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Cesti Pietro Antonio

Ihre Vorschau von der Schriftart Middle Saxony Text

 
 
 
  
 
BIOGRAPHY
 
Born: Aug 5, 1623 in Arezzo, Italy
Dead: Oct 14, 1669 in Florence, Italy
Genre: Vocal Music, Opera
Country: Italy

Antonio Cesti was an important composer of the seventeenth century Italian Baroque, particularly in the field of opera. Born Pietro Cesti, he adopted the name Antonio when he joined the Franciscan order. He had already been a choir boy in Arezzo. Although details of his musical training are uncertain, it seems likely he studied with Abbatini, and possibly with Carissimi and Luigi Rossi. He joined the Franciscans in Volterra in 1637, was elected organist of the Cathedral there in 1643, and in 1645 was confirmed as master of music of the Volterra seminary and of the Cathedral.

The powerful Medici family became his patrons. Through them, he became acquainted with a literary group called the Accademia dei Percossi, who wrote texts for his cantatas and, eventually, opera libretti. It has been assumed that his first successful opera was Orontea, produced in Venice in 1649. However, evidence suggests this opera may have been written in 1656 for Innsbruck. Whatever the case, Cesti built an increasingly successful career as a secular composer and singer. He was reappointed at the cathedral in July 1649, but there were clearly conflicts between his vocation and his increasing material success outside the Church, which led to a love affair with the married singer Anna Maria Sardelli. Salvator Rosa, one of the members of the Percossi, wrote of it, "it is ever thus with anyone who would behave as though he were neither friar nor layman." In October the Superior-General of the Franciscans rebuked his monastery for permitting Cesti's "dishonorable and irregular life." Undeterred, Cesti wrote two more popular operas for Venice, Il Cesare amante, and Alessandro vincitor di se stesso, in 1651 and 1652. Cesti left the monastery in 1652 to accept a position at the court of Archduke Ferdinand Karl in Innsbruck, Austria. Although he made some trips back to Italy (primarily to recruit singers) he remained in that position through 1657.

He then moved to Rome, evidently with the ulterior purpose of ingratiating himself with the Pope so he could be released from his vows. Cesti, a fine tenor who often took leading roles in his own and others' operas, sang for the Pontiff four times, was released from his vows in March 1659, in the understanding he would remain a secular priest, and that year joined the Papal Choir. In 1661 the Pope granted him leave for a temporary trip to Florence in connection with the wedding festivities of Duke Cosimo III of Medici and the French Princess Marguerite Louise d'Orleans. From there, he went straight back to Innsbruck and Ferdinand Karl, while the angered Pope threatened to excommunicate him.

Cesti went on with continued success in opera and was even rewarded by the Archduke with an abbotship. When a new Duke inherited in 1665, Cesti moved with him to Vienna, affording him even greater scope for his operas. He died in 1669, and some sources indicate that his death was rather sudden, suggesting he may have been poisoned.
 
 
 
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Works  of  Cesti
 

Operas

  • Alessandro vincitor di se stesso (dramma musicale, libretto di Francesco Sbarra, 1651, Venezia)
  • Il Cesare amante (dramma musicale, libretto di Dario Varotari, dopo Maiolino Bisaccioni, 1651-2, Venezia; revisionato anche come La Cleopatra, 1654, Innsbruck)
  • L'Argia (dramma musicale, libretto di Giovanni Filippo Apolloni, 1655, Innsbruck)
  • Orontea (dramma musicale, libretto di Giacinto Andrea Cicognini, 1656, Innsbruck)
  • La Dori (dramma musicale, libretto di Giovanni Filippo Apolloni, 1657, Innsbruck)
  • La magnanimità d'Alessandrio (dramma musicale, libretto di Francesco Sbarra, 1662, Innsbruck)
  • Il Tito (melodramma, libretto di Nicolò Beregan, 1666, Venezia)
  • Nettunno e Flora festeggianti (drama musicale per introduttione al gran balletto, libretto di Francesco Sbarra, 1666, Vienna)
  • Le disgrazie d'Amore (dramma giocosomorale, libretto di Francesco Sbarra, 1667, Vienna)
  • La Semirami (dramma musicale, libretto di Giovanni Andrea Moniglia, 1667, Vienna; revisionata come La schiava fortunata, 1674, Modena)
  • La Germania esultante (festa a cavallo, libretto di Francesco Sbarra, 1667, Vienna)
  • Il pomo d'oro (festa teatrale, libretto di Francesco Sbarra, 1668, Vienna)

Operase = doubt

  • Marte placata (componimento scenico per musica, libretto di Giovanni Filippo Apolloni, 1655, Innsbruck)
  • Venice cacciatrice (libretto di Francesco Sbarra, 1659, Innsbruck)
  • Genserico (1669, Venezia)

Cantatas

  • Alme sol vive
  • Alpi nevoese (I versione)
  • Alpi nevoese (II versione)
  • Amante gigante
  • Amanti, io vi disfido
  • Aspettate (dubbia)
  • Bella Clori
  • Cara e dolce libertà (I versione)
  • Cara e dolce libertà (II versione)
  • Cara e dolce libertà (III versione)
  • Chi d'Amor non sa
  • Chi del ciel
  • Chino la fronte (Disperazione) (testo di G. Lotti)
  • Chi non prova
  • Chi si fida
  • Cor amante
  • Del famoso oriente (La madre ebrea)
  • Disperato morirò
  • E che ne pensi
  • E qual misero
  • Era l'alba vicina (La corte di Roma) (testo di Salvator Rosa o di Giovanni Filippo Apolloni)
  • Era la notte, e l'orme (La strega) (testo di Salvator Rosa)
  • Era la notte e muto (I versione)
  • Era la notte e muto (II versione)
  • Hor son pur solo (testo di Salvator Rosa)
  • Il servir
  • Insegnatemi
  • Io non so
  • Io son la primavera (serenata per 5 voci e 4 strumenti, 1662; dubbia)
  • Licrime mie
  • La dove ode
  • L'amoroso veleno (dialogo per 2 voci)
  • Lunguia già l'alba
  • Lasciatemi in pace
  • Lasciatemi qui solo
  • Lasciate pur
  • Lungi dal core
  • Mia tiranna
  • Misero cor
  • Nel ricercar
  • Non disperi
  • Non si parli (I versione)
  • Non si parli (II versione)
  • O barbara sorte
  • O dell'anima mia
  • O questo (I versione)
  • O questo (II versione)
  • Partitevi respiri
  • Per l'ampio mar
  • Per sentier (Disperato avveduto
  • Piangete un dì (Lamento d'amante) (I versione; testo di Giovanni Filippo Apolloni)
  • Piangete un dì (Lamento d'amante) (II versione; testo di Giovanni Filippo Apolloni)
  • Potrebb'essere
  • Pose in fronte
  • Pria ch'adori (I versione; canzonetta amorosa morale, testo di G. Lotti)
  • Pria ch'adori (II versione; canzonetta amorosa morale, testo di G. Lotti)
  • Pria ch'adori (III versione; canzonetta amorosa morale, testo di G. Lotti)
  • Quante volte
  • Quanto è dolce
  • Ricordati mio core (dubbia)
  • Rimbombava d'intorno (Lamento di Niobe) (I versione; testo di Giovanni Filippo Apolloni)
  • Rimbombava d'intorno (Lamento di Niobe) (II versione; testo di Giovanni Filippo Apolloni)
  • Rimbombava d'intorno (Lamento di Niobe) (III versione; testo di Giovanni Filippo Apolloni)
  • Sensi voi (I versione; testo di Salvator Rosa)
  • Sensi voi (II versione; testo di Salvator Rosa)
 
 
 
 
 
 
 
 
 My  Collection 
 

Cesti  Choir, Cembalo,cello theorbo     Cantata  Pria ch'adori  Nelson,Jacobs, Chritie,Jaap ter Linden, Konrad Junghanel Rene Jacobs Concerto Vocale           

Cesti Choir, Cembalo,cello theorbo      Cantata  Amanti io vi disfido   Nelson,Jacobs, Chritie,Jaap ter Linden, Konrad Junghanel Rene Jacobs  Concerto Vocale     

Cesti Choir, Cembalo,cello theorbo   Cantata  Lacrime mie   Nelson,Jacobs, Chritie,Jaap ter Linden, Konrad Junghanel Rene Jacobs Concerto Vocale           

Cesti Choir, Cembalo,cello theorbo      Cantata  Mia tiranna  Nelson,Jacobs, Chritie,Jaap ter Linden, Konrad Junghanel Rene Jacobs Concerto Vocale           

Cesti Orchestra  Orontea  Sinfonia avanti il prologo    Rene Jacobs Concerto Vocale     

Cesti choir   Orontea Atto I Scena 11  Poulenard , Muller-Molinari,Jacobs   Rene Jacobs Concerto Vocale       

Cesti choir   Orontea Atto II Scena 1   Poulenard , Muller-Molinari,Jacobs   Rene Jacobs Concerto Vocale     

Cesti Choir  Lamento della madre Ebrea   Sergio Vartolo    Soloists, capella di St. Petronio