Self-Promotion for Introverts: The Quiet Guide to Getting Ahead

Get noticed . . . and get ahead!

All too often, introverts get passed over for job offers and promotions while their more extroverted colleagues get all of the recognition. But it doesn’t have to be this way.

In Self-Promotion for Introverts®, business communication coach and intrepid introvert Nancy Ancowitz helps introverts tap into their quiet strengths, articulate their accomplishments, and launch an action plan for gaining career advancement. You will learn how to:


Promote yourself without bragging— when networking, on job interviews, and at work
Use your quiet gifts (writing, researching, and listening) to your advantage
Be a commanding presenter, despite your quieter nature
Formulate your best plans, set goals, take action— and even find a better job
Featuring exclusive advice from Warren Buffett, Bill Clinton, Hearst Magazines president Cathie Black, and marketing guru Seth Godin, Self-Promotion for Introverts® helps you progress inward, outward, and onward.

The certificate of promotion was signed February 19, 1862, but tthe promotion was made retroactive to November 17, 1861, presumably so Will could get the $6/month extra pay. Will was killed later in 1862 at the battle of Chickamauga.

SCRTD - Token Promotion at Puente Hills Mall. 2/25/1984.

In a hilarious take on life in mid-management hell, two junior managers at a Chicago grocery store vie for a coveted promotion, while their wives and their co-workers can only stand back and watch how far the one-upmanship will go to get the job done.

In its low-key, offbeat way, The Promotion represents such a relief from the onslaught of raucous, anything-for-a-yok comedies that one can't help feeling grateful. This directorial debut of Steve Conrad, who wrote the Will Smith comedy-drama The Pursuit of Happyness, offers a lot to like--ingratiating performances, some funny scenes and knowing touches, and actually being about something: the real-world dilemmas that go with needing a job and having a hard time getting or hanging on to one. But "low-key" is a friendly way of saying the movie's a mite slack, and the trouble with "offbeat" is that you can't always be sure there is a beat. Chief location is a scuffed-up supermarket in an inner-city Chicago neighborhood "where customers come first, even customers who are nuts," and local youth in the parking lot bedevil shoppers and staff out of boredom. The assistant manager, Doug (Seann William Scott, far from Stiffler mode), aspires to be given charge of a new, slightly more upscale market the company is opening. He's encouraged to believe he has the inside track--except who's this guy Richard (John C. Reilly), freshly emigrated from Canada and suddenly competing for the promotion in a deferential, north-of-the-border fashion that can't even be called passive-aggressive?
The stars deliver shaded performances that never turn buffoonish--even Reilly's aria of comic desperation in which the phrase "bad apples" takes an irretrievably ruinous turn as he speaks with some black civic leaders. They get yeoman support from Jenna Fischer and Lili Taylor in the underwritten roles of the rivals' wives, Fred Armisen as the guys' feckless superior, Gil Bellows as a psychobabbly corporate exec, and Jason Bateman in a cameo as a motivational speaker working a company picnic. --Richard T. Jameson