Ades, Dawn (ed.) The Dada Reader: A Critical Anthology, Chicago: University of Chicago, 2006.
Ades, Dawn + S.Baker (eds.) Undercover Surrealism:
Georges Bataille and Documents, London + Cambridge,Mass.: Hayward
Gallery + MIT Press, 2006.
Babe, Robert E. + E. Comor “Cultural Studies Meets
Political Economy Column: Poster Meets Innis: Poststructuralism and the
Possibility of Political Economy,” Topia: Canadian Journal of Cultural
Studies, Number 16 (Fall 2006)
Bezzola, Tobia André Breton: Dossier Dada, Zürich; Kunsthaus Zürich, 2005.
Bourraiud, Nocolas Postproduction ~ Culture as
Screenplay: How Art Reprograms the World, New York: Lucas + Sternberg,
2002.
Buchloh, Benjamin, extract from ‘The Primary Colors
for the Second Time: A Paradigm Repetition of the Neo-Avant-Garde'
(1986), in Jason Gaiger and Paul Wood, eds, Art of the Twentieth
Century: A Reader, Princeton: Yale University Press, 2003.
"Conceptual Art 1962-1969: From the Aesthetics of Administration to the Critique of Institutions," October 55 (Winter 1990)
Bürger, Peter Theory of the Avant-Garde, tranl.
Michael Shaw, Minneapolis: University of Minnesota Press, 1984.
Colomina, Beatriz, “Publicity,” Privacy and
Publicity: Modern Architecture as Mass Media.
Cambridge, Mass.: MIT Press, 1996.
Huyssen Andreas, 'extract from 'After the Great
Divide' (1986), in Steve Edwards, ed., Art and its Histories: A Reader,
Princeton: Yale University Press, 1999.
Elsaesser, Thomas “Harun Farock, Filmmaker, Artist,
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Thomas Elsaesser, Amsterdam: Amsterdam University Press, 2004.
Foster, Hal, “Who’s Afraid of the Neo-Avant-Garde,”
The Return of the Real: The Avant-Garde at the End of the Century,
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Hansen, Mark B.N. “Introduction,” New Philosophy for New Media, Cambridge, Mass.: MIT, 2004.
Hardt, Michael + Antonio Negri, “Postmodernizaton or
The Informatization of Production,” Empire, Harvard U. Press, 2000.
Hayles, N. Katherine “The Materiality of Infomatics,” Configurations, Vol. 1,Number 1, Winter 1993.
http://0-muse.jhu.edu.mercury.concordia.ca/journals/configurations/v001/1.1hayles.html
“Toward Embodied Virtuality,” How We Became Posthuman: Virtual Bodies
in Cybernetics, Literature and Informatics, Chigago + London,
University of Chicago Press, 1999.
“Speech, Writing, Code: Three World Views,” My
Mother was a Computer: Digital Subjects and Literary Texts, Chicago +
London, University of Chicago Press, 2005.
“Narrating Bits: Encounters Between Humans and
Intelligent Machines,” Vectors Journal of Culture and Technology in a
Dynamic Vernacular,
http://vectors.usc.edu/index.php?page=7&projectId=6 (2005)
Krauss, Rosalind Voyage on the North Sea: Art in the
Age of the Post-Medium Condition, London: Thames and Hudson, 1999.
"Reinventing the Medium," Critical Inquiry 25, no. 2 (Winter 1999)
Kachar, Lewis Displaying the Marvelous: Marcel
Duchamp, Salvidor Dali and the Surrealist Exhibition Installations,
Cambridge, Mass. + London: MIT Press, 2001.
Lavin, Maud “Chapter 1: The Berlin Dada
Photomontages,” and “Chapter 2: Mass Media, Modernism and the
Avant-garde,” Cut with a Kitchen Knife: The Weimar Photomontages of
Hannah Hoch, New Haven + London: Yale University Press, 1993.
Manovich, Lev The Language of New Media, Cambridge, Mass.: MIT Press, 2001.
Poster, Mark “Words without Things: The Mode of Information,” October 53 (Summer 1990)
What’s the Matter with the Internet?, Minneapolis: University of Minnesota, 2001.
Vesna, Victoria “Introduction,” and, “Chapter 1:
Seeing the World in a Grain of Sand: The Database Aesthetics of
Everything,” in V. Vesna, (ed.) Database Aesthetics: Art in the Age of
Information Overflow, Minneapolis: University of Minnesota Press, 2007.
Wark, McKenzie “Digital Allegories (on the Sims),” Grey Room, 25 (Fall 2006).
Webber, Andrew J. “Manifestations: The Public
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Young, Benjamin “On Media and Democratic
Politics: Videograms of a Revolution,” Harun Farocki: Working on the
Sightlines, ed. Thomas Elsaesser, Amsterdam: Amsterdam University
Press, 2004.
Various on-line resources
Global Tendencies and the Large-scale Exhibition
http://findarticles.com/p/articles/mi_m0268/is_3_42/ai_110913973
utopias and avant-gardes
http://www.tate.org.uk/learning/studydays/utopia_avant_gardes/
Avant-garde/neo-avant-garde
http://www.arts.ed.ac.uk/europgstudies/rprojects/avant-garde/AvantGarde-NeoAvantGarde.htm
origin of the avant-garde: an introduction
http://mustekala.kaapeli.fi/artikkelit/1070380027/index_html
Narrative as genealogy
http://cotati.sjsu.edu/spoetry/nghome.html#sp
cabinet articles
on numbers
http://www.chrisjordan.com/current_set2.php?id=7
things that think
http://theiff.org/publications/cab21-gessler.html
the difference engine
http://www.cabinetmagazine.org/issues/19/hunt.php
who owns history?
http://www.cabinetmagazine.org/issues/10/womack.php
tangled histories-typewriter and guns
http://www.cabinetmagazine.org/issues/8/keys.php
emergence of social inequality among robots
http://www.cabinetmagazine.org/issues/5/socialinequality.php
readings by poster
information please
http://books.google.com/books?hl=en&lr=&id=RnadSKRpCacC&oi=fnd&pg=PP4&dq=%22M+Poster%22&ots=rp7dDs0-RY&sig=0zMMxxzWpVubEKp48Qyu2MMd5wQ#PPP1,M1
words without things
http://books.google.com/books?hl=en&lr=&id=mvossYCWHX0C&oi=fnd&pg=PP9&dq=%22M+Poster%22&ots=BhqUzLGBvz&sig=li7a4heiii6flYb-OtYaAaQC-_4#PPA1,M1