariano Mores
A: Enrique Santos Discépolo |
Orquesta |
CARLOS ROLDAN |
ODEON |
5233 A
55481 B |
12800 |
26/05/1943 |
The catalog number of the re-release (55481) is missing in some discographies. |
| 3316 |
OJOS VERDES |
Arreglo en Tiempo de Vals |
C: Manuel López Quiroga Miquel
A: Salvador Federico Valverde & Rafael de León y Arias de Saavedra
AR: Francisco Canaro |
Orquesta |
CARLOS ROLDAN |
ODEON |
5233 B |
12801 |
26/05/1943 |
In some discographies incorrectly: "EDUARDO ADRIAN". |
| 3317 |
9 PUNTOS |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4135 A
51096 A |
12832 |
07/06/1943 |
|
| 3318 |
FRANCIA |
Vals |
C: Octavio Barbero |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4135 B
51096 B |
12833 |
07/06/1943 |
|
| 3319.1 |
MIENTRAS TU ME QUIERAS |
Tango |
C: Mario Canaro
A: Roberto del Pino |
Orquesta |
EDUARDO ADRIAN |
ODEON |
— |
12932 |
16/07/1943 |
Original title: "MIENTRAS VOS ME QUIERAS". |
| 3319.2 |
MIENTRAS TU ME QUIERAS |
Tango |
C: Mario Canaro
A: Roberto del Pino |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5234 A |
12932/1 |
16/07/1943 |
Missing in some discographies. Original title: "MIENTRAS VOS ME QUIERAS". |
| 3320 |
LA NEGRITA CANDOMBE (RUMBITA CANDOMBE) |
Milonga |
C: Osvaldo Novarro & Raúl Fortunato
A: Mario Battistella |
Orquesta |
CARLOS ROLDAN |
ODEON |
5234 B |
12933 |
16/07/1943 |
Original title: "LA RUMBITA CANDOMBE". |
| 3321 |
MANOLITA (LOS NAIPES NO MIENTEN JAMAS) |
Vals |
C: Léo Daniderff (Ferdinand Julien Niquet)
A: Emilio Fresedo |
Orquesta |
CARLOS ROLDAN |
ODEON |
5235 A |
12990 |
04/08/1943 |
The alternate title is missing in Lefcovich's Canaro discography. |
| 3322 |
MI REFLEXION |
Tango |
C: Francisco J. Lomuto
A: Pancho Laguna (Francisco J. Lomuto) |
Orquesta |
CARLOS ROLDAN |
ODEON |
5235 B |
12991 |
04/08/1943 |
|
| 3323 |
VALSECITO AMIGO |
Vals |
C: Aníbal Carmelo Troilo
A: José María Contursi |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5236 A
51631 A |
13050 |
17/08/1943 |
|
| 3324 |
GUITARRA |
Tango |
CA: Miguel Eusebio Bucino |
Orquesta |
CARLOS ROLDAN |
ODEON |
5236 B |
13051 |
17/08/1943 |
Original title: "NO VA MAS". |
| 3325 |
COMO PELEA DE NOVIOS |
Milonga |
C: Freddy Scorticati (Federico Agustín Scorticati)
A: Avlis (Erasmo Silva Cabrera) |
Orquesta |
CARLOS ROLDAN |
ODEON |
5237 B |
13052 |
17/08/1943 |
|
| 3326 |
MARIA ESTHER |
Vals |
C: Juan Maglio |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4136 B
51097 B |
13087 |
26/08/1943 |
The catalog number of the re-release (51097) is missing in Lefcovich's Canaro discography. |
| 3327 |
CORAZON QUE ME HAS HERIDO |
Tango |
C: Enrique Maciel
A: Carmelo Volpe |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5237 A |
13088 |
26/08/1943 |
|
| 3328.1 |
LA BRISA |
Tango |
C: Francisco Canaro & Juan Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
— |
13089 |
26/08/1943 |
|
| 3328.2 |
LA BRISA |
Tango |
C: Francisco Canaro & Juan Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4136 A
51097 A |
13089/1 |
26/08/1943 |
Missing in some discographies. |
| 3329 |
EL LISTON (PARA QUE ME ESCRIBES SI NO SABES) |
Corrido |
CA: Gabriel Ruiz Galindo |
Orquesta |
CARLOS ROLDAN & EDUARDO ADRIAN |
ODEON |
5238 A |
13096 |
01/09/1943 |
The alternate title is missing in some discographies. In some discographies incorrectly: "EDUARDO ADRIAN". |
| |
EL LISTON (PARA QUE ME ESCRIBES SI NO SABES) |
Corrido |
CA: Gabriel Ruiz Galindo |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5238 |
13096/1 |
01/09/1943 |
Drafting error in Lefcovich's Canaro discography. |
| 3330 |
QUEJA INDIANA |
Tango |
C: Juan Rodríguez
A: Juan Miguel Velich |
Orquesta |
CARLOS ROLDAN |
ODEON |
5238 B |
13097 |
01/09/1943 |
Alternate title: "AY AY AY". |
| 3331 |
TRISTEZA MARINA |
Tango |
C: José Dames & Roberto Flores
A: Horacio Sanguinetti |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5239 B
51631 B |
13358 |
10/11/1943 |
|
| 3332 |
TU PALIDA VOZ |
Vals |
C: Charlo
A: Homero Manzi |
Orquesta |
CARLOS ROLDAN |
ODEON |
5239 A
30138 B
51143 B |
13359 |
10/11/1943 |
|
| 3333 |
EL TROPERO DEL AMOR |
Tango |
C: Teófilo Lespés
A: Yaraví (Italo Silvestre Gianetti) |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5240 B |
13370 |
17/11/1943 |
|
| 3334 |
EL GALLO |
Polca-Corrido |
CA: Enrique Cortés Corvalán |
Orquesta |
CARLOS ROLDAN & EDUARDO ADRIAN |
ODEON |
5240 A |
13371 |
17/11/1943 |
In some discographies incorrectly: "CARLOS ROLDAN". |
| 3335 |
SOMBRAS NADA MAS |
Tango |
C: Francisco J. Lomuto
A: José María Contursi |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5241 A |
13399 |
25/11/1943 |
|
| 3336 |
VERDEMAR |
Tango |
C: Carlos Di Sarli
A: José María Contursi |
Orquesta |
EDUARDO ADRIAN |
ODEON |
— |
13400 |
25/11/1943 |
In Lefcovich's Canaro discography incorrectly: "5241" (catalog number). |
| 3337 |
VIOLINES Y CORAZONES |
Vals |
C: Angel Pastore |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4137 B
51098 B |
13456 |
15/12/1943 |
|
| 3338 |
LA TORMENTA |
Tango Milonga |
C: Antonio Bonavena |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4137 A
51098 A |
13457 |
15/12/1943 |
In Lefcovich's Canaro discography imprecisely: "tango". |
| 3339 |
ALELUYA |
Candombe |
C: Sebastián Piana
A: Cátulo Castillo |
Orquesta |
CARLOS ROLDAN |
ODEON |
5241 B |
13458 |
15/12/1943 |
|
| 3340 |
EL NEGRO RAMON |
Tango Milonga |
C: Rosendo Luna (Enrique Domingo Cadícamo)
A: Enrique Domingo Cadícamo |
Orquesta |
CARLOS ROLDAN |
ODEON |
5242 A |
13490 |
29/12/1943 |
|
| 3341 |
LA CULPA LA TUVE YO |
Tango |
C: Andrés R. Domenech
A: Adolfo Rafael Avilés |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5242 B |
13491 |
29/12/1943 |
In Lefcovich's Canaro discography incorrectly: "CARLOS ROLDAN". |
| 3342 |
SUEÑO DE VIRGEN |
Vals |
C: Pascual De Gullo |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4138 B
51099 B |
13498 |
30/12/1943 |
|
| 3343 |
LA ROSARINA |
Tango |
C: Ricardo González Alfiletegaray |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
4138 A
51099 A |
13499 |
30/12/1943 |
|
| 3344 |
OIGA RUBIA |
Milonga |
C: Elías Randal
A: Marvil (Elisardo Martínez Vilas) |
Orquesta |
CARLOS ROLDAN |
ODEON |
5243 A |
13500 |
03/01/1944 |
|
| 3345 |
VIEJA CARRETA |
Tango |
CA: Antonio D'Alessandro & Nicolás D'Alessandro |
Orquesta |
EDUARDO ADRIAN |
ODEON |
5243 B |
13501 |
29/12/1943 |
In some discographies incorrectly: "CARLOS ROLDAN". |
| 3346 |
LA NARANJA NACIO VERDE |
Milonga |
C: Rafael Rossi
A: Luis Mario (María Luisa Carnelli) |
Orquesta |
CARLOS ROLDAN & HECTOR CASTEL |
ODEON |
5244 B |
13594 |
16/02/1944 |
In some discographies incorrectly: "CARLOS ROLDAN". |
| 3347 |
OTRA NOCHE |
Tango |
CA: Rodolfo Pascual Sciammarella |
Orquesta |
CARLOS ROLDAN |
ODEON |
5244 A |
13595 |
16/02/1944 |
|
| 3348.1 |
TODO ES MENTIRA |
Tango Canción |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN |
ODEON |
— |
13741 |
24/04/1944 |
In Lefcovich's Canaro discography imprecisely: "tango". |
| 3348.2 |
TODO ES MENTIRA |
Tango Canción |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN |
ODEON |
5246 B |
13741/1 |
24/04/1944 |
Missing in some discographies. |
| 3349 |
DOS CORAZONES |
Vals Romance |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN |
ODEON |
5245 A
51116 A
LDS 782 B |
13763 |
02/05/1944 |
Date of recording according to Gutiérrez Miglio's discography of Carlos Roldán; according to other discographies: "08/05/1944". |
| 3350 |
SIN COMPASION |
Tango Canción |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN |
ODEON |
5247 A |
13764 |
08/05/1944 |
|
| 3351 |
FUE POR UNA MUJER |
Tango Aguafuerte |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN |
ODEON |
5248 A |
13765 |
08/05/1944 |
In Lefcovich's Canaro discography imprecisely: "tango". |
| 3352 |
HORIZONTE AZUL |
Vals |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN |
ODEON |
5248 B |
13778 |
15/05/1944 |
|
| 3353.1 |
QUE TAL |
Tango Festivo |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN |
ODEON |
— |
13779 |
15/05/1944 |
|
| 3353.2 |
QUE TAL |
Tango Festivo |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN |
ODEON |
5245 B
51116 B |
13779/1 |
15/05/1944 |
Missing in some discographies. |
| 3354 |
ROSA DE PASION |
Fox Trot |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN |
ODEON |
5247 B |
13798 |
22/05/1944 |
In Gutiérrez Miglio's discography of Carlos Roldán incorrectly: "tango fox trot". |
| 3355 |
BUENAS NOCHES CORAZON |
Fox Trot Canción |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
CARLOS ROLDAN & CHOLA LUNA |
ODEON |
5246 A |
13825 |
24/04/1944 |
In Lefcovich's Canaro discography imprecisely: "fox trot". In this discography incorrectly: "24/05/1944". |
| 3356.1 |
CRISTAL |
Tango |
C: Mariano Mores
A: José María Contursi |
Orquesta |
CARLOS ROLDAN |
ODEON |
— |
13847 |
03/06/1944 |
Date of recording according to Gutiérrez Miglio's discography of Carlos Roldán; according to other discographies: "07/06/1944". |
| 3356.2 |
CRISTAL |
Tango |
C: Mariano Mores
A: José María Contursi |
Orquesta |
CARLOS ROLDAN |
ODEON |
5249 A
55815
LDS 816 A |
13847/1 |
03/06/1944 |
Missing in some discographies. Date of recording according to Gutiérrez Miglio's discography of Carlos Roldán. |
| 3357 |
ROSA DE TANGO |
Tango |
CA: Luis Rubistein |
Orquesta |
CARLOS ROLDAN |
ODEON |
5250 A |
13848 |
07/06/1944 |
|
| 3358.1 |
MI CABALLO BAYO |
Corrido |
C: Carlos Gardel & José Razzano
A: Francisco Brancatti |
Orquesta |
CARLOS ROLDAN & CHOLA LUNA |
ODEON |
— |
13849 |
07/06/1944 |
In some discographies incorrectly: "galopa corrido". |
| 3358.2 |
MI CABALLO BAYO |
Corrido |
C: Carlos Gardel & José Razzano
A: Francisco Brancatti |
Orquesta |
CARLOS ROLDAN & CHOLA LUNA |
ODEON |
5249 B |
13849/1 |
07/06/1944 |
In some discographies incorrectly: "galopa corrido". |
| 3359 |
SERENATA |
Milonga |
C: Juan Polito
A: Luis Rubistein |
Orquesta |
CARLOS ROLDAN |
ODEON |
5250 B |
13869 |
14/06/1944 |
|
| 3360 |
SU CARTA NO LLEGO |
Tango |
CA: Raúl Fernández Siro & Homero Manzi |
Orquesta |
CARLOS ROLDAN |
ODEON |
5255 A |
13870 |
14/06/1944 |
|
| 3361 |
BESAME MI AMOR |
Tango |
C: Enrique Lomuto
A: Oscar Rubens |
Orquesta |
CARLOS ROLDAN |
ODEON |
5254 B |
13881 |
19/06/1944 |
|
| 3362 |
DOS MINUTOS |
Tango |
CA: Miguel Eusebio Bucino & Evaristo Rosario Fratantoni |
Orquesta |
CARLOS ROLDAN |
ODEON |
5253 B |
13882 |
19/06/1944 |
|
| 3363 |
SANTA MARTA |
Corrido |
CA: Eugenio Nóbile |
Orquesta |
CARLOS ROLDAN |
ODEON |
5252 B |
13893 |
23/06/1944 |
Genre according to the record label; according to the score (Ed. Universal, 1944): "porro colombiano". |
| 3364 |
PALOMA |
Vals |
C: Juan José Guichandut
A: Horacio Sanguinetti |
Orquesta |
CARLOS ROLDAN |
ODEON |
5254 A
LDS 816 B |
13907 |
28/06/1944 |
|
| 3365 |
ESTA NOCHE DE LUNA |
Tango |
C: José Francisco García & Graciano Manuel Leopoldo Gómez
A: Héctor Marcó (Héctor Domingo Marcolongo) |
Orquesta |
CARLOS ROLDAN |
ODEON |
5251 A
55862 A |
13908 |
28/06/1944 |
|
| 3366 |
MAS SOLO QUE NUNCA |
Tango |
C: Francisco Federico Pedro Leone
A: Enrique Dizeo |
Orquesta |
CARLOS ROLDAN |
ODEON |
5251 B
LDS 816 B |
13927 |
07/07/1944 |
Missing in the chronological enumeration of Lefcovich's Canaro discography due to a misprint. |
| 3367 |
TRES AMIGOS |
Tango |
C: Rosendo Luna (Enrique Domingo Cadícamo)
A: Enrique Domingo Cadícamo |
Orquesta |
CARLOS ROLDAN |
ODEON |
5252 A |
13928 |
07/07/1944 |
Missing in the chronological enumeration of Lefcovich's Canaro discography due to a misprint. |
| 3368 |
ESTAMPA DEL 800 |
Candombe |
C: Romeo Gavioli & Carmelo Imperio Bove
A: Gerónimo Yorio |
Orquesta |
CARLOS ROLDAN |
ODEON |
5256 A |
13952 |
19/07/1944 |
Missing in the chronological enumeration of Lefcovich's Canaro discography due to a misprint. |
| 3369 |
NAIPE |
Tango |
C: Aníbal Carmelo Troilo
A: Enrique Domingo Cadícamo |
Orquesta |
CARLOS ROLDAN |
ODEON |
5253 A |
13959 |
21/07/1944 |
Missing in the chronological enumeration of Lefcovich's Canaro discography due to a misprint. |
| 3370 |
EN EL FONDO DEL MAR |
Vals |
C: Hipólito Basilio
A: Horacio Sanguinetti |
Orquesta |
CARLOS ROLDAN |
ODEON |
5255 B |
13960 |
21/07/1944 |
Missing in the chronological enumeration of Lefcovich's Canaro discography due to a misprint. |
| 3371 |
LLAMANDOTE |
Tango |
C: Humberto Canaro
A: Enrique Domingo Cadícamo |
Orquesta |
CARLOS ROLDAN |
ODEON |
5256 B |
13976 |
26/07/1944 |
Missing in the chronological enumeration of Lefcovich's Canaro discography due to a misprint. |
| 3372 |
DONDE ESTA LO QUE SOÑE |
Tango Canción |
C: Antonio D'Alessandro & Nicolás D'Alessandro
A: Brillante Plastino |
Orquesta |
CARLOS ROLDAN |
ODEON |
5268 B |
13977 |
26/07/1944 |
In Lefcovich's Canaro discography incorrectly: "DONDE ESTA LO QUE YO SONE". In this discography imprecisely: "tango". |
| 3373 |
ADELAIDA |
Vals |
C: Francisco Pracánico
A: Diego Novillo Quiroga |
Orquesta |
CARLOS ROLDAN |
ODEON |
5265 A |
13982 |
28/07/1944 |
|
| 3374 |
INCOMPRENSION |
Vals |
CA: Oscar Sabino |
Orquesta |
GUILLERMO CORAL |
ODEON |
5257 B |
14213 |
15/11/1944 |
|
| 3375 |
COPAS AMIGAS Y BESOS |
Tango |
C: Mariano Mores
A: Enrique Domingo Cadícamo |
Orquesta |
CARLOS ROLDAN |
ODEON |
5257 A |
14214 |
15/11/1944 |
|
| 3376 |
A LA LIMA Y AL LIMON |
Vals |
C: Manuel López Quiroga Miquel
A: Rafael de León y Arias de Saavedra |
Orquesta |
GUILLERMO CORAL |
ODEON |
5258 B |
14287 |
06/12/1944 |
|
| 3377 |
TORRENTE |
Tango |
CA: Húgo Gutiérrez & Homero Manzi |
Orquesta |
CARLOS ROLDAN |
ODEON |
5258 A |
14288 |
06/12/1944 |
|
| 3378 |
DESAGRAVIO |
Tango |
C: Francisco J. Lomuto
A: Homero Manzi & José María Contursi |
Orquesta |
GUILLERMO CORAL |
ODEON |
5259 B |
14333 |
22/12/1944 |
|
| 3379 |
TRES PALABRAS |
Tango |
CA: Alfredo José De Franco & El Matrero (Alberto Luis De Franco) |
Orquesta |
GUILLERMO CORAL |
ODEON |
5261 B
51117 B |
14334 |
22/12/1944 |
|
| 3380 |
DESTELLOS |
Tango |
C: Francisco Canaro
A: Juan Andrés Caruso |
Orquesta |
CARLOS ROLDAN |
ODEON |
5261 A
51117 A |
14335 |
22/12/1944 |
|
| 3381 |
COMO UNA HERIDA |
Tango |
C: Oscar Sabino
A: Carlos Manuel Marín |
Orquesta |
GUILLERMO CORAL |
ODEON |
5260 B |
14336 |
22/12/1944 |
|
| 3382 |
COLLAR DE AMORES |
Tango |
CA: Francisco Canaro |
Orquesta |
CARLOS ROLDAN |
ODEON |
5260 A |
14366 |
02/01/1945 |
|
| 3383 |
ENCUENTRO |
Tango |
CA: Miguel Eusebio Bucino |
Orquesta |
GUILLERMO CORAL |
ODEON |
5259 A |
14367 |
02/01/1945 |
|
| 3384 |
TU EL CIELO Y TU |
Tango |
C: Mario Canaro
A: Héctor Marcó (Héctor Domingo Marcolongo) |
Orquesta |
GUILLERMO CORAL |
ODEON |
5262 A |
14473 |
09/03/1945 |
|
| 3385 |
CAFE DE LOS ANGELITOS |
Tango |
CA: José Razzano & Cátulo Castillo |
Orquesta |
CARLOS ROLDAN |
ODEON |
5262 B |
14474 |
09/03/1945 |
|
| 3386 |
TODA UNA VIDA (ME ESTARIA CONTIGO) |
Arreglo en Vals |
CA: Osvaldo Farrés |
Orquesta |
GUILLERMO CORAL |
ODEON |
5263 A |
14486 |
15/03/1945 |
In Lefcovich's Canaro discography imprecisely: "vals". |
| 3387 |
GARRAS |
Tango |
C: Aníbal Carmelo Troilo
A: José María Contursi |
Orquesta |
CARLOS ROLDAN |
ODEON |
5263 B
LDS 816 A |
14487 |
15/03/1945 |
|
| 3388 |
MIGUEL ANGEL |
Tango |
C: Vicente Demarco
A: Carlos Pesce |
Orquesta |
GUILLERMO CORAL |
ODEON |
5266 A |
14611 |
07/05/1945 |
|
| 3389 |
TRENZAS |
Tango |
C: Armando Pontier
A: Homero Aldo Expósito |
Orquesta |
GUILLERMO CORAL |
ODEON |
5265 B |
14612 |
07/05/1945 |
|
| 3390 |
ME GUSTA BAILAR MILONGA |
Milonga |
CA: Pintín Castellanos |
Orquesta |
CARLOS ROLDAN |
ODEON |
5266 B
55765 A |
14613 |
07/05/1945 |
|
| 3391 |
DUELO CRIOLLO |
Tango |
C: Juan Bautista Domingo Rezzano
A: Lito Bayardo |
Orquesta |
GUILLERMO CORAL |
ODEON |
5269 B
51118 B |
14623 |
16/05/1945 |
|
| 3392 |
QUIEN MAS QUE YO |
Tango |
C: Mario Canaro
A: Héctor Marcó (Héctor Domingo Marcolongo) |
Orquesta |
CARLOS ROLDAN & GUILLERMO CORAL |
ODEON |
5269 A
51118 A |
14624 |
16/05/1945 |
Registered under the title "Y QUIEN MAS QUE YO". |
| 3393 |
EN UN BARCO VELERO (ANA MARIA) |
Vals |
C: Feliciano Juan Brunelli
A: Feliciano Juan Brunelli & Félix Lipesker |
Orquesta |
GUILLERMO CORAL |
ODEON |
5268 A |
14638 |
23/05/1945 |
The alternate title is missing in Lefcovich's Canaro discography. |
| 3394 |
SE LLAMA DOLORES |
Vals Español |
C: Antonio D'Alessandro
A: Conrado Martínez |
Orquesta |
CARLOS ROLDAN |
ODEON |
5267 B
55115 B |
14639 |
23/05/1945 |
In Lefcovich's Canaro discography incorrectly: "SE LLAMABA DOLORES". |
| 3395.1 |
YA ESTAMOS IGUALES |
Tango |
C: Anselmo Alfredo Aieta
A: Francisco García Jiménez |
Orquesta |
CARLOS ROLDAN |
ODEON |
— |
14640 |
23/05/1945 |
|
| 3395.2 |
YA ESTAMOS IGUALES |
Tango |
C: Anselmo Alfredo Aieta
A: Francisco García Jiménez |
Orquesta |
CARLOS ROLDAN |
ODEON |
5267 A |
14640/1 |
23/05/1945 |
Missing in some discographies. |
| 3396 |
NIEBLA |
Tango |
C: Francisco Canaro & Mariano Mores
A: Ivo Pelay |
Orquesta |
GUILLERMO CORAL |
ODEON |
5272 B
51120 B |
14870 |
24/08/1945 |
|
| 3397.1 |
ADIOS PAMPA MIA |
Tango campero |
C: Francisco Canaro & Mariano Mores
A: Ivo Pelay |
Orquesta |
ALBERTO ARENAS |
ODEON |
— |
14871 |
24/08/1945 |
In some discographies imprecisely: "tango". |
| 3397.2 |
ADIOS PAMPA MIA |
Tango campero |
C: Francisco Canaro & Mariano Mores
A: Ivo Pelay |
Orquesta |
ALBERTO ARENAS |
ODEON |
5270 A |
14871/1 |
24/08/1945 |
Missing in some discographies. |
| 3398 |
SERAFIN Y JULIA PAZ |
Milonga |
C: Francisco Canaro & Mariano Mores
A: Ivo Pelay |
Orquesta |
GUILLERMO CORAL & ALBERTO ARENAS |
ODEON |
5270 B |
14884 |
31/08/1945 |
|
| 3399 |
PREGONERA |
Tango |
C: Alfredo De Angelis
A: José Rótulo |
Orquesta |
GUILLERMO CORAL & ALBERTO ARENAS |
ODEON |
5271 A
51119 A |
14890 |
04/09/1945 |
|
| 3400 |
NO LLORES NUNCA MAS |
Vals |
C: Francisco Canaro & Mariano Mores
A: Ivo Pelay |
Orquesta |
GUILLERMO CORAL & ALBERTO ARENAS |
ODEON |
5272 A
55862 B
51120 A |
14909 |
13/09/1945 |
|
| 3401 |
COTORRITA DE LA SUERTE |
Tango |
C: Alfredo José De Franco
A: José De Grandis |
Orquesta |
ALBERTO ARENAS |
ODEON |
5271 B
51119 B |
14910 |
13/09/1945 |
|
| |
VIERNES DE PASION |
Tango |
C: José Vázquez Vigo
A: Francisco García Jiménez |
Orquesta |
GUILLERMO CORAL |
ODEON |
5271 |
14911 |
13/09/1945 |
Drafting error in Lefcovich's Canaro discography. |
| 3402 |
VIERNES DE PASION |
Tango |
C: José Vázquez Vigo
A: Francisco García Jiménez |
Orquesta |
GUILLERMO CORAL |
ODEON |
5284 B |
15008 |
17/10/1945 |
In Lefcovich's Canaro discography incorrectly: "19/10/1945". |
| 3403 |
TRISTEZA CRIOLLA |
Vals Campero |
C: Ignacio Corsini
A: Julián de Charras |
Orquesta |
GUILLERMO CORAL |
ODEON |
5274 B |
15009 |
19/10/1945 |
In some discographies imprecisely: "vals". |
| 3404 |
CANCION DESESPERADA |
Tango |
CA: Enrique Santos Discépolo |
Orquesta |
ALBERTO ARENAS |
ODEON |
5273 A |
15010 |
19/10/1945 |
|
| 3405 |
TEDIO |
Tango |
CA: Miguel Eusebio Bucino |
Orquesta |
ALBERTO ARENAS |
ODEON |
5273 B |
15011 |
19/10/1945 |
|
| 3406 |
MARIA |
Tango |
C: Aníbal Carmelo Troilo
A: Cátulo Castillo |
Orquesta |
ALBERTO ARENAS |
ODEON |
5274 A |
15069 |
06/11/1945 |
|
| 3407 |
MARGO |
Tango |
C: Armando Pontier
A: Homero Aldo Expósito |
Orquesta |
GUILLERMO CORAL |
ODEON |
5275 A |
15186 |
14/12/1945 |
|
| 3408 |
CUATRO LAGRIMAS |
Tango |
CA: Lito Bayardo |
Orquesta |
ALBERTO ARENAS |
ODEON |
5275 B |
15208 |
21/12/1945 |
In some discographies incorrectly: "GUILLERMO CORAL". |
| 3409 |
MAÑANA NO ESTARAS |
Tango |
C: Haroldo Ariol Gessaghi
A: Horacio Sanguinetti |
Orquesta |
GUILLERMO CORAL |
ODEON |
5276 B |
15209 |
21/12/1945 |
|
| 3410 |
MIS AMIGOS DE AYER |
Tango |
C: Francisco J. Lomuto
A: José María Contursi |
Orquesta |
GUILLERMO CORAL |
ODEON |
5276 A
55968 A |
15233 |
28/12/1945 |
|
| 3411 |
LA METRALLA |
Tango |
C: Manuel O. Campoamor |
Orquesta |
INSTRUMENTAL |
ODEON |
5279 B
55115 A |
15234 |
28/12/1945 |
|
| 3412 |
ADIOS PAMPA MIA |
Tango campero |
C: Francisco Canaro & Mariano Mores
A: Ivo Pelay |
Orquesta |
NELLY OMAR |
ODEON |
5277 A |
15314 |
28/01/1946 |
In Lefcovich's Canaro discography imprecisely: "tango". In this discography incorrectly: "26/01/1946". |
| 3413 |
CANCION DESESPERADA |
Tango |
CA: Enrique Santos Discépolo |
Orquesta |
NELLY OMAR |
ODEON |
5277 B |
15315 |
28/01/1946 |
In Lefcovich's Canaro discography incorrectly: "26/01/1946". |
| 3414 |
JUANA REBENQUE |
Tango |
C: Luis Riccardi
A: Enrique Domingo Cadícamo |
Orquesta |
GUILLERMO CORAL |
ODEON |
5279 A |
15335 |
27/02/1946 |
In Lefcovich's Canaro discography incorrectly: "JUANA REBELDE". |
| 3415 |
EN LA NOCHE DE TUS OJOS |
Tango |
C: Pacífico Víctor Lambertucci
A: Francisco García Jiménez |
Orquesta |
GUILLERMO CORAL |
ODEON |
5283 B
55968 B |
15378 |
21/03/1946 |
|
| 3416 |
SIN EMBARGO NO ESTOY TRISTE |
Tango |
C: Rodolfo Pascual Sciammarella
A: Leopoldo Torres Ríos |
Orquesta |
ALBERTO ARENAS |
ODEON |
5283 A |
15379 |
21/03/1946 |
|
| 3417 |
YIRA YIRA |
Tango |
CA: Enrique Santos Discépolo |
Orquesta |
ALBERTO ARENAS |
ODEON |
5280 B
51122 B |
15425 |
09/04/1946 |
|
| 3418 |
NOBLEZA DE ARRABAL |
Tango |
C: Francisco Canaro
A: Arauco (Homero Manzi) |
Orquesta |
ALBERTO ARENAS |
ODEON |
5281 A
51123 A |
15426 |
09/04/1946 |
In Lefcovich's Canaro discography incorrectly: "GUILLERMO CORAL & ALBERTO ARENAS". |
| 3419 |
DEVOLVEME LO QUE ES MIO |
Vals |
C: Rodolfo Pascual Sciammarella
A: Carlos Artagnan Petit |
Orquesta |
ALBERTO ARENAS & GUILLERMO CORAL |
ODEON |
5281 B
51123 B |
15446 |
16/04/1946 |
|
| 3420.1 |
DOS ALMAS |
Arreglo en Vals |
CA: Don Fabián (Domingo Fabiano)
AR: Francisco Canaro |
Orquesta |
ENRIQUE LUCERO |
ODEON |
— |
15447 |
16/04/1946 |
|
| 3420.2 |
DOS ALMAS |
Arreglo en Vals |
CA: Don Fabián (Domingo Fabiano)
AR: Francisco Canaro |
Orquesta |
ENRIQUE LUCERO |
ODEON |
5280 A
51122 A |
15447/1 |
16/04/1946 |
Missing in some discographies. |
| 3421 |
PARA QUE LO OIGAN |
Milonga |
CA: Miguel Eusebio Bucino |
Orquesta |
ALBERTO ARENAS |
ODEON |
5282 A
30126 A
51134 A |
15569 |
07/06/1946 |
|
| 3422 |
CUANDO ESTEMOS LEJOS |
Tango |
C: Alberto Suárez Villanueva
A: Carol Chelchi (Samuel Yankelevich) |
Orquesta |
ENRIQUE LUCERO |
ODEON |
5282 B |
15570 |
07/06/1946 |
|
| 3423.1 |
ME LLAMAN EL SOLITARIO |
Tango |
C: Francisco J. Lomuto
A: Enrique Domingo Cadícamo |
Orquesta |
ALBERTO ARENAS |
ODEON |
— |
15697 |
30/07/1946 |
|
| 3423.2 |
ME LLAMAN EL SOLITARIO |
Tango |
C: Francisco J. Lomuto
A: Enrique Domingo Cadícamo |
Orquesta |
ALBERTO ARENAS |
ODEON |
5285 A
51124 A |
15697/1 |
30/07/1946 |
Missing in some discographies. |
| 3424.1 |
TE ESPERO EN RODRIGUEZ PEÑA |
Tango |
C: Héctor Varela
A: Carlos Waiss |
Orquesta |
ENRIQUE LUCERO |
ODEON |
— |
15698 |
30/07/1946 |
|
| 3424.2 |
TE ESPERO EN RODRIGUEZ PEÑA |
Tango |
C: Héctor Varela
A: Carlos Waiss |
Orquesta |
ENRIQUE LUCERO |
ODEON |
5285 B
51124 B |
15698/1 |
30/07/1946 |
Missing in some discographies. |
| 3425 |
DEJAME NO QUIERO VERTE MAS |
Tango canción |
C: Francisco Canaro & Mariano Mores
A: Ivo Pelay |
Orquesta |
ENRIQUE LUCERO |
ODEON |
5286 B
51125 B |
15752 |
20/08/1946 |
In some discographies imprecisely: "tango". |
| 3426.1 |
SIN PALABRAS |
Tango |
C: Mariano Mores
A: Enrique Santos Discépolo |
Orquesta |
ALBERTO ARENAS |
ODEON |
— |
15753 |
20/08/1946 |
|
| 3426.2 |
SIN PALABRAS |
Tango |
C: Mariano Mores
A: Enrique Santos Discépolo |
Orquesta |
ALBERTO ARENAS |
ODEON |
5286 A
51125 A |
15753/1 |
20/08/1946 |
Missing in some discographies. |
| 3427 |
ROSA DE OTOÑO |
Vals Criollo |
C: Guillermo Desiderio Barbieri
A: José Rial (hijo) |
Orquesta |
NELLY OMAR |
ODEON |
5288 B
55381 A |
15788 |
04/09/1946 |
In Lefcovich's Canaro discography imprecisely: "vals". In this discography incorrectly: "5286" (catalog number). |
| 3428.1 |
PENA GRIS |
Tango |
C: Mario Canaro
A: Andrés Gregorio Chinarro |
Orquesta |
ENRIQUE LUCERO |
ODEON |
— |
15799 |
10/09/1946 |
In Lefcovich's Canaro discography incorrectly: "5286" (catalog number). |
| 3428.2 |
PENA GRIS |
Tango |
C: Mario Canaro
A: Andrés Gregorio Chinarro |
Orquesta |
ENRIQUE LUCERO |
ODEON |
5287 A
51126 A |
15799/1 |
10/09/1946 |
Missing in some discographies. |
| 3429 |
LA TABLADA |
Tango |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
5287 B
51126 B |
15800 |
10/09/1946 |
In Lefcovich's Canaro discography incorrectly: "5286" (catalog number). |
| 3430 |
LA PUÑALADA |
Milonga |
C: Pintín Castellanos |
Orquesta |
INSTRUMENTAL |
ODEON |
5289 A |
15860 |
08/10/1946 |
|
| 3431 |
GARDEL-RAZZANO (EL MOROCHO Y EL ORIENTAL) |
Milonga |
C: Angel D'Agostino
A: Enrique Domingo Cadícamo |
Orquesta |
NELLY OMAR |
ODEON |
5288 A
55765 B |
15861 |
08/10/1946 |
The alternate title is missing in Lefcovich's Canaro discography. |
| 3432 |
BORRON DE NIEBLA |
Tango |
C: Salvador Granata & Orlando Romeo Romanelli
A: Gerónimo Yorio |
Orquesta |
ALBERTO ARENAS |
ODEON |
5289 B |
15862 |
08/10/1946 |
|
| 3433 |
SI TU ME QUISIERAS |
Tango |
CA: Francisco Canaro |
Orquesta |
ALBERTO ARENAS |
ODEON |
5290 A |
16141 |
23/12/1946 |
In Lefcovich's Canaro discography incorrectly: "SI TU ME QUIESIERAS". In some discographies incorrectly: "21/12/1946". |
| 3434 |
RELIQUIAS PORTEÑAS |
Potpourri de Tangos |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
5290 B
55328 B |
16142 |
23/12/1946 |
Contains motives from ALMA DE BOHEMIO, MI NOCHE TRISTE, EL CHOCLO, EL IRRESISTIBLE, MADRESELVA, A MEDIA LUZ, MILONGUITA, RODRIGUEZ PEÑA, LA MOROCHA. The catalog number of the re-release (55328) is missing in Lefcovich's Canaro discography. In this discography incorrectly: "21/12/1946". |
| 3435 |
EL MILAGRO |
Tango |
C: Armando Pontier
A: Homero Aldo Expósito |
Orquesta |
ENRIQUE LUCERO |
ODEON |
5291 A
51127 A |
16148 |
26/12/1946 |
|
| 3436 |
NUESTROS CAMINOS |
Tango |
C: Mario Canaro
A: Suembaldo María Bontempi |
Orquesta |
ENRIQUE LUCERO |
ODEON |
5291 B
51127 B |
16173 |
03/01/1947 |
|
| 3437 |
PAZ EN MI TIERRA |
Tango |
C: Antonio D'Alessandro
A: Conrado Martínez |
Orquesta |
ALBERTO ARENAS & ENRIQUE LUCERO |
ODEON |
5292 B
51128 B |
16278 |
31/01/1947 |
In Lefcovich's Canaro discography incorrectly: "5291" (catalog number). In some discographies incorrectly: "03/01/1947". |
| 3438 |
LA MELODIA DE NUESTRO ADIOS |
Tango |
C: Fioravanti Di Cicco
A: Carmelo Santiago |
Orquesta |
ALBERTO ARENAS |
ODEON |
5292 A
51128 A |
16279 |
31/01/1947 |
In Lefcovich's Canaro discography incorrectly: "ALBERTO ARENAS & ENRIQUE LUCERO"; "03/01/1947". |
| 3439 |
SENTIMIENTO GAUCHO |
Tango |
C: Francisco Canaro & Rafael Canaro
A: Juan Andrés Caruso |
Orquesta |
NELLY OMAR |
ODEON |
5293 A |
16334 |
26/03/1947 |
|
| 3440 |
SUS OJOS SE CERRARON |
Tango |
C: Carlos Gardel
A: Alfredo Le Pera |
Orquesta |
NELLY OMAR |
ODEON |
5293 B |
16335 |
26/03/1947 |
In Lefcovich's Canaro discography incorrectly: "5294" (catalog number). |
| 3441 |
EUFEMIO PIZARRO |
Tango |
CA: Cátulo Castillo & Homero Manzi |
Orquesta |
ALBERTO ARENAS |
ODEON |
5294 A |
16399 |
21/04/1947 |
|
| 3442 |
VIEJA CUMPARSITA (VECCHIA CUMPARSITA [sic]) |
Tango |
C: Sergio Ala (Antonio Moretti)
A: Guillermo Pelay & Horacio Pelay |
Orquesta |
ENRIQUE LUCERO |
ODEON |
5294 B
55328 A |
16400 |
21/04/1947 |
Correct original title: "VECCHIA COMPARSITA". |
| 3443 |
DEJAME NO QUIERO VERTE MAS |
Tango |
C: Francisco Canaro & Mariano Mores
A: Ivo Pelay |
Orquesta |
NELLY OMAR |
ODEON |
5295 A
51129 A |
16490 |
28/05/1947 |
|
| 3444 |
LA CANCION DE BUENOS AIRES |
Tango |
C: Orestes Cúfaro & Azucena Maizani
A: Manuel Romero |
Orquesta |
NELLY OMAR |
ODEON |
5295 B
51129 B |
16491 |
28/05/1947 |
In some discographies incorrectly: "55765" (catalog number of the second re-release). |
| 3445 |
VINE A VERTE |
Tango |
CA: Miguel Eusebio Bucino |
Orquesta |
ALBERTO ARENAS |
ODEON |
5296 B
51130 B |
16527 |
12/06/1947 |
|
| 3446 |
ANGELITOS NEGROS |
Arreglo en Tango |
C: Manuel Alvarez Maciste
A: Andrés Eloy Blanco |
Orquesta |
ENRIQUE LUCERO |
ODEON |
5296 A
51130 A |
16528 |
12/06/1947 |
|
| 3447 |
NINI |
Canción |
C: Miguel Orlando
A: José María Suñé |
Orquesta |
TINO ROSSI con acomp. |
ODEON |
|
16583 |
10/07/1947 |
|
| 3448 |
ADIOS PAMPA MIA |
Tango |
C: Francisco Canaro & Mariano Mores
A: Ivo Pelay |
Orquesta |
TINO ROSSI con acomp. |
ODEON |
|
16584 |
10/07/1947 |
|
| 3449 |
ADIOS PAMPA MIA |
Tango |
C: Francisco Canaro & Mariano Mores
A: Jacques Larue |
Orquesta |
TINO ROSSI con acomp. |
ODEON |
|
16585 |
10/07/1947 |
Sung in French. |
| 3450 |
PRONTO REGRESO |
Tango |
C: Rosendo A. Mendizábal |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
30101 A
51100 A |
16619 |
31/07/1947 |
|
| 3451 |
EL POLLITO |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
30101 B
51100 B |
16620 |
31/07/1947 |
|
| 3452 |
SIN PALABRAS |
Tango |
C: Mariano Mores
A: Enrique Santos Discépolo |
Orquesta |
TINO ROSSI con acomp. |
ODEON |
|
16629 |
07/08/1947 |
|
| 3453 |
YO SOLO SE |
Tango |
C: Francisco Canaro & Mariano Mores
A: Guillermo Pelay & Horacio Pelay |
Orquesta |
TINO ROSSI con acomp. |
ODEON |
|
16630 |
07/08/1947 |
|
| 3454 |
SIN PALABRAS |
Tango |
C: Mariano Mores
A: Enrique Santos Discépolo |
Orquesta |
TINO ROSSI con acomp. |
ODEON |
|
16637 |
11/08/1947 |
Sung in French. |
| 3455 |
YO SOLO SE |
Tango |
C: Francisco Canaro & Mariano Mores
A: Guillermo Pelay & Horacio Pelay |
Orquesta |
CARLOS ROLDAN |
ODEON |
5297 A
51131 A |
16700 |
15/09/1947 |
|
| 3456 |
EL NORTEÑO |
Carnavalito-Danza rítmica |
C: Francisco Canaro & Mariano Mores |
Orquesta |
INSTRUMENTAL |
ODEON |
5297 B
51131 B |
16701 |
15/09/1947 |
In some discographies incorrectly: "danza bailable". |
| 3457 |
LOS EJES DE MI CARRETA |
Milonga |
C: Atahualpa Yupanqui
A: Romildo Risso |
Orquesta |
ALBERTO ARENAS & ENRIQUE LUCERO |
ODEON |
5298 A
51132 A |
16755 |
20/10/1947 |
|
| 3458 |
LA MILONGA DE BUENOS AIRES |
Milonga |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
30102 B
51101 B |
16758 |
22/10/1947 |
|
| 3459 |
DON JUAN |
Tango |
C: Ernesto Ponzio |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
30102 A
51101 A |
16759 |
22/10/1947 |
|
| 3460 |
CANTEMOS PARA OLVIDAR |
Tango |
C: Mario Canaro
A: Víctor Eduardo Prestipino |
Orquesta |
ALBERTO ARENAS & ENRIQUE LUCERO |
ODEON |
5298 B
51132 B |
16766 |
22/10/1947 |
|
| 3461 |
NOBLEZA DE ARRABAL |
Tango |
C: Francisco Canaro
A: Juan Andrés Caruso |
Orquesta |
NELLY OMAR |
ODEON |
30127 B
51135 B |
16767 |
22/10/1947 |
|
| 3462 |
DESDE EL ALMA |
Vals |
C: Rosita Melo
A: Homero Manzi & Víctor Piuma Vélez |
Orquesta |
NELLY OMAR |
ODEON |
30127 A
51135 A |
16768 |
22/10/1947 |
On the record label Homero Manzi is missing. |
| 3463.1 |
EL CHOCLO |
Tango |
C: Angel G. Villoldo
A: Juan Carlos Marambio Catán & Enrique Santos Discépolo |
Orquesta |
ALBERTO ARENAS |
ODEON |
— |
16836 |
15/01/1948 |
|
| 3463.2 |
EL CHOCLO |
Tango |
C: Angel G. Villoldo
A: Juan Carlos Marambio Catán & Enrique Santos Discépolo |
Orquesta |
ALBERTO ARENAS |
ODEON |
5299 A
51133 A
LDS 782 B |
16836/1 |
15/01/1948 |
Missing in some discographies. |
| 3464 |
LA ULTIMA COPA |
Tango |
C: Francisco Canaro
A: Juan Andrés Caruso |
Orquesta |
ALBERTO ARENAS |
ODEON |
5299 B
51133 B |
16837 |
15/01/1948 |
|
| 3465 |
AMEMONOS |
Vals |
C: Carlos Montbrun Ocampo
A: Manuel María Flores |
Orquesta |
ALBERTO ARENAS & ENRIQUE LUCERO |
ODEON |
30125 A |
16878 |
12/04/1948 |
Transcription of a popular motive of the Cuyo region. |
| 3466 |
CON LA OTRA |
Tango |
CA: Lito Bayardo |
Orquesta |
ALBERTO ARENAS |
ODEON |
30125 B |
16879 |
12/04/1948 |
According to Gutiérrez Miglio's discography of Alberto Arenas: "10/09/1948". |
| 3467.1 |
EL VIENTO ME CUENTA COSAS |
Milonga |
C: Miguel Eusebio Bucino |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
— |
16926 |
03/06/1948 |
|
| 3467.2 |
EL VIENTO ME CUENTA COSAS |
Milonga |
C: Miguel Eusebio Bucino |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
30103 A
51102 A |
16926/1 |
03/06/1948 |
Missing in some discographies. |
| 3468 |
EL LLORON |
Milonga-Tango |
C: Juan Maglio |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
30103 B
51102 B |
16927 |
03/06/1948 |
In Lefcovich's Canaro discography incorrectly: "tango milonga". On the record label Ambrosio Radrizzani is figuring as composer. |
| 3469 |
NUBE GRIS |
Vals |
CA: Eduardo Márquez Talledo |
Orquesta |
ALBERTO ARENAS & ENRIQUE LUCERO |
ODEON |
30128 B
51136 B |
17016 |
27/07/1948 |
|
| 3470 |
COLOR DE BARRO |
Tango |
C: Anselmo Alfredo Aieta
A: Cátulo Castillo |
Orquesta |
ALBERTO ARENAS |
ODEON |
30129 A |
17017 |
27/07/1948 |
|
| 3471 |
NAIPE MARCADO |
Milonga Tangueada |
CA: Angel Greco |
Orquesta |
ALBERTO ARENAS |
ODEON |
30130 A
51137 A |
17060 |
10/09/1948 |
In Gutiérrez Miglio's discography of Alberto Arenas incorrectly: "tango". |
| 3472 |
YA NO CANTAS CHINGOLO |
Tango |
C: Antonio Scatasso
A: Edmundo Bianchi |
Orquesta |
ALBERTO ARENAS & ENRIQUE LUCERO |
ODEON |
30129 B |
17061 |
10/09/1948 |
|
| 3473 |
DESTINO DE TRAPO |
Tango |
C: Raúl Fernández Siro
A: Armando Laveglia |
Orquesta |
ALBERTO ARENAS |
ODEON |
30128 A
51136 A |
17062 |
10/09/1948 |
Missing in Gutiérrez Miglio's discography of Alberto Arenas. In Lefcovich's Canaro discography incorrectly: "51141" (catalog number of the re-release). |
| 3474 |
POR LA GÜELLA |
Milonga |
C: Rodolfo Biagi
A: Homero Manzi |
Orquesta |
ALBERTO ARENAS |
ODEON |
30130 B
51137 B |
17063 |
10/09/1948 |
Original title: "POR LA GÜEYA". |
| 3475 |
RE-FA-SI |
Tango |
C: Enrique Pedro Delfino |
Orquesta |
INSTRUMENTAL |
ODEON |
30132 B
55381 B |
17222 |
17/02/1949 |
In some discographies incorrectly: "RE FA SI". In Lefcovich's Canaro discography incorrectly: "30130", "51137" (catalog numbers); "10/09/1948". |
| 3476 |
OJOS NEGROS |
Tango |
C: Vicente Greco |
Orquesta |
INSTRUMENTAL |
ODEON |
30132 A
51839 A |
17223 |
17/02/1949 |
|
| 3477.1 |
BUENOS AIRES |
Tango |
C: Manuel Jovés
A: Manuel Romero |
Orquesta |
ALBERTO ARENAS |
ODEON |
— |
17255 |
13/04/1949 |
|
| 3477.2 |
BUENOS AIRES |
Tango |
C: Manuel Jovés
A: Manuel Romero |
Orquesta |
ALBERTO ARENAS |
ODEON |
30133 B
51138 B |
17255/1 |
13/04/1949 |
Missing in some discographies. |
| 3478 |
AUSENCIA |
Vals |
CA: Francisco Nicolás Bianco |
Orquesta |
ALBERTO ARENAS & ENRIQUE LUCERO |
ODEON |
30133 A
51138 A
LDS 141 A
LDS 799 B |
17256 |
13/04/1949 |
On the record label Carlos Gardel and José Razzano are figuring as composers. |
| 3479 |
BORRACHO POR QUE [sic] DIGO LA VERDAD |
Tango |
C: Francisco Canaro
A: Homero Manzi |
Orquesta |
ALBERTO ARENAS |
ODEON |
30134 B
51139 B |
17353 |
13/07/1949 |
Correct title: "BORRACHO PORQUE DIGO LA VERDAD". |
| 3480 |
PARECE MENTIRA |
Vals |
C: Francisco Canaro
A: Homero Manzi |
Orquesta |
ALBERTO ARENAS |
ODEON |
30134 A
51139 A |
17360 |
21/07/1949 |
In Gutiérrez Miglio's discography of Alberto Arenas incorrectly: "tango". |
| 3481 |
CONFESION |
Tango |
C: Enrique Santos Discépolo
A: Enrique Santos Discépolo & Luis César Amadori |
Orquesta |
MARIO ALONSO |
ODEON |
30135 A
51140 A
LDS 141 B
LDS 782 B |
17436 |
28/09/1949 |
|
| 3482 |
RETINTIN |
Tango |
C: Eduardo Arolas |
Orquesta |
INSTRUMENTAL |
ODEON |
30135 B
51140 B
LDS 141 A |
17437 |
28/09/1949 |
|
| 3483 |
EL ULTIMO ORGANITO |
Tango |
CA: Homero Manzi & Acho (Acho Manzi) |
Orquesta |
ALBERTO ARENAS |
ODEON |
30136 B
51141 B |
17453 |
13/10/1949 |
|
| 3484 |
UNA LAGRIMA TUYA |
Tango Malambo |
C: Mariano Mores
A: Homero Manzi |
Orquesta |
MARIO ALONSO |
ODEON |
30136 A
51141 A
LDS 141 B |
17454 |
13/10/1949 |
In Lefcovich's Canaro discography imprecisely: "tango". |
| 3485 |
PEQUEÑA |
Vals |
C: Osmar Héctor Maderna
A: Homero Aldo Expósito |
Orquesta |
MARIO ALONSO |
ODEON |
30137 A
51142 A |
17570 |
26/01/1950 |
|
| 3486 |
EL TRIUNFO |
Tango |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
30137 B
51142 B |
17571 |
26/01/1950 |
|
| 3487.1 |
CANTO A MENDOZA |
Marcha |
C: Egidio Pittaluga
A: Guillermo Pelay & Horacio Pelay |
Orquesta |
ALBERTO ARENAS y coro |
ODEON |
— |
17579 |
04/03/1950 |
|
| 3487.2 |
CANTO A MENDOZA |
Marcha |
C: Egidio Pittaluga
A: Guillermo Pelay & Horacio Pelay |
Orquesta |
ALBERTO ARENAS y coro |
ODEON |
Pl-141 |
17579/1 |
04/03/1950 |
Missing in some discographies. |
| 3488 |
LO QUE NUNCA TE DIRAN |
Tango |
CA: Francisco Canaro |
Orquesta |
MARIO ALONSO |
ODEON |
55103 B |
17641 |
05/05/1950 |
|
| 3489 |
LORENZO |
Tango |
C: Agustín Bardi |
Orquesta |
INSTRUMENTAL |
ODEON |
55103 A
LDS 141 B
LDS 799 A |
17642 |
05/05/1950 |
|
| 3490 |
CHE BANDONEON |
Tango |
C: Aníbal Carmelo Troilo
A: Homero Manzi |
Orquesta |
ALBERTO ARENAS |
ODEON |
55128 A |
17725 |
21/07/1950 |
|
| 3491 |
TU PIEL DE JAZMIN |
Tango |
C: Mariano Mores
A: José María Contursi |
Orquesta |
MARIO ALONSO |
ODEON |
55128 B |
17726 |
21/07/1950 |
|
| 3492 |
EL CHAMUYO |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON |
301001 A
55584 A |
MAI 41 |
01/08/1950 |
|
| 3493 |
RAYERO |
Tango |
C: Francisco Canaro & Luis Riccardi |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON |
301001 B
55584 B |
MAI 42 |
01/08/1950 |
|
| 3494 |
LOS CELESTES |
Marcha Candombe (Motivo Popular) |
AR: Nobel Valentini |
Orquesta |
CHARLO con acomp. |
SONDOR (UY) |
10174-A |
50-2473 |
07/08/1950 |
Missing in Lefcovich's Canaro discography. |
| 3495 |
EL TORITO |
Tango de la Guardia Vieja |
C: Angel G. Villoldo |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON
ODEON |
301007 A
55585 A
LDS 121 A |
MAI 79 |
03/10/1950 |
In Lefcovich's Canaro discography imprecisely: "tango". |
| 3496 |
ARRABALERA |
Milonga |
C: Francisco Canaro & Rosendo A. Mendizábal |
Quinteto Pirincho |
Refrán por FRANCISCO CANARO |
COLUMBIA
ODEON
ODEON |
301007 B
55585 B
LDS 121 A |
MAI 80 |
03/10/1950 |
On the record label Rosendo A. Mendizábal is missing. In some discographies incorrectly: "tango"; "INSTRUMENTAL"; "55586" (catalog number of the re-release). |
| 3497 |
PANCHO ALMADA ESTA DE FIESTA |
Tango |
C: Francisco Canaro
A: Juan Andrés Caruso & Francisco Canaro |
Orquesta |
MARIO ALONSO |
ODEON |
55170 B |
17850 |
26/10/1950 |
|
| 3498 |
EL CHUECO FANGIO (REY DE LAS PISTAS) |
Marcha-Candombe |
CA: Francisco Canaro |
Orquesta |
ALBERTO ARENAS |
ODEON |
55170 A |
17851 |
26/10/1950 |
The alternate title is missing in some discographies. |
| 3499 |
PICCOLO NAVIO |
Tango |
C: Luis Riccardi
A: Juan Andrés Caruso |
Orquesta |
ALBERTO ARENAS |
ODEON |
55194 B
LDS 156 B |
17924 |
06/12/1950 |
In Lefcovich's Canaro discography incorrectly: "PICOLO NAVIO". |
| 3500 |
EL LLORON |
Milonga-Tango |
C: Juan Maglio
A: Enrique Domingo Cadícamo |
Orquesta |
ALBERTO ARENAS (contracanto por coro) |
ODEON |
55194 A
LDS 130
LDS 750 B |
17925 |
06/12/1950 |
In Lefcovich's Canaro discography imprecisely: "milonga tangueada". On the record label Ambrosio Radrizzani is figuring as composer. |
| 3501 |
CHARAMUSCA |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON
ODEON |
301011 B
55586 B
LDS 121 A |
MAI 136 |
06/12/1950 |
In Lefcovich's Canaro discography incorrectly: "301001" (first catalog number). |
| 3502 |
LAS TRES DE LA MAÑANA |
Vals |
C: Julián Robledo |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON |
301011 A
55586 A |
MAI 137 |
06/12/1950 |
|
| 3503 |
LA MALEVA |
Tango |
C: Antonio Buglione |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON
ODEON |
301016 A
55587 A
LDS 150 A |
MAI 138 |
06/12/1950 |
|
| 3504 |
MARGARITA |
Polca |
C: Luis Riccardi |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON
ODEON |
301016 B
55587 B
LDS 150 A |
MAI 139 |
06/12/1950 |
The catalog number of the re-release (55587) is missing in Lefcovich's Canaro discography. |
| 3505.1 |
TOMA MATE TOMA MATE |
Tango amilongado |
CA: Francisco Canaro |
Orquesta |
ALBERTO ARENAS |
ODEON |
— |
18018 |
18/05/1951 |
In some discographies imprecisely: "tango milonga". |
| 3505.2 |
TOMA MATE TOMA MATE |
Tango amilongado |
CA: Francisco Canaro |
Orquesta |
ALBERTO ARENAS |
ODEON |
55241 A |
18018/1 |
18/05/1951 |
Missing in some discographies. |
| 3506.1 |
VINACHO Y VINAGRILLO |
Milonga |
CA: Francisco Canaro |
Orquesta |
ALBERTO ARENAS & MARIO ALONSO |
ODEON |
— |
18019 |
18/05/1951 |
|
| 3506.2 |
VINACHO Y VINAGRILLO |
Milonga |
CA: Francisco Canaro |
Orquesta |
ALBERTO ARENAS & MARIO ALONSO |
ODEON |
55241 B |
18019/1 |
18/05/1951 |
Missing in some discographies. |
| 3507 |
BANDONEON ARRABALERO |
Tango |
C: Juan Bautista Deambroggio
A: Pascual Contursi |
Orquesta |
MARIO ALONSO |
ODEON |
55260 A
LDS 141 A |
18060 |
12/06/1951 |
|
| 3508 |
FEDERACION |
Tango |
C: Francisco Canaro & Luis Riccardi
A: Juan Andrés Caruso |
Orquesta |
ALBERTO ARENAS |
ODEON |
55260 B
LDS 156 A |
18061 |
12/06/1951 |
Francisco Canaro is not figuring in the SADAIC Works Database. |
| 3509 |
LOS INDIOS |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON |
301022 A
55588 A |
MAI 260 |
19/06/1951 |
|
| 3510 |
TIERRA NEGRA |
Tango |
C: Juan Francisco Noli & Graciano De Leone
A: Francisco Antonio Bastardi |
Quinteto Pirincho |
Pregón por ALBERTO ARENAS |
COLUMBIA
ODEON
ODEON |
301022 B
55588 B
LDS 150 B |
MAI 261 |
19/06/1951 |
In Lefcovich's Canaro discography incorrectly: "INSTRUMENTAL". |
| 3511 |
EL ESQUINAZO |
Tango |
C: Angel G. Villoldo
A: Carlos Pesce & A. Timarni (Antonio Polito) |
Quinteto Pirincho |
Refrán por FRANCISCO CANARO |
COLUMBIA
ODEON
ODEON |
301024 A
55589 A
LDS 121 B |
MAI 288 |
20/07/1951 |
In Lefcovich's Canaro discography incorrectly: "INSTRUMENTAL". |
| 3512 |
LA QUEBRADA |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON |
301024 B
55589 B |
MAI 289 |
20/07/1951 |
|
| 3513 |
YO TAMBIEN SOÑE |
Tango |
C: Francisco Canaro
A: Luis César Amadori |
Orquesta |
MARIO ALONSO |
ODEON |
55292 A |
18116 |
20/07/1951 |
|
| 3514 |
POR QUE DOBLAN LAS CAMPANAS |
Tango |
C: Alfredo De Angelis
A: José Rótulo |
Orquesta |
ALBERTO ARENAS & MARIO ALONSO |
ODEON |
55292 B |
18117 |
20/07/1951 |
In some discographies incorrectly: "MARIO ALONSO". |
| 3515 |
RELIQUIAS BRASILEÑAS (1ª parte) |
Selección de músicas brasileñas en tiempo de tango |
AR: Francisco Canaro |
Orquesta |
ALBERTO ARENAS |
ODEON |
55354 A |
18273 |
20/11/1951 |
Contains motives from ACUARELA DE BRASIL (Ary Barroso), QUE ES LO QUE TIENE LA BAHIANA (Dorival Caymmi), CASITA PEQUEÑITA (public domain), AURORA (Mário Lago & Roberto Roberti). In Lefcovich's Canaro discography incorrectly: "RELIQUIAS PORTEÑAS". |
| 3516 |
RELIQUIAS BRASILEÑAS (2ª parte) |
Selección de músicas brasileñas en tiempo de tango |
AR: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
55354 B |
18274 |
20/11/1951 |
Contains motives from CABEZA HINCHADA (Hervé Cordovil), CAMINEMOS (Herivelto Martins), TICO TICO NO FUBA (Zequinha de Abreu). In Lefcovich's Canaro discography incorrectly: "RELIQUIAS PORTEÑAS"; "ALBERTO ARENAS" |
| 3517 |
INSPIRACION |
Tango |
C: Peregrino Paulos |
Orquesta |
INSTRUMENTAL |
ODEON |
55520
LDS 750 A
LDN 1001 A |
18275 |
26/11/1951 |
|
| 3518 |
CORAZON DE ORO |
Vals |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
55370 A
LDS 750 A
LDN 1001 A |
18276 |
26/11/1951 |
|
| 3519 |
MADRESELVA |
Tango |
C: Francisco Canaro
A: Luis César Amadori |
Orquesta |
MARIO ALONSO |
ODEON |
55370 B
LDS 799 A
LDN 1001 A |
18277 |
26/11/1951 |
|
| 3520 |
SENTIMIENTO GAUCHO |
Tango |
C: Francisco Canaro & Rafael Canaro
A: Juan Andrés Caruso |
Orquesta |
ALBERTO ARENAS |
ODEON |
55563 A
LDS 750 A
LDN 1001 A |
18278 |
26/11/1951 |
|
| 3521 |
LA CUMPARSITA |
Tango |
C: Gerardo Hernán Matos Rodríguez
A: Pascual Contursi & Enrique Pedro Maroni |
Orquesta |
MARIO ALONSO |
ODEON |
55424 A
LDS 750 B
LDN 1001 B |
18285 |
29/11/1951 |
|
| 3522 |
LA PUÑALADA |
Milonga |
C: Pintín Castellanos |
Orquesta |
INSTRUMENTAL |
ODEON |
55481 B
51839 B
LDS 750 B
LDN 1001 B |
18286 |
29/11/1951 |
Probably on occasion of the release of record № 51839 on record № 55481 replaced by the tango UNO (matrix № 12800). |
| 3523 |
A MEDIA LUZ |
Tango |
C: Edgardo Donato
A: Carlos César Lenzi |
Orquesta |
ALBERTO ARENAS |
ODEON |
55520
LDS 782 A
LDN 1001 B |
18287 |
29/11/1951 |
In Lefcovich's Canaro discography incorrectly: "55510" (first catalog number). |
| 3524 |
ADIOS PAMPA MIA |
Tango |
C: Francisco Canaro & Mariano Mores
A: Ivo Pelay |
Orquesta |
ALBERTO ARENAS |
ODEON |
55563 B
LDS 782 A
LDN 1001 B |
18288 |
29/11/1951 |
|
| 3525 |
A LA GRAN MUÑECA |
Tango |
C: Jesús Ventura |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON
ODEON |
301031 B
55590 B
LDS 150 B |
MAI 525 |
12/12/1951 |
|
| 3526 |
MATASANO |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON |
301031 A
55590 A |
MAI 526 |
12/12/1951 |
|
| 3527 |
JUEVES |
Tango |
C: Udelino Toranzo & Rafael Rossi |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON
ODEON |
301039 A
55591 A
LDS 150 B |
MAI 613 |
07/04/1952 |
|
| 3528 |
MILONGON |
Milongón |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON
ODEON |
301039 B
55591 B
LDS 150 B |
MAI 614 |
07/04/1952 |
In Lefcovich's Canaro discography incorrectly: "milonga". |
| 3529 |
LO HAN VISTO CON OTRA |
Tango |
CA: Horacio G. Pettorossi |
Orquesta |
MARIO ALONSO |
ODEON |
55481 A
LDS 141 A |
18393 |
14/05/1952 |
|
| 3530 |
EL ENTRERRIANO |
Tango |
C: Rosendo A. Mendizábal |
Orquesta |
INSTRUMENTAL |
ODEON |
55424 B
LDS 101 A
LDS 750 B |
18394 |
14/05/1952 |
|
| 3531 |
LUNES |
Tango |
C: José Luis Padula |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON
ODEON |
301042 A
55592 A
LDS 150 A |
MAI 645 |
14/05/1952 |
|
| 3532 |
EL INTERNADO |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON
ODEON |
301042 B
55592 B
LDS 121 B |
MAI 646 |
14/05/1952 |
|
| 3533 |
EL OPIO |
Tango |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
55403 B
LDS 156 A
LDS 799 B |
18420 |
29/05/1952 |
|
| 3534 |
CUALQUIER COSA |
Tango |
CA: Herminia Adela Velich de Rossano & Juan Miguel Velich |
Orquesta |
MARIO ALONSO |
ODEON |
55403 A
LDS 141 B |
18421 |
29/05/1952 |
|
| 3535 |
ALFREDO |
Tango |
C: Humberto Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON
ODEON |
301048 B
55593 B
LDS 150 A |
MAI 733 |
15/07/1952 |
|
| 3536 |
DESDE EL ALMA |
Vals |
C: Rosita Melo |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON
ODEON |
301048 A
55593 A
LDS 121 A |
MAI 734 |
15/07/1952 |
|
| 3537 |
CUNA DE FANGO |
Tango (Motivos populares porteños) |
AR: Francisco Canaro |
Orquesta |
ALBERTO ARENAS |
ODEON |
55459 B |
18521 |
11/08/1952 |
|
| 3538 |
FLOR DE ARRABAL |
Milonga |
CA: Luis Riccardi |
Orquesta |
ALBERTO ARENAS & MARIO ALONSO |
ODEON |
55459 A
LDS 109 A |
18522 |
11/08/1952 |
Original title: "FLOR DEL ARRABAL". |
| 3539 |
FELICIA |
Tango |
C: Enrique Saborido |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON
ODEON |
301054 A
55594 A
LDS 121 B |
MAI 789 |
16/09/1952 |
In some discographies incorrectly: "301045" (first catalog number). |
| 3540 |
LA BARRA FUERTE |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON |
301054 B
55594 B |
MAI 790 |
16/09/1952 |
|
| 3541 |
EL PORTEÑO |
Tangón |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON
ODEON
ODEON |
301058 B
55595 B
LDS 121 B
LDS 727 B |
MAI 833 |
08/10/1952 |
|
| 3542 |
CANARO |
Tango |
C: José Martínez |
Quinteto Pirincho |
INSTRUMENTAL |
COLUMBIA
ODEON |
301058 A
55595 A |
MAI 834 |
08/10/1952 |
|
| 3543 |
PAGA VOS DESPUES ARREGLAMOS |
Tango |
C: Antonio D'Alessandro & Nicolás D'Alessandro
A: Juan Miguel Velich |
Orquesta |
ALBERTO ARENAS |
ODEON |
55537 A |
18665 |
23/10/1952 |
|
| 3544 |
Y SIEMPRE LA MISMA HISTORIA |
Tango |
CA: Miguel Eusebio Bucino |
Orquesta |
MARIO ALONSO |
ODEON |
55537 B |
18666 |
23/10/1952 |
|
| 3545 |
LA JOTA CORDOBESA |
(Recopilación de Marcos López)
Jota Criolla |
CA: Manuel Marcos López |
Orquesta |
ALBERTO ARENAS & MARIO ALONSO |
ODEON |
55499 B |
18687 |
04/11/1952 |
In Gutiérrez Miglio's discography of Alberto Arenas imprecisely: "jota". |
| 3546 |
BAILANDO ME DISTE UN BESO |
Vals |
C: Rafael Rossi
A: Eugenio Cárdenas |
Orquesta |
ALBERTO ARENAS & MARIO ALONSO |
ODEON |
55499 A
LDS 105 A |
18688 |
04/11/1952 |
|
| 3547 |
TIEMPOS VIEJOS (TE ACORDAS HERMANO) |
Tango |
C: Francisco Canaro
A: Manuel Romero |
Orquesta |
ALBERTO ARENAS |
ODEON |
55597 A
LDS 117 A
LDS 782 A |
18807 |
11/03/1953 |
The alternate title is missing in some discographies. |
| 3548 |
YO NO SE QUE ME HAN HECHO TUS OJOS |
Vals |
CA: Francisco Canaro |
Orquesta |
ALBERTO ARENAS & MARIO ALONSO |
ODEON |
55597 B
LDS 117 A
LDS 799 A |
18808 |
11/03/1953 |
|
| 3549 |
EL ESTRELLERO |
Tango |
C: Mariano Mores
A: Francisco Amor |
Orquesta |
MARIO ALONSO |
ODEON |
55631 A
LDS 119 A |
18817 |
17/03/1953 |
|
| 3550 |
NOCHE DE NIEBLA |
Tango |
C: Francisco Canaro
A: Mario Alonso |
Orquesta |
MARIO ALONSO |
ODEON |
55631 B
LDS 156 B |
18818 |
17/03/1953 |
|
| 3551 |
QUEJAS DE BANDONEON |
Tango |
C: Juan de Dios Filiberto |
Orquesta |
INSTRUMENTAL |
ODEON |
55671
LDS 117 B
LDS 750 B |
18819 |
17/03/1953 |
|
| 3552 |
RODRIGUEZ PEÑA |
Tango |
C: Vicente Greco |
Orquesta |
INSTRUMENTAL |
ODEON |
55699
LDS 117 A
LDS 750 A |
18820 |
17/03/1953 |
|
| 3553 |
MANO A MANO |
Tango |
C: Carlos Gardel & José Razzano
A: Celedonio Esteban Flores |
Orquesta |
ALBERTO ARENAS |
ODEON |
55671
LDS 117 B
LDS 750 A |
18823 |
20/03/1953 |
|
| 3554 |
ESTA NOCHE ME EMBORRACHO |
Tango |
CA: Enrique Santos Discépolo |
Orquesta |
ALBERTO ARENAS |
ODEON |
55699
LDS 117 B
LDS 782 B |
18824 |
20/03/1953 |
In Lefcovich's Canaro discography incorrectly: "55671" (catalog number). |
| 3555 |
GRISETA |
Tango |
C: Enrique Pedro Delfino
A: José González Castillo |
Orquesta |
MARIO ALONSO |
ODEON |
55736
LDS 117 A
LDS 799 A |
18831 |
25/03/1953 |
|
| 3556 |
EL CHINO PANTALEON |
Milonga |
CA: Francisco Canaro |
Orquesta |
ALBERTO ARENAS & MARIO ALONSO |
ODEON |
55736
LDS 117 B |
18832 |
25/03/1953 |
In Lefcovich's Canaro discography incorrectly: "tango". |
| 3557 |
CIMARRONA |
Vals |
C: Fausto Frontera
A: Cátulo Castillo |
Orquesta |
ALBERTO ARENAS |
ODEON |
55658 A
DSOA/E 1501 A
LDS 122 B |
18845 |
31/03/1953 |
|
| 3558 |
COMPADRE QUE LE VA A HACER |
Milonga |
C: Aníbal Carmelo Troilo
A: José Razzano |
Orquesta |
ALBERTO ARENAS |
ODEON |
55657 B
DSOA/E 1501 B |
18846 |
31/03/1953 |
According to some discographies "COMPADRE QUE LE VA HACER" but the label of record № DSOA/E 1501 contains the original title "COMPADRE QUE LE VA A HACER". |
| 3559 |
CON POCA PLATA |
Tango |
C: Antonio María Arcieri
A: José Demetrio Terragno |
Orquesta |
MARIO ALONSO |
ODEON |
55657 A
DSOA/E 1501 B |
18858 |
10/04/1953 |
|
| 3560 |
AQUI PARADO EN LA ESQUINA |
Tango |
C: Rafael Rossi
A: Alfredo Bigeschi |
Orquesta |
MARIO ALONSO |
ODEON |
55658 B
DSOA/E 1501 A |
18859 |
10/04/1953 |
|
| 3561 |
UNA CANCION |
Tango |
C: Aníbal Carmelo Troilo, Juan Miguel Velich, Audón Ramón López & Francisco de Rose
A: Cátulo Castillo |
Orquesta |
MARIO ALONSO |
ODEON |
55762 A
LDS 156 B |
19062 |
14/08/1953 |
On the score and on the record label only Aníbal Troilo is figuring as composer. |
| 3562 |
DEL SUBURBIO |
Tango |
C: Oscar Sabino
A: Víctor Osvaldo Aris Lamanna |
Orquesta |
ALBERTO ARENAS |
ODEON |
55762 B |
19063 |
14/08/1953 |
|
| 3563 |
UNA NOCHE DE GARUFA |
Tango |
C: Eduardo Arolas |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
55820 A
LDS 228 A |
19064 |
14/08/1953 |
In Lefcovich's Canaro discography incorrectly: "14/08/1952". |
| 3564 |
ME ENAMORE UNA VEZ |
Ranchera |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
55820 B
LDS 228 A |
19065 |
14/08/1953 |
In Lefcovich's Canaro discography incorrectly: "14/08/1952". |
| 3565 |
EL TIGRE |
Tango |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
55841 A
LDS 156 A |
19244 |
23/11/1953 |
|
| 3566 |
BAIANGO |
Nuevo Ritmo |
C: Mariano Mores
A: Sixto Pondal Ríos & Carlos Alberto Olivari |
Orquesta |
ALBERTO ARENAS & MARIO ALONSO |
ODEON |
55841 B
LDS 156 B |
19245 |
23/11/1953 |
|
| 3567 |
ENVIDIA |
Tango |
C: Francisco Canaro
A: José González Castillo, Antonio Botta & Luis César Amadori |
Orquesta |
MARIO ALONSO |
ODEON |
55877 B |
19340 |
04/01/1954 |
|
| 3568 |
TOMA ESTAS MONEDAS |
Tango |
C: Juan D'Arienzo & Fulvio Werfil Salamanca
A: Carlos Bahr |
Orquesta |
ALBERTO ARENAS |
ODEON |
55877 A
LDS 156 A |
19341 |
04/01/1954 |
|
| 3569 |
NOCHES DE AMOR |
Vals |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
55897 A
LDS 162 B |
19342 |
04/01/1954 |
|
| 3570 |
CARA DURA |
Tango |
C: Ernesto Ponzio |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
55897 B
LDS 228 A |
19343 |
04/01/1954 |
|
| 3571 |
COMO QUERES QUE TE QUIERA |
Tango |
CA: Héctor Marcó (Héctor Domingo Marcolongo) |
Orquesta |
ALBERTO ARENAS |
ODEON |
55914 |
19419 |
30/03/1954 |
In Gutiérrez Miglio's discography of Alberto Arenas incorrectly: "COMO QUIERES QUE TE QUIERA". |
| 3572 |
PROHIBIDO |
Tango |
C: Bernardo Manuel Sucher
A: Carlos Bahr |
Orquesta |
MARIO ALONSO |
ODEON |
55914 |
19420 |
30/03/1954 |
In Lefcovich's Canaro discography incorrectly: "ALBERTO ARENAS". |
| 3573.1 |
TAQUITO MILITAR |
Milonga |
C: Mariano Mores |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
— |
19502 |
28/05/1954 |
|
| 3573.2 |
TAQUITO MILITAR |
Milonga |
C: Mariano Mores |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
— |
19502/1 |
28/05/1954 |
Missing in some discographies. |
| 3573.3 |
TAQUITO MILITAR |
Milonga |
C: Mariano Mores |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
55953 A
LDS 228 A
LDS 826 A |
19502/2 |
28/05/1954 |
Missing in some discographies. |
| 3574 |
A SU MAJESTAD |
Tango |
C: Juan Canaro & Mario Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
55953 B |
19503 |
28/05/1954 |
In Lefcovich's Canaro discography incorrectly: "19502" (matrix number). |
| 3575 |
PEDIME LO QUE QUERES |
Tango |
C: Francisco Canaro
A: Juan Andrés Caruso |
Orquesta |
ALBERTO ARENAS |
ODEON |
55983 |
19584 |
19/07/1954 |
|
| 3576 |
DE MI BARRIO |
Tango |
CA: Roberto Goyeneche |
Orquesta |
MARIO ALONSO |
ODEON |
55983 |
19585 |
19/07/1954 |
|
| 3577 |
EL CHOCLO |
Tango |
C: Angel G. Villoldo
A: Juan Carlos Marambio Catán & Enrique Santos Discépolo |
Orquesta |
TITA MERELLO con acomp. |
ODEON |
61002 A
DTOA 1442 A |
19596 |
23/07/1954 |
|
| 3578 |
SE DICE DE MI |
Milonga |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
TITA MERELLO con acomp. |
ODEON |
61002 B
DTOA 1442 B |
19597 |
23/07/1954 |
|
| 3579 |
EN EL SEPTIMO CIELO |
Tango |
C: Manuel O. Campoamor |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51616 B |
19616 |
02/08/1954 |
|
| 3580 |
SE DICE DE MI |
Milonga |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51616 A |
19617 |
02/08/1954 |
|
| 3581 |
PIMIENTA |
Tango |
C: Osvaldo Nicolás Fresedo |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51640 A
LDS 228 A |
19815 |
17/11/1954 |
|
| 3582 |
VIVIRE CON TU RECUERDO |
Vals |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51640 B
LDS 228 B |
19816 |
17/11/1954 |
|
| 3583 |
BRASIL BRASIL |
Marcha |
CA: Francisco Canaro |
Orquesta |
ALBERTO ARENAS & MARIO ALONSO |
ODEON |
51655 B |
19900 |
29/12/1954 |
In Lefcovich's Canaro discography incorrectly: "55655" (catalog number). |
| 3584 |
LILAC |
Tango |
C: Harry Acres |
Orquesta |
INSTRUMENTAL |
ODEON |
51655 A
LDS 246 A |
19901 |
29/12/1954 |
Original title: "THE LILAC TANGO". In Lefcovich's Canaro discography incorrectly: "55655" (catalog number). |
| 3585.1 |
LA CUMPARSITA |
Tango |
C: Gerardo Hernán Matos Rodríguez |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
— |
19976 |
31/01/1955 |
|
| 3585.2 |
LA CUMPARSITA |
Tango |
C: Gerardo Hernán Matos Rodríguez |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51701 A
LDS 228 B |
19976/1 |
31/01/1955 |
Missing in some discographies. |
| 3586 |
ARRABALERA |
Tango |
C: Sebastián Piana
A: Cátulo Castillo |
Orquesta |
TITA MERELLO con acomp. |
ODEON |
61006 A |
19981 |
01/03/1955 |
|
| 3587 |
DE CONTRAMANO |
Ranchera |
C: Francisco Canaro
A: Luis César Amadori |
Orquesta |
TITA MERELLO con acomp. |
ODEON |
61006 B |
19982 |
01/03/1955 |
|
| 3588 |
CARA SUCIA |
Tango |
C: Francisco Canaro
A: Juan Andrés Caruso |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
51691 A
LDS 799 B |
19991 |
08/03/1955 |
|
| 3589 |
TU BOCA MINTIO (NO ME MIRES) |
Tango |
CA: Armando Enrique Angeletti & Alberto Longo |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
51691 B |
19992 |
08/03/1955 |
The alternate title is missing in some discographies. |
| 3590 |
NUEVE PUNTOS |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51701 B |
19993 |
08/03/1955 |
|
| 3591 |
AL COMPAS DEL CORAZON |
Tango |
C: Domingo Serafín Federico
A: Homero Aldo Expósito |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
51714 A |
20000 |
31/03/1955 |
|
| 3592 |
NOCHES DE COLON |
Tango |
C: Raúl Joaquín de los Hoyos
A: Roberto Lino Cayol |
Orquesta |
ALBERTO ARENAS |
ODEON |
51714 B
LDS 799 B |
20041 |
31/03/1955 |
|
| 3593 |
EL APACHE ARGENTINO |
Tango |
C: Manuel Gregorio Aróztegui |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51719 A |
20123 |
28/04/1955 |
|
| 3594 |
DE CONTRAMANO |
Ranchera |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51719 B |
20124 |
28/04/1955 |
In Lefcovich's Canaro discography incorrectly: "tango". |
| 3595 |
PAJARO SILVESTRE |
Tango |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
51750 A |
20196 |
30/05/1955 |
|
| 3596 |
BODAS DE ORO CON EL TANGO |
Tango |
C: Oscar Sabino |
Orquesta |
INSTRUMENTAL |
ODEON |
51750 B |
20197 |
30/05/1955 |
|
| 3597 |
COPA DE AJENJO |
Tango |
C: Juan Canaro
A: Carlos Pesce |
Orquesta |
TITA MERELLO con acomp. |
ODEON |
61007 A |
20271 |
25/06/1955 |
|
| 3598 |
QUE HACES QUE HACES |
Tango |
C: José Di Clemente
A: Jesús Fernández Blanco |
Orquesta |
TITA MERELLO con acomp. |
ODEON |
61007 B |
20272 |
25/06/1955 |
|
| 3599 |
TE QUIERO |
Tango Canción |
CA: Francisco Canaro |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
51793
LDS 246 B |
20291 |
30/06/1955 |
In Lefcovich's Canaro discography imprecisely: "tango". |
| 3600 |
EL DIA QUE ME QUIERAS |
Tango |
C: Carlos Gardel
A: Alfredo Le Pera |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
51793
LDS 799 A |
20292 |
30/06/1955 |
|
| 3601 |
LA PAYASA |
Tango |
AR: J. Polidano
A: J. Polidano |
Orquesta |
TITA MERELLO con acomp. |
ODEON |
— |
20298 |
02/07/1955 |
Mentioned by Antonio D'Alessandro. In the 1st edition of his book "Yo fui a Japón con Canaro" (Impr. Pellerano, 1991, 160) the work is figuring under the title "La payanca (tango)" and without a composer whereas in the 2nd and 3rd edition of "Vida y Obra de Francisco Canaro (Ed. Dos Corazones, 1998, 185) it says:
"El 2, grabamos en ODEON los tangos "LA PAYASA" y "LA MUCHACHADA DEL CENTRO" de Francisco CANARO cantados por TITA MERELLO." (On the 2nd [of July] we recorded in ODEON the tangos "LA PAYASA" and "LA MUCHACHADA DEL CENTRO" by Francisco CANARO sung by TITA MERELLO.)
On the basis of the poor information available the most plausible explanation for this change is that in the later books a prior error was corrected and that consequently LA PAYASA is the correct title. Apart from the fact that the quoted phrase is ambiguous - the attribution to Francisco Canaro might also exclusively refer to LA MUCHACHADA DEL CENTRO - it is for sure that a tango LA PAYSASA composed by Francisco Canaro was never registered and is not known either. It should rather be the homonymous work premiered by Carmen Jiménez in "La borrachera del tango" (see Roberto Selles, "Gran Hotel Victoria", an anonymous tango). It is obvious that the words of this tango thematically fit much better into the musical repertoire of Tita Merello than those of LA PAYANCA by Juan Andrés Caruso or Jesús Fernández Blanco. |
| 3602 |
LA MUCHACHADA DEL CENTRO |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
TITA MERELLO con acomp. |
ODEON |
61011 A |
20299 |
02/07/1955 |
In Lefcovich's Canaro discography incorrectly: "LA MUCHACHA DEL CENTRO". |
| 3603 |
JOAQUINA |
Tango |
C: Juan Bergamino |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51774 A
LDS 228 B |
20358 |
25/07/1955 |
|
| 3604 |
LA REFALOSA |
Polca Criolla |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51774 B
LDS 228 B |
20359 |
25/07/1955 |
|
| 3605 |
MALENA |
Tango |
C: Lucio Demare
A: Homero Manzi |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
51814 A
LDS 799 B |
20368 |
02/08/1955 |
|
| 3606 |
LAS VUELTAS DE LA VIDA |
Tango |
C: Francisco Canaro
A: Manuel Romero |
Orquesta |
ALBERTO ARENAS |
ODEON |
51814 B |
20369 |
02/08/1955 |
|
| 3607 |
EL ONCE |
Tango |
C: Osvaldo Nicolás Fresedo |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51827 A
LDS 228 B |
20519 |
25/10/1955 |
|
| 3608 |
BAJO EL CIELO AZUL |
Vals |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51827 B |
20520 |
25/10/1955 |
|
| 3609 |
SIGA EL CORSO |
Tango |
C: Anselmo Alfredo Aieta
A: Francisco García Jiménez |
Orquesta |
CARLOS GARDEL con acomp. |
ODEON |
61010 B
DTOA/E 1547 A |
20670 |
13/11/1955 |
|
| 3610 |
YIRA YIRA |
Tango |
CA: Enrique Santos Discépolo |
Orquesta |
CARLOS GARDEL con acomp. |
ODEON |
61010 A
DTOA/E 1547 A |
20671 |
13/11/1955 |
|
| 3611 |
LA TRAMPERA |
Milonga |
C: Aníbal Carmelo Troilo |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51861 B |
20684 |
27/12/1955 |
|
| 3612 |
QUE TAL |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51861 A |
20685 |
27/12/1955 |
|
| 3613 |
EL IRRESISTIBLE |
Tango |
C: Lorenzo Logatti |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51874 A |
20693 |
30/12/1955 |
|
| 3614 |
EL GAVILAN |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51874 B |
20694 |
30/12/1955 |
|
| 3615 |
LOS AMORES CON LA CRISIS |
Ranchera |
C: Francisco Canaro
A: Ivo Pelay |
Quinteto Pirincho |
TITA MERELLO con acomp. |
ODEON |
61011 B |
20695 |
30/12/1955 |
In Lefcovich's Canaro discography incorrectly: "Orquesta". |
| 3616 |
CAFE PARA DOS |
Tango |
CA: Francisco Canaro |
Orquesta |
ALBERTO ARENAS |
ODEON |
51954 A
LDS 246 B |
20897 |
12/04/1956 |
On record № 51954 later replaced by matriz № 21351. |
| 3617 |
ME GUSTA BAILAR MILONGA |
Milonga |
CA: Pintín Castellanos |
Orquesta |
ALBERTO ARENAS |
ODEON |
51954 B
LDS 246 B |
20898 |
12/04/1956 |
|
| 3618.1 |
VIBRACIONES DEL ALMA |
Vals |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
— |
20903 |
13/04/1956 |
|
| 3618.2 |
VIBRACIONES DEL ALMA |
Vals |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51085 A |
20903/1 |
13/04/1956 |
Missing in some discographies. |
| 3619 |
CANARO EN PARIS |
Tango |
C: Alejandro Scarpino & Juan Caldarella |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51093 A |
20904 |
13/04/1956 |
|
| 3620 |
MANO BRAVA |
Tango |
C: Francisco Canaro & Juan Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51093 B
LDS 826 B |
20929 |
24/04/1956 |
|
| 3621.1 |
DERECHO VIEJO |
Tango |
C: Eduardo Arolas |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
— |
20930 |
24/04/1956 |
|
| 3621.2 |
DERECHO VIEJO |
Tango |
C: Eduardo Arolas |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51085 B |
20930/1 |
24/04/1956 |
Missing in some discographies. |
| 3622 |
HISTORIA DE UN AMOR |
Arreglo en Tango |
CA: Carlos Almarán |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
51926 A
LDS 246 B |
20936 |
26/04/1956 |
|
| 3623 |
MILONGON |
Milongón |
C: Francisco Canaro
A: Homero Manzi |
Orquesta |
ALBERTO ARENAS |
ODEON |
51926 B
LDS 246 A |
20937 |
26/04/1956 |
|
| 3624 |
CHORRA |
Tango |
CA: Enrique Santos Discépolo |
Orquesta |
CARLOS GARDEL con acomp. |
ODEON |
61013 A
DTOA/E 1547 B |
20990 |
18/05/1956 |
|
| 3625 |
BANDONEON ARRABALERO |
Tango |
C: Juan Bautista Deambroggio
A: Pascual Contursi |
Orquesta |
CARLOS GARDEL con acomp. |
ODEON |
61013 B
DTOA/E 1547 B |
20991 |
18/05/1956 |
|
| 3626 |
LENCINHO QUERIDO (EL PAÑUELITO) |
Tango |
C: Juan de Dios Filiberto
A: Maugeri Neto |
Orquesta |
DALVA DE OLIVEIRA con acomp. |
ODEON (BR) |
14085 A
MODB 3083 B
MOFB 3227 B |
21023 |
30/05/1956 |
|
| 3627 |
CONFESION |
Tango |
C: Enrique Santos Discépolo
A: Lourival Faissal |
Orquesta |
DALVA DE OLIVEIRA con acomp. |
ODEON (BR) |
14085 B
MODB 3083 A
MOFB 3227 A |
21024 |
30/05/1956 |
Portuguese title: "CONFISSÃO". |
| 3628 |
OLGA |
Vals |
C: Francisco Peña |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51092 A |
21066 |
08/06/1956 |
|
| 3629 |
PAN NUESTRO |
Tango |
C: Juan Francisco Noli |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51092 B |
21067 |
08/06/1956 |
|
| 3630 |
EL FAVORITO |
Tango Milonga |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51982 A |
21068 |
08/06/1956 |
In Lefcovich's Canaro discography imprecisely: "tango". |
| 3631 |
ADORACION |
Vals |
C: Pedro Pidoto & Ramón Eladio Argüello |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51982 B
LDS 826 B |
21069 |
08/06/1956 |
In Lefcovich's Canaro discography incorrectly: "21068" (matrix number). |
| 3632 |
NIÑO BIEN |
Tango |
C: Juan Antonio Collazo
A: Víctor Soliño Seminario & Roberto Fontaina |
Orquesta |
TITA MERELLO con acomp. |
ODEON |
61015 A |
21080 |
14/06/1956 |
|
| 3633 |
PIPISTRELA |
Tango |
C: Juan Canaro
A: Fernando César Ochoa |
Orquesta |
TITA MERELLO con acomp. |
ODEON |
61015 B |
21081 |
14/06/1956 |
|
| 3634 |
NUBES DE HUMO (FUME COMPADRE) |
Tango |
C: Manuel Jovés
A: Manuel Romero |
Orquesta |
ALBERTO ARENAS |
ODEON |
51978 A
LDS 246 A |
21083 |
15/06/1956 |
|
| 3635 |
COPA DE SILENCIO |
Tango |
CA: Alberto Arenas |
Orquesta |
ALBERTO ARENAS |
ODEON |
51978 B
LDS 246 A |
21084 |
15/06/1956 |
|
| 3636 |
LA CALESITA |
Tango |
C: Mariano Mores
A: Cátulo Castillo |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
52019 |
21323 |
17/09/1956 |
|
| 3637 |
MEDITACION MALEVA |
Tango |
C: Oscar Sabino
A: Víctor Osvaldo Aris Lamanna |
Orquesta |
GUILLERMO RICO |
ODEON |
52019
LDS 279 B |
21324 |
17/09/1956 |
|
| 3638 |
EL PILLIN |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52023 A |
21333 |
19/09/1956 |
|
| 3639 |
CORRALERA |
Milonga |
C: Anselmo Alfredo Aieta |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52023 B |
21334 |
19/09/1956 |
|
| 3640 |
LA BARRA FUERTE |
Tango |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
52055 A
LDS 255 A |
21336 |
20/09/1956 |
|
| 3641 |
VIBRACIONES DEL ALMA |
Vals |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
52055 B
LDS 255 A
LDS 750 B |
21337 |
20/09/1956 |
|
| 3642 |
DESTELLOS |
Tango |
C: Francisco Canaro
A: Juan Andrés Caruso |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
LDS 255 A
LDS 782 B |
21338 |
20/09/1956 |
The first catalog number (LDS 255) is missing in some discographies. |
| 3643 |
TE QUIERO |
Tango |
CA: Francisco Canaro |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
LDS 255 B |
21339 |
20/09/1956 |
The catalog number (LDS 255) is missing in some discographies. |
| 3644 |
CAFE PARA DOS |
Tango |
CA: Francisco Canaro |
Orquesta |
GUILLERMO RICO |
ODEON |
51954 A
LDS 255 B
LDS 799 B |
21351 |
25/09/1956 |
The first catalog number (51954) is missing in some discographies. |
| 3645 |
LA ULTIMA COPA |
Tango |
C: Francisco Canaro
A: Juan Andrés Caruso |
Orquesta |
GUILLERMO RICO |
ODEON |
LDS 255 A
LDS 782 A |
21352 |
25/09/1956 |
The first catalog number (LDS 255) is missing in some discographies. |
| 3646 |
CORAZON ENCADENADO |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
LDS 255 B
LDS 799 A |
21364 |
28/09/1956 |
In Lefcovich's Canaro discography incorrectly: "CORAZON ENCANDENADO". The first catalog number (LDS 255) is missing in some discographies. |
| 3647 |
TANGON |
Tangón |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
GUILLERMO RICO |
ODEON |
LDS 255 B |
21365 |
28/09/1956 |
Missing in Gutiérrez Miglio's discography of Guillermo Rico; in some discographies incorrectly: "JUAN CARLOS ROLON". The catalog number (LDS 255) is missing in some discographies. |
| 3648 |
MILONGON PORTEÑO |
Canción |
C: Alberto Soifer
A: Manuel Romero |
Orquesta |
TITA MERELLO con acomp. |
ODEON |
61016 B |
21382 |
03/10/1956 |
|
| 3649 |
CAMBALACHE |
Tango |
CA: Enrique Santos Discépolo |
Orquesta |
TITA MERELLO con acomp. |
ODEON |
61016 A |
21383 |
03/10/1956 |
|
| 3650 |
MADRE HAY UNA SOLA |
Tango |
C: Agustín Bardi
A: José de la Vega |
Orquesta |
CARLOS GARDEL con acomp. |
ODEON |
61018 B |
21394 |
08/10/1956 |
|
| 3651 |
MADAME IVONNE |
Tango |
C: Eduardo Pereyra
A: Enrique Domingo Cadícamo |
Orquesta |
CARLOS GARDEL con acomp. |
ODEON |
61018 A |
21395 |
08/10/1956 |
|
| 3652 |
ES MEJOR |
Tango |
CA: Miguel Caló & Oscar Rubens |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
52043 B
LDS 279 B |
21420 |
16/10/1956 |
|
| 3653 |
MI PROMESA |
Tango |
C: Alfredo De Angelis
A: José Rótulo |
Orquesta |
JUAN CARLOS ROLON & GUILLERMO RICO |
ODEON |
52043 A
LDS 279 A |
21421 |
16/10/1956 |
|
| 3654 |
CUANDO NO EXISTAS MAS |
Tango |
C: Antonio D'Alessandro & Nicolás D'Alessandro
A: José María Contursi |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
52077 A |
21552 |
16/11/1956 |
|
| 3655 |
LOS ADIOSES |
Tango |
C: Donato Racciatti & Carmelo Imperio Bove
A: Juan Carlos Patrón |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
52077 B
LDS 279 A |
21553 |
16/11/1956 |
|
| 3656 |
EL PARDO CEJAS |
Tango |
C: Prudencio Aragón |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52069 |
21567 |
21/11/1956 |
|
| 3657 |
TANA LINDA |
Tango |
C: Rafael Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52069 |
21568 |
21/11/1956 |
|
| 3658 |
TRANQUILO VIEJO TRANQUILO |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
TITA MERELLO con acomp. |
ODEON |
61017 A |
21571 |
22/11/1956 |
|
| 3659 |
MAÑANA |
Tango |
C: Anselmo Alfredo Aieta
A: Francisco García Jiménez |
Orquesta |
TITA MERELLO con acomp. |
ODEON |
61017 B |
21572 |
22/11/1956 |
|
| 3660 |
YO TAMBIEN SOÑE |
Tango |
C: Francisco Canaro
A: Luis César Amadori |
Orquesta |
CARLOS LOMBARDI con acomp. |
ODEON |
|
21612 |
30/11/1956 |
|
| 3661 |
PORTEÑA |
Vals |
C: Carlos Lombardi
A: Juracy Arena |
Orquesta |
CARLOS LOMBARDI con acomp. |
ODEON |
|
21613 |
30/11/1956 |
|
| 3662 |
ACUARELA BOQUENSE (SOLILOQUIO) |
Tango |
C: Juan Bautista Deambroggio & José Cacopardo
A: José Di Clemente |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
52097 A
LDS 279 A |
21676 |
02/01/1957 |
|
| 3663 |
MURIENDOME DE AMOR |
Tango |
C: Bernardo Manuel Sucher
A: Carlos Bahr |
Orquesta |
GUILLERMO RICO |
ODEON |
52097 B
LDS 279 B |
21677 |
14/12/1956 |
|
| 3664 |
EL TALAR |
Tango |
C: Prudencio Aragón |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52110 |
21705 |
19/12/1956 |
|
| 3665 |
CANILLITA |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52110 |
21706 |
19/12/1956 |
|
| 3666 |
CASI CAMINANDO |
Tango |
C: Cristóbal Ramos & Bernal (Herminio Vicente Bernasconi)
A: Francisco Yoni (Francisco Fortunato Silva) |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
52122
LDS 279 B |
21738 |
02/01/1957 |
|
| 3667 |
CASAS VIEJAS |
Tango |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
52122
LDS 279 A |
21739 |
02/01/1957 |
In Lefcovich's Canaro discography incorrectly: "21738" (matrix number). |
| 3668 |
MARIANITO |
Tango |
C: Domingo Salerno |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52192 A
LDS 826 B |
21834 |
31/01/1957 |
|
| 3669 |
ZORRO GRIS |
Tango |
C: Rafael Tuegols |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52192 B
LDS 826 A |
21835 |
31/01/1957 |
|
| 3670 |
MUNYINGA |
Danza Morena |
CA: Francisco Canaro |
Orquesta |
ALBERTO ARENAS & JUAN CARLOS ROLON |
ODEON |
52136 A
LDS 727 A |
22000 |
15/04/1957 |
|
| 3671 |
CUANDO MI CHINA SE FUE |
Milonga |
CA: Francisco Canaro |
Orquesta |
ALBERTO ARENAS & JUAN CARLOS ROLON |
ODEON |
52136 B
LDS 727 A |
22001 |
15/04/1957 |
|
| 3672 |
FUMANDO ESPERO |
Tango |
C: Juan Viladomat Masanas
A: Eugênio Paes |
Orquesta |
DALVA DE OLIVEIRA con acomp. |
ODEON (BR) |
MODB 3083 B
MOFB 3227 B |
22085 |
09/05/1957 |
|
| 3673 |
YIRA YIRA |
Tango |
C: Enrique Santos Discépolo
A: Giuseppe Ghiaroni |
Orquesta |
DALVA DE OLIVEIRA con acomp. |
ODEON (BR) |
14231 A
MODB 3083 A
MOFB 3227 A |
22086 |
09/05/1957 |
Portuguese title: "GIRA GIRA". |
| 3674 |
TANGO ESPAÑOL (ESPAÑOLITA) |
Tango |
C: Rubén Río Blanco (Antonio José Bisio)
A: Juan Pueblito (Noej Scolnik) |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
52162 A |
22096 |
12/05/1957 |
The alternate title is missing in some discographies. |
| 3675 |
LIMOSNA DE AMOR |
Tango |
C: Donato Racciatti
A: Enrique Soriano |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
52162 B |
22097 |
12/05/1957 |
In Lefcovich's Canaro discography incorrectly: "22096" (matrix number). |
| 3676 |
CHE PAPUSA OI |
Tango |
C: Gerardo Hernán Matos Rodríguez
A: Haroldo Barbosa |
Orquesta |
DALVA DE OLIVEIRA con acomp. |
ODEON (BR) |
MODB 3083 B
MOFB 3227 B |
22107 |
17/05/1957 |
Portuguese title: "CHE PAPUSA VEM". |
| 3677 |
SUS OJOS SE CERRARON |
Tango |
C: Carlos Gardel
A: Giuseppe Ghiaroni |
Orquesta |
DALVA DE OLIVEIRA con acomp. |
ODEON (BR) |
14231 B
MODB 3083 A
MOFB 3227 A |
22108 |
17/05/1957 |
Portuguese title: "SEUS OLHOS SE FECHARAM". |
| 3678 |
TRISTEZA MARINA |
Tango |
C: José Dames & Roberto Flores
A: Haroldo Barbosa |
Orquesta |
DALVA DE OLIVEIRA con acomp. |
ODEON
ODEON (BR)
ODEON (BR) |
74351
MODB 3083 A
MOFB 3227 A |
22111 |
20/05/1957 |
|
| 3679 |
LA ULTIMA COPA |
Tango |
C: Francisco Canaro
A: Tito Climent |
Orquesta |
DALVA DE OLIVEIRA con acomp. |
ODEON
ODEON (BR)
ODEON (BR) |
74351
MODB 3083 B
MOFB 3227 B |
22112 |
20/05/1957 |
Portuguese title: "A ULTIMA TAÇA". |
| 3680 |
ORO Y PLATA |
Milonga |
C: Charlo |
Orquesta |
DALVA DE OLIVEIRA con acomp. |
ODEON |
Released in Brazil |
22127 |
24/05/1957 |
Portuguese title: "OURO E PRATA". |
| 3681 |
LA COPA DEL OLVIDO |
Tango |
C: Enrique Pedro Delfino
A: Tito Climent |
Orquesta |
DALVA DE OLIVEIRA con acomp. |
ODEON (BR) |
MOFB 3227 A |
22128 |
24/05/1957 |
Portuguese title: "A TAÇA DO ESQUECIMENTO". |
| 3682 |
DIVINA MARIA |
Plegaria |
C: Francisco Canaro
A: Guillermo Pelay & Horacio Pelay |
Orquesta |
EDUARDO ADRIAN y coro |
ODEON |
DMO 55552 B |
22242 |
28/06/1957 |
In Gutiérrez Miglio's discography of Alberto Arenas incorrectly: "ALBERTO ARENAS". In Lefcovich's Canaro discography incorrectly: "DSOA-1632" (catalog number). |
| 3683 |
RINCON DE RIACHUELO |
Marcha |
C: Francisco Canaro
A: Guillermo Pelay & Horacio Pelay |
Orquesta |
EDUARDO ADRIAN y coro |
ODEON |
DMO 55552 B |
22243 |
28/06/1957 |
Original title: "RINCON DEL RIACHUELO". In Lefcovich's Canaro discography incorrectly: "DSOA-1632" (catalog number). |
| 3684 |
CUANDO EL AMOR |
Tango |
CA: Francisco Canaro |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
52229 B
LDS 727 A |
22378 |
19/08/1957 |
|
| 3685 |
NOCHE DESEADA |
Vals |
C: Francisco Canaro
A: Guillermo Pelay & Horacio Pelay |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
52229 A
DSOA/E 1632 B
LDS 727 A |
22379 |
19/08/1957 |
|
| 3686 |
MILONGA DEL TIEMPO HEROICO |
Milonga sobre motivos populares |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52238 A
LDS 727 A |
22427 |
02/09/1957 |
In Lefcovich's Canaro discography incorrectly: "Orquesta"; "JUAN CARLOS ROLON". |
| 3687 |
MALA JUNTA |
Tango |
C: Julio De Caro & Pedro Blanco Laurenz |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52238 B |
22428 |
02/09/1957 |
|
| 3688 |
CUANDO EL DOLOR HIERE EL ALMA |
Tango |
CA: Francisco Canaro |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
52266 A
LDS 727 B |
22478 |
12/09/1957 |
|
| 3689 |
LABURO |
Milonga-Baión |
C: Francisco Canaro
A: Guillermo Pelay & Horacio Pelay |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
52266 B
LDS 727 B |
22479 |
12/09/1957 |
|
| 3690 |
CAÑAVERAL CUBANO |
Habanera |
C: Francisco Canaro
A: Guillermo Pelay & Horacio Pelay |
Orquesta |
JUAN CARLOS ROLON |
ODEON |
52267 A
LDS 727 A |
22482 |
13/09/1957 |
|
| 3691 |
BAMBU |
Candombe |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
52267 B
LDS 727 B |
22483 |
13/09/1957 |
In Lefcovich's Canaro discography incorrectly: "52404" (catalog number). |
| 3692 |
BUENAS NOCHES BUENOS AIRES |
Tango Canción |
C: Sebastián Piana
A: Osvaldo Sosa Cordero |
Orquesta |
MARCELO PAZ |
ODEON |
52315 A |
22921 |
17/03/1958 |
In some discographies imprecisely: "tango". |
| 3693 |
UN RECUERDO NADA MAS |
Tango Canción |
CA: Julián Porteño (Ernesto Temes) & José Ramón Sanmarco |
Orquesta |
MARCELO PAZ |
ODEON |
52315 B |
22922 |
17/03/1958 |
In Lefcovich's Canaro discography imprecisely: "tango". |
| 3694 |
MIRLO BLANCO |
Tango-Fantasía |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
DSOA/E 1632 A
LDS 727 B |
22934 |
31/03/1958 |
|
| 3695 |
DIVINA MARIA |
Plegaria |
C: Francisco Canaro
A: Guillermo Pelay & Horacio Pelay |
Orquesta |
EDUARDO ADRIAN |
ODEON |
DSOA/E 1632 B
LDS 727 B |
22935 |
31/03/1958 |
|
| 3696 |
BAILONGA |
Milonga |
C: Mariano Mores |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52338 A
LDS 826 B |
23006 |
21/04/1958 |
|
| 3697 |
BRONCE |
Tango |
C: Oscar Sabino |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52338 B |
23007 |
21/04/1958 |
|
| 3698 |
CANCION DE ARRABAL |
Tango |
CA: Francisco Canaro |
Quinteto Pirincho |
Estribillo recitado por MARCELO PAZ |
ODEON |
52421 |
23107 |
26/05/1958 |
|
| 3699 |
A MI MADRE |
Vals |
C: Francisco Peña |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51094 B
LDS 826 A |
23108 |
26/05/1958 |
|
| 3700 |
QUE ME IMPORTA TU PASADO |
Tango |
C: Retama (Bernardo Manuel Sucher)
A: Roberto Giménez |
Orquesta |
MARCELO PAZ |
ODEON |
52404 B |
23417 |
28/08/1958 |
|
| 3701 |
MARINERA |
Tango |
C: Pedro Blanco Laurenz
A: Carlos Manuel Marín |
Orquesta |
MARCELO PAZ |
ODEON |
52404 A |
23418 |
28/08/1958 |
|
| 3702 |
EL FIRULETE |
Tango Milonga |
C: Mariano Mores & Fernando Alfonso Salvador Caprio |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52421
LDS 826 A |
23419 |
28/08/1958 |
On the score and on the record label only Mariano Mores is figuring as composer. In Lefcovich's Canaro discography incorrectly: "tango". |
| 3703 |
ESA ES MI PATRIA |
Gato estilizado |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
FRANCISCO AMOR |
ODEON |
52432 A |
23443 |
04/09/1958 |
In Lefcovich's Canaro discography incorrectly: "gato patriótico". |
| 3704 |
ENTRE SAN JUAN Y MENDOZA |
Cueca |
C: Carlos Montbrun Ocampo
A: Hernán Videla Flores |
Orquesta |
FRANCISCO AMOR |
ODEON |
52432 B |
23444 |
04/09/1958 |
|
| 3705 |
RECORDANDO EL 900 |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52485 A
LDS 826 B |
23892 |
24/03/1959 |
|
| 3706 |
BOEDO |
Tango |
C: Julio De Caro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52485 B
LDS 826 A |
23893 |
24/03/1959 |
|
| 3707 |
EL PORTEÑITO |
Tango |
C: Angel G. Villoldo |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
51094 A
LDS 758 A |
23933 |
09/04/1959 |
|
| 3708 |
LA CARA DE LA LUNA |
Tango |
C: Manuel O. Campoamor |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDS 758 A |
23934 |
09/04/1959 |
The catalog number (LDS 758) is missing in some discographies. |
| 3709 |
HOTEL VICTORIA |
Tango |
C: Feliciano M. Latasa |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDS 758 A |
23935 |
09/04/1959 |
Original title: "GRAN HOTEL VICTORIA". The catalog number (LDS 758) is missing in some discographies. |
| 3710 |
EL IRRESISTIBLE |
Tango |
C: Lorenzo Logatti |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDS 758 A |
23936 |
09/04/1959 |
The catalog number (LDS 758) is missing in some discographies. |
| 3711 |
HE NACIDO EN BUENOS AIRES |
Tangos |
|
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
|
23937 |
09/04/1959 |
For International Films. |
| |
EL ESQUINAZO |
Tango |
C: Angel G. Villoldo |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
55589 |
MAI 288/1 |
15/04/1959 |
Error de redacción en la discografía de Canaro de Lefcovich. |
| 3712 |
RODRIGUEZ PEÑA |
Tango |
C: Vicente Greco |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDS 758 B |
23955 |
15/04/1959 |
The catalog number (LDS 758) is missing in some discographies. |
| 3713 |
EL ENTRERRIANO |
Tango |
C: Rosendo A. Mendizábal |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDS 758 B |
23956 |
15/04/1959 |
The catalog number (LDS 758) is missing in some discographies. |
| 3714 |
EL CHOCLO |
Tango |
C: Angel G. Villoldo |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDS 758 A |
23957 |
15/04/1959 |
The catalog number (LDS 758) is missing in some discographies. |
| 3715 |
DON JUAN |
Tango |
C: Ernesto Ponzio |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDS 758 B |
23958 |
15/04/1959 |
The catalog number (LDS 758) is missing in some discographies. |
| 3716 |
HE NACIDO EN BUENOS AIRES |
Tangos |
|
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
|
23959 |
15/04/1959 |
For International Films. |
| 3717 |
EL POLLITO |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDS 826 A |
23976 |
22/04/1959 |
The catalog number (LDS 826) is missing in some discographies. |
| 3718 |
LA MOROCHA |
Tango |
C: Enrique Saborido |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDS 758 A |
23977 |
22/04/1959 |
The catalog number (LDS 758) is missing in some discographies. |
| 3719 |
EL MARNE |
Tango |
C: Eduardo Arolas |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDS 758 B |
23978 |
22/04/1959 |
The catalog number (LDS 758) is missing in some discographies. |
| 3720 |
CHE PAPUSA OI |
Tango |
C: Gerardo Hernán Matos Rodríguez |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
DSOA/E 2066 |
23979 |
22/04/1959 |
The catalog number (DSOA/E 2066) is missing in some discographies. |
| 3721 |
LA CUMPARSITA |
Tango |
C: Gerardo Hernán Matos Rodríguez |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
|
23999 |
29/04/1959 |
For International Films. In Lefcovich's Canaro discography incorrectly: "23979" (matrix number); "22/04/1959". |
| 3722 |
LA CUMPARSITA |
Tango |
C: Gerardo Hernán Matos Rodríguez |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDS 758 B |
24000 |
29/04/1959 |
The catalog number (LDS 758) is missing in some discographies. |
| 3723 |
MI NOCHE TRISTE |
Tango |
C: Samuel Castriota
A: Pascual Contursi |
Quinteto Pirincho |
CARLOS GARDEL con acomp. de guitarras |
ODEON |
LDS 758 B |
24001 |
29/04/1959 |
In Lefcovich's Canaro discography incorrectly: "INSTRUMENTAL". The catalog number (LDS 758) is missing in some discographies. |
| 3724 |
EL ALACRAN |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDS 758 B |
24002 |
29/04/1959 |
The catalog number (LDS 758) is missing in some discographies. |
| 3725 |
ALMA DE BOHEMIO |
Tango |
C: Roberto Firpo |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDS 758 A
DSOA/E 2066 |
24003 |
29/04/1959 |
The first catalog number (LDS 758) is missing in some discographies. |
| 3726 |
NO TE DOY BOLILLA |
Tango |
CA: Francisco Canaro |
Orquesta |
MARCELO PAZ |
ODEON |
52532 B |
24271 |
27/07/1959 |
Original title: "NO TE DOY BOLIYA". |
| 3727 |
AY QUE LINDO ES AMAR |
Tango |
CA: Oscar Sabino |
Orquesta |
MARCELO PAZ y coro |
ODEON |
52532 A
LDI 236 B |
24272 |
27/07/1959 |
|
| 3728 |
LA NOVIA DEL ALCOHOL |
Tango |
CA: Dante Federico Gilardoni & Dan Durán (José Durany) |
Orquesta |
GUILLERMO RICO |
ODEON |
DTOA/E 1232 |
24642 |
27/10/1959 |
First stereo recording by Odeón Argentina. |
| 3729 |
LA CANCION |
Tango |
C: Juan de Dios Filiberto
A: Lito Bayardo |
Orquesta |
GUILLERMO RICO |
ODEON |
DTOA/E 1232 |
24643 |
27/10/1959 |
In Gutiérrez Miglio's discography of Guillermo Rico incorrectly: "canción". |
| 3730 |
EL LABERINTO |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52594 B |
24993 |
22/03/1960 |
|
| 3731 |
ENTRADA PROHIBIDA |
Tango |
C: Luis Teisseire |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52594 A
LDS 826 A |
24994 |
22/03/1960 |
|
| 3732 |
EL TANGO |
Tango |
CA: Francisco Canaro |
Orquesta |
EDUARDO ADRIAN |
ODEON |
52616 B |
25260 |
05/05/1960 |
|
| 3733 |
TRES ESPERANZAS |
Tango |
CA: Enrique Santos Discépolo |
Orquesta |
EDUARDO ADRIAN |
ODEON |
52616 A
LDI 236 B |
25261 |
05/05/1960 |
|
| 3734 |
TORTA FRITA |
Tango polqueado |
CA: Francisco Canaro |
Quinteto Pirincho |
Coplas por EDUARDO ADRIAN |
ODEON |
52642 A
DSOA/E 2066 |
25657 |
16/08/1960 |
In Lefcovich's Canaro discography incorrectly: "15/08/1960". |
| 3735 |
MI COQUETA |
Vals |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52642 B |
25658 |
16/08/1960 |
In Lefcovich's Canaro discography incorrectly: "15/08/1960". |
| 3736 |
ORILLERA |
Milonga |
C: Oscar Mario Bassil, Guillermo Pelay & Horacio Pelay |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52677 B
LDS 826 B |
25907 |
01/12/1960 |
|
| 3737 |
DON GOYO |
Tango |
C: Luis Bernstein |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52677 A
DSOA/E 2020 A |
25908 |
01/12/1960 |
|
| 3738 |
A PAN Y AGUA |
Tango |
C: Juan Carlos Cobián |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52701 A
DSOA/E 2020 A
LDS 826 B |
26265 |
29/11/1960 |
In Lefcovich's Canaro discography incorrectly: "25765" (matrix number). |
| 3739 |
BUEN AMIGO |
Tango |
C: Julio De Caro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52701 B |
26266 |
29/11/1960 |
In Lefcovich's Canaro discography incorrectly: "25766" (matrix number). |
| 3740 |
BANDONEON ARRABALERO |
Tango |
C: Juan Bautista Deambroggio
A: Pascual Contursi |
Orquesta |
ISABEL DE GRANA |
ODEON |
52715
LDI 236 A |
26630 |
14/07/1961 |
|
| 3741 |
DE MI BARRIO |
Tango |
CA: Roberto Goyeneche |
Orquesta |
ISABEL DE GRANA |
ODEON |
52715
LDI 236 B |
26631 |
14/07/1961 |
|
| 3742 |
QUIERO VERTE UNA VEZ MAS |
Tango |
C: Mario Canaro
A: José María Contursi |
Orquesta |
ERNESTO RONDO |
ODEON |
52739
LDI 236 B |
26991 |
02/10/1961 |
|
| 3743 |
TIEMPOS VIEJOS (TE ACORDAS HERMANO) |
Tango |
C: Francisco Canaro
A: Manuel Romero |
Orquesta |
ERNESTO RONDO |
ODEON |
52739
LDI 236 A |
26992 |
02/10/1961 |
|
| 3744 |
LA CUMPARSITA |
Tango |
C: Gerardo Hernán Matos Rodríguez |
Orquesta |
INSTRUMENTAL |
ODEON |
LDB 1034L |
OR 8133 A |
01/12/1961 |
Missing in Lefcovich's Canaro discography. Recorded live at the Koma Theater (Tokyo, Japan).
About the trip of the Orchestra Francisco Canaro to Japan see Antonio D'Alessandro, Yo fui a Japón con Canaro, Ed. Dos Corazones. |
| 3745 |
ADIOS PAMPA MIA |
Tango |
C: Francisco Canaro & Mariano Mores
A: Ivo Pelay |
Orquesta |
ERNESTO HERRERA |
ODEON |
LDB 1034L |
OR 8133 A |
01/12/1961 |
Recorded live at the Koma Theater (Tokyo, Japan). |
| 3746 |
BANDONEON ARRABALERO |
Tango |
C: Juan Bautista Deambroggio
A: Pascual Contursi |
Orquesta |
ISABEL DE GRANA |
ODEON |
LDB 1034L |
OR 8133 A |
01/12/1961 |
Recorded live at the Koma Theater (Tokyo, Japan). |
| 3747 |
EL ESQUINAZO |
Milonga tangueada |
C: Angel G. Villoldo |
Orquesta |
INSTRUMENTAL |
ODEON |
LDB 1034L |
OR 8133 A |
01/12/1961 |
Recorded live at the Koma Theater (Tokyo, Japan). |
| 3748 |
MILONGA DEL TIEMPO HEROICO |
Milonga |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
LDB 1034L |
OR 8133 A |
01/12/1961 |
Recorded live at the Koma Theater (Tokyo, Japan). |
| 3749 |
MUNYINGA |
Danza morena |
CA: Francisco Canaro |
Orquesta |
FRANCISCO CANARO, ERNESTO HERRERA & ISABEL DE GRANA |
ODEON |
LDB 1034L |
OR 8133 A |
01/12/1961 |
Recorded live at the Koma Theater (Tokyo, Japan). In Lefcovich's Canaro discography incorrectly: "ERNESTO HERRERA & ISABEL DE GRANA". |
| 3750 |
SENTIMIENTO GAUCHO |
Tango |
C: Francisco Canaro & Rafael Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDB 1034L |
OR 8133 B |
01/12/1961 |
Recorded live at the Koma Theater (Tokyo, Japan). |
| 3751 |
EL ENTRERRIANO |
Tango |
C: Rosendo A. Mendizábal |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDB 1034L |
OR 8133 B |
01/12/1961 |
Recorded live at the Koma Theater (Tokyo, Japan). |
| 3752 |
MIZUIRO-NO WARTSU [sic] (VALS AZUL) |
Vals |
C: Touroku Takagi
A: Kou Fujiura |
Orquesta |
ERNESTO HERRERA |
ODEON |
LDB 1034L |
OR 8133 B |
01/12/1961 |
Recorded live at the Koma Theater (Tokyo, Japan). Correct original title: "MIZUIRO NO WARUTSU"; in Lefcovich's Canaro discography incorrectly: "MILIZUIRO-NO WARTSU". Sung in Japanese and Spanish. |
| 3753 |
ORGANITO DE LA TARDE |
Tango |
C: Cátulo Castillo |
Orquesta |
INSTRUMENTAL |
ODEON |
LDB 1034L |
OR 8133 B |
01/12/1961 |
Recorded live at the Koma Theater (Tokyo, Japan). |
| 3754 |
TORTA FRITA |
Tango polqueado |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
LDB 1034L |
OR 8133 B |
01/12/1961 |
Recorded live at the Koma Theater (Tokyo, Japan). |
| 3755 |
PAJA BRAVA |
Pericón |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
ERNESTO HERRERA y bastonero |
ODEON |
LDB 1034L |
OR 8133 B |
01/12/1961 |
Recorded live at the Koma Theater (Tokyo, Japan). |
| 3756 |
DE MI BARRIO |
Tango |
CA: Roberto Goyeneche |
Orquesta |
ISABEL DE GRANA |
ANGEL (JP)
ODEON (PE) |
ASP-1010 2
LDS 841 B |
S2AJ-2
2 AJ 48
|
21/12/1961 |
Recorded at the Kojimachi Studio of Angel Records (Tokyo, Japan). |
| 3757 |
LO HAN VISTO CON OTRA |
Tango |
CA: Horacio G. Pettorossi |
Orquesta |
ISABEL DE GRANA |
ANGEL (JP)
ODEON (PE) |
ASP-1010 1
LDS 841 A |
S2AJ-1
2 AJ 47
|
21/12/1961 |
Recorded at the Kojimachi Studio of Angel Records (Tokyo, Japan). |
| 3758 |
YIRA YIRA |
Tango |
CA: Enrique Santos Discépolo |
Orquesta |
ERNESTO HERRERA |
ANGEL (JP)
ODEON (PE) |
ASP-1010 2
LDS 841 B |
S2AJ-2
2 AJ 48
|
21/12/1961 |
Recorded at the Kojimachi Studio of Angel Records (Tokyo, Japan). |
| 3759 |
CANARO EN JAPON |
Tango |
C: Francisco Canaro
A: Julián Porteño (Ernesto Temes) |
Orquesta |
ERNESTO HERRERA |
ANGEL (JP)
ODEON (PE) |
ASP-1010 1
LDS 841 A |
S2AJ-1
2 AJ 47
|
21/12/1961 |
Recorded at the Kojimachi Studio of Angel Records (Tokyo, Japan). |
| 3760 |
CAMINITO |
Tango |
C: Juan de Dios Filiberto
A: Gabino Coria Peñaloza |
Orquesta |
ISABEL DE GRANA & ERNESTO HERRERA |
ANGEL (JP)
ODEON (PE) |
ASP-1010 1
LDS 841 A |
S2AJ-1
2 AJ 47
|
21/12/1961 |
Recorded at the Kojimachi Studio of Angel Records (Tokyo, Japan). In some discographies incorrectly: "canción". |
| 3761 |
EL CHOCLO |
Tango |
C: Angel G. Villoldo |
Quinteto Pirincho |
INSTRUMENTAL |
ANGEL (JP)
ODEON (PE) |
ASP-1010 1
LDS 841 A |
S2AJ-1
2 AJ 47
|
21/12/1961 |
Recorded at the Kojimachi Studio of Angel Records (Tokyo, Japan). The mention of a second recording of EL CHOCLO made on 26/12/1961 (see D'Alessandro, Yo fui a Japón con Canaro) seems to be an error by the author. |
| 3762 |
CADENA DE TANGO |
Selección |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ANGEL (JP)
ODEON (PE) |
ASP-1010 1
LDS 841 A |
S2AJ-1
2 AJ 47
|
26/12/1961 |
Recorded at the Kojimachi Studio of Angel Records (Tokyo, Japan). Contains motives from 9 PUNTOS, EL POLLITO, CORAZON DE ORO, CARA SUCIA, MADRESELVA, LA ULTIMA COPA, NOBLEZA DE ARRABAL, TIEMPOS VIEJOS. |
| 3763 |
QUEJAS DE BANDONEON |
Tango |
C: Juan de Dios Filiberto |
Orquesta |
INSTRUMENTAL |
ANGEL (JP)
ODEON (PE) |
ASP-1010 1
LDS 841 A |
S2AJ-1
2 AJ 47
|
26/12/1961 |
Recorded at the Kojimachi Studio of Angel Records (Tokyo, Japan). |
| 3764 |
SENTIMIENTO GAUCHO |
Tango |
C: Francisco Canaro & Rafael Canaro |
Orquesta |
INSTRUMENTAL |
ANGEL (JP)
ODEON (PE) |
ASP-1010 2
LDS 841 B |
S2AJ-2
2 AJ 48
|
26/12/1961 |
Recorded at the Kojimachi Studio of Angel Records (Tokyo, Japan). |
| 3765 |
CORAZON DE ORO |
Vals |
C: Francisco Canaro |
Orquesta |
Con coro |
ANGEL (JP)
ODEON (PE) |
ASP-1010 2
LDS 841 B |
S2AJ-2
2 AJ 48
|
26/12/1961 |
Recorded at the Kojimachi Studio of Angel Records (Tokyo, Japan). In Lefcovich's Canaro discography incorrectly: "INSTRUMENTAL". |
| 3766 |
LA CUMPARSITA |
Tango |
C: Gerardo Hernán Matos Rodríguez |
Orquesta |
INSTRUMENTAL |
ANGEL (JP)
ODEON (PE) |
ASP-1010 2
LDS 841 B |
S2AJ-2
2 AJ 48
|
26/12/1961 |
Recorded at the Kojimachi Studio of Angel Records (Tokyo, Japan). |
| 3767 |
CANARO EN PARIS |
Tango |
C: Alejandro Scarpino & Juan Caldarella |
Orquesta |
INSTRUMENTAL |
ANGEL (JP)
ODEON (PE) |
ASP-1010 2
LDS 841 B |
S2AJ-2
2 AJ 48
|
26/12/1961 |
Recorded at the Kojimachi Studio of Angel Records (Tokyo, Japan). |
| 3768 |
FELICIA |
Tango |
C: Enrique Saborido |
Quinteto Pirincho |
INSTRUMENTAL |
ANGEL (JP)
ODEON (PE) |
ASP-1010 2
LDS 841 B |
S2AJ-2
2 AJ 48
|
26/12/1961 |
Recorded at the Kojimachi Studio of Angel Records (Tokyo, Japan). |
| 3769 |
NOCHEBUENA |
Tango |
C: Enrique A. Esviza |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52767
LDI 222 B |
27818 |
11/05/1962 |
In some discographies imprecisely: "NOCHE BUENA". According to Lefcovich's Canaro discography: "15/05/1962". |
| 3770 |
ANOCHE TE SOÑE |
Vals |
C: Mario Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52767
LDI 222 B |
27819 |
11/05/1962 |
In Lefcovich's Canaro discography incorrectly: "52757" (catalog number). According to this discography: "15/05/1962". |
| 3771 |
MALA SOMBRA |
Tango |
C: Alberto López Buchardo |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
DTOA 1495
LDI 222 B |
28131 |
02/08/1962 |
The catalog number (DTOA 1495) is missing in some discographies. |
| 3772 |
NEGRO CARBON |
Milonga Candombe |
C: Antonio D'Alessandro & Nicolás D'Alessandro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
DTOA 1495
DSOA/E 2020 B
LDI 222 B |
28132 |
02/08/1962 |
The catalog number (DTOA 1495) is missing in some discographies. |
| 3773 |
EL TRIUNFO |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
DSOA/E 2020 B
LDI 222 B |
28432 |
22/10/1962 |
The catalog number (DSOA/E 2020) is missing in some discographies. |
| 3774 |
QUE MACANUDO |
Tango |
C: Octavio Juan Scaglione |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDI 222 A |
28433 |
22/10/1962 |
In Lefcovich's Canaro discography incorrectly: "28432" (matrix number). |
| 3775 |
CRIOLLA LINDA |
Tango |
C: Vicente Gorrese & Bernardo Germino |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52782
LDI 222 A
DSOA/E 2066 |
28659 |
17/12/1962 |
|
| 3776 |
EL POLLO RICARDO |
Tango |
C: Luis Alberto Fernández |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
52782
LDI 222 A |
28660 |
17/12/1962 |
|
| 3777 |
ADIOS MI AMOR |
Canción Tango |
CA: Francisco Canaro |
Orquesta |
ISABEL DE GRANA & ERNESTO HERRERA |
ODEON |
DTOA 7029 A
LDI 236 A |
29476 |
17/09/1963 |
|
| 3778 |
LA NEGRITA MARIA |
Canción Negra |
CA: Francisco Canaro |
Orquesta |
ISABEL DE GRANA & ERNESTO HERRERA |
ODEON |
DTOA 7029 B
LDI 236 A |
29477 |
17/09/1963 |
|
| 3779.1 |
GOLONDRINAS |
Tango |
C: Carlos Gardel |
Orquesta |
INSTRUMENTAL |
ODEON |
Playback |
30232 |
15/06/1964 |
|
| 3780.1 |
VOLVER |
Tango |
C: Carlos Gardel |
Orquesta |
INSTRUMENTAL |
ODEON |
Playback |
30233 |
15/06/1964 |
|
| 3781.1 |
SUS OJOS SE CERRARON |
Tango |
C: Carlos Gardel |
Orquesta |
INSTRUMENTAL |
ODEON |
Playback |
30234 |
15/06/1964 |
|
| 3782.1 |
EL DIA QUE ME QUIERAS |
Canción |
C: Carlos Gardel |
Orquesta |
INSTRUMENTAL |
ODEON |
Playback |
30235 |
15/06/1964 |
In Lefcovich's Canaro discography incorrectly: "tango". |
| 3783.1 |
ARRABAL AMARGO |
Tango |
C: Carlos Gardel |
Orquesta |
INSTRUMENTAL |
ODEON |
Playback |
30236 |
15/06/1964 |
|
| 3784.1 |
POR UNA CABEZA |
Tango |
C: Carlos Gardel |
Orquesta |
INSTRUMENTAL |
ODEON |
Playback |
30237 |
15/06/1964 |
|
| 3785.1 |
MI BUENOS AIRES QUERIDO |
Tango |
C: Carlos Gardel |
Orquesta |
INSTRUMENTAL |
ODEON |
Playback |
30246 |
17/06/1964 |
|
| 3786.1 |
TOMO Y OBLIGO |
Tango |
C: Carlos Gardel |
Orquesta |
INSTRUMENTAL |
ODEON |
Playback |
30247 |
17/06/1964 |
In Lefcovich's Canaro discography incorrectly: "30232" (matrix number). |
| 3787.1 |
MELODIA DE ARRABAL |
Tango |
C: Carlos Gardel |
Orquesta |
INSTRUMENTAL |
ODEON |
Playback |
30248 |
17/06/1964 |
In Lefcovich's Canaro discography incorrectly: "30232" (matrix number). |
| 3788.1 |
CUANDO TU NO ESTAS |
Canción |
C: Carlos Gardel & Marcel Moïse Alfred Lattes |
Orquesta |
INSTRUMENTAL |
ODEON |
Playback |
30249 |
17/06/1964 |
|
| 3789.1 |
CUESTA ABAJO |
Tango |
C: Carlos Gardel |
Orquesta |
INSTRUMENTAL |
ODEON |
Playback |
30250 |
17/06/1964 |
|
| 3790.1 |
VOLVIO UNA NOCHE |
Tango |
C: Carlos Gardel |
Orquesta |
INSTRUMENTAL |
ODEON |
Playback |
30251 |
17/06/1964 |
|
| 3791 |
QUE TAL |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDI 222 A |
30456 |
29/07/1964 |
|
| 3792 |
LA PAYANCA |
Tango |
C: Augusto Pedro Berto |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDI 222 B |
30457 |
29/07/1964 |
|
| 3793 |
SE ACABARON LOS OTARIOS |
Tango |
C: Francisco Canaro |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDI 222 A |
30458 |
29/07/1964 |
|
| 3794 |
CONJURO NEGRO |
Candombe |
C: Alfredo Ariel Pedernera & José Felipetti |
Quinteto Pirincho |
INSTRUMENTAL |
ODEON |
LDI 222 A |
30459 |
29/07/1964 |
On the record label only Alfredo Ariel Pedernera is figuring as composer. |
| 3795 |
HALCON NEGRO |
Tango Fantasía |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
DTOA 7106 A
LDI 236 A |
30686 |
02/10/1964 |
In Lefcovich's Canaro discography incorrectly: "DTOA 7006" (número de catálogo). |
| 3796 |
PAJARO AZUL |
Tango Fantasía |
C: Francisco Canaro |
Orquesta |
INSTRUMENTAL |
ODEON |
DTOA 7106 B
LDI 236 B |
30687 |
02/10/1964 |
In Lefcovich's Canaro discography incorrectly: "DTOA 7006" (número de catálogo). |
| 3797 |
PAJA BRAVA |
Pericón |
C: Francisco Canaro
A: Ivo Pelay |
Orquesta |
FRANCISCO AMOR |
ODEON |
DTOA 7129 A
LDI 236 A |
30840 |
06/11/1964 |
|
| 3798 |
DANZA GAUCHA |
Malambo |
CA: Francisco Canaro |
Orquesta |
ISABEL DE GRANA & FRANCISCO AMOR |
ODEON |
DTOA 7129 B
LDI 236 B |
30841 |
06/11/1964 |
|
| 3779.2 |
GOLONDRINAS |
Tango |
C: Carlos Gardel
A: Alfredo Le Pera |
Orquesta |
ARGENTINO LEDESMA con acomp. |
ODEON |
6484 A |
36563 |
27/10/1969 |
Recorded by the singer Argentino Ledesma over the existing recording by the Orchestra Francisco Canaro of June 1964. The catalog number (6484) is missing in some discographies. |
| 3780.2 |
VOLVER |
Tango |
C: Carlos Gardel
A: Alfredo Le Pera |
Orquesta |
ARGENTINO LEDESMA con acomp. |
ODEON |
6484 A |
36564 |
27/10/1969 |
Recorded by the singer Argentino Ledesma over the existing recording by the Orchestra Francisco Canaro of June 1964. The catalog number (6484) is missing in some discographies. |
| 3781.2 |
SUS OJOS SE CERRARON |
Tango |
C: Carlos Gardel
A: Alfredo Le Pera |
Orquesta |
ARGENTINO LEDESMA con acomp. |
ODEON |
6484 A |
36565 |
27/10/1969 |
Recorded by the singer Argentino Ledesma over the existing recording by the Orchestra Francisco Canaro of June 1964. The catalog number (6484) is missing in some discographies. |
| 3782.2 |
EL DIA QUE ME QUIERAS |
Canción |
C: Carlos Gardel
A: Alfredo Le Pera |
Orquesta |
ARGENTINO LEDESMA con acomp. |
ODEON |
6484 B |
36616 |
13/11/1969 |
Recorded by the singer Argentino Ledesma over the existing recording by the Orchestra Francisco Canaro of June 1964. In Lefcovich's Canaro discography incorrectly: "tango". The catalog number (6484) is missing in some discographies. |
| 3784.2 |
POR UNA CABEZA |
Tango |
C: Carlos Gardel
A: Alfredo Le Pera |
Orquesta |
ARGENTINO LEDESMA con acomp. |
ODEON |
6484 B |
36622 |
18/11/1969 |
Recorded by the singer Argentino Ledesma over the existing recording by the Orchestra Francisco Canaro of June 1964. The catalog number (6484) is missing in some discographies. |
| 3785.2 |
MI BUENOS AIRES QUERIDO |
Tango |
C: Carlos Gardel
A: Alfredo Le Pera |
Orquesta |
ARGENTINO LEDESMA con acomp. |
ODEON |
6484 A |
36623 |
18/11/1969 |
Recorded by the singer Argentino Ledesma over the existing recording by the Orchestra Francisco Canaro of June 1964. The catalog number (6484) is missing in some discographies. |
| 3786.2 |
TOMO Y OBLIGO |
Tango |
C: Carlos Gardel
A: Manuel Romero |
Orquesta |
ARGENTINO LEDESMA con acomp. |
ODEON |
6484 B |
36655 |
26/11/1969 |
Recorded by the singer Argentino Ledesma over the existing recording by the Orchestra Francisco Canaro of June 1964. The catalog number (6484) is missing in some discographies. |
| 3789.2 |
CUESTA ABAJO |
Tango |
C: Carlos Gardel
A: Alfredo Le Pera |
Orquesta |
ARGENTINO LEDESMA con acomp. |
ODEON |
6484 A |
36656 |
26/11/1969 |
Recorded by the singer Argentino Ledesma over the existing recording by the Orchestra Francisco Canaro of June 1964. The catalog number (6484) is missing in some discographies. |
| 3790.2 |
VOLVIO UNA NOCHE |
Tango |
C: Carlos Gardel
A: Alfredo Le Pera |
Orquesta |
ARGENTINO LEDESMA con acomp. |
ODEON |
6484 B |
36659 |
27/11/1969 |
Recorded by the singer Argentino Ledesma over the existing recording by the Orchestra Francisco Canaro of June 1964. The catalog number (6484) is missing in some discographies. |
| 3788.2 |
CUANDO TU NO ESTAS |
Canción |
C: Carlos Gardel & Marcel Moïse Alfred Lattes
A: Alfredo Le Pera & Mario Battistella |
Orquesta |
ARGENTINO LEDESMA con acomp. |
ODEON |
6484 B |
36660 |
27/11/1969 |
Recorded by the singer Argentino Ledesma over the existing recording by the Orchestra Francisco Canaro of June 1964. The catalog number (6484) is missing in some discographies. |
| 3787.2 |
MELODIA DE ARRABAL |
Tango |
C: Carlos Gardel
A: Alfredo Le Pera & Mario Battistella |
Orquesta |
ARGENTINO LEDESMA con acomp. |
ODEON |
6484 A |
41010 |
07/11/1973 |
Recorded by the singer Argentino Ledesma over the existing recording by the Orchestra Francisco Canaro of June 1964. The catalog number (6484) and the matrix number (41010) are missing in Lefcovich's Canaro discography. |
| 3783.2 |
ARRABAL AMARGO |
Tango |
C: Carlos Gardel
A: Alfredo Le Pera |
Orquesta |
ARGENTINO LEDESMA con acomp. |
ODEON |
6484 B |
41011 |
07/11/1973 |
Recorded by the singer Argentino Ledesma over the existing recording by the Orchestra Francisco Canaro of June 1964. The catalog number (6484) and the matrix number (41011) are missing in Lefcovich's Canaro discography. |