by Boris Pintar
Screenplay
for a feature-film
Based on the novel by Gojmir
Polajnar(pseudonym of Boris Pintar) Don't
Kill Anyone, I Love You, New York: Spuyten Duyvil, 2001, Cover design by Andrea Archer.
http://www.mobipocket.com/en/eBooks/eBookDetails.asp?BookID=52894
© Boris Pintar, bor.pintar©gmail.com
Synopsis
Agata,
a young and ambitious scientist is carrying out a series of secret experiments
that deal with psychoanalyses and socialization of gay people. Transvestite
Dot, Lovre, and Lovre’s
son Jurij are just some of the objects of Agata’s clandestine studies.
Jurij and Dot take part
in a debauched dream party in the marshes of Ljubljana where they make love.
The party itself and the plot that followed were secretly organized by Agata
who thereby wanted to symbolically castrate Dot.
Agata
is
courting one of her colleagues, and when she is turned down she decides
to seduce Jurij whose personality profile she is quite familiar with.
She succeeds
and now she starts to adapt to his lifestyle.
Jurij
introduces Agata to Dot. Dot once saved Lovre’s life and that is why she feels
rather revengful when he threatens her to stay away from his son. She decides
to seduce Jurij in spite of Agata’s presence. Agata avenges herself by making
her subordinates at the institute emotionally torture Dot.
Occasionally Jurij comes back to Dot. This
suits Agata’s plans quite well because of Pikica’s transference, which Agata
needs for analytical purposes, but at the same time the fact that Dot managed
to have sex with Jurij upsets her. Agata interrupts their rellationship by
making Dot believe that Jurij still loves her in spite of their not seeing each
other any more.
Dr.
Klepec, Agata’s superior, is opposed to her because he wants to have Jurij for
himself. He hires Peter to seduce Jurij in order to break his relationship with
Agata. Peter succeeds. Agata experiences a nervous breakdown. When she realizes
she fell into a trap she makes it up with Jurij. The two plan to have a family but
Jurij's career plans take him out of the country. Agata has an accident and
loses her unborn child. Their relationship falls apart. Dr. Klepec hires a
killer to murder Jurij.
Agata and Dot face each other at Jurij’s funeral. It turns out
that Dot is nobody but Dr. Klepec in disguise.
Treatment
1) Characters:
Pikica Petelin,
43, an opera singer, tenor, performing as a transvestite cabaret singer
Dr. Agata Pokrajculja, 33, doctor of psychology, a researcher in the Cognitive
Institute
Jurij Uhelj, 23, a law graduate student
Dr. Lovre Uhelj, 45, Jurij's father, doctor of history of art, an
ambassador, divorced
Dr. Manica, 47, Jurij's mother, doctor of medicine, a researcher in
the Institute for Cancer Research, married for the second time
Dr. Klepec, 43, doctor of psychiatry, Head of the Cognitive Institute
Peter,
22, a student, drug dealer, non-resident collaborator of the Cognitive
Institute, in a relationship with Jernej
Polde,
Peter's father, 50, politician, party leader, married
Izidor, Peter's brother, 14, attends primary school, lives with
his parents
Francka, Peter’s mother, 49, housewife
Jernej, 22, an Academy of Arts student, in a relationship with
Peter
Dr. Andrej Auersperg, 30, doctor of psychiatry, specialized in suicidology, a
researcher in the Cognitive Institute, in a relationship with a nurse
Pietro, 28, Italian,
drug dealer
Beatrice, 20, a prostitute
Krjavelj, 55, a farmer, a hunter
Constable Andrej, 30, a policeman
Remark:
Parts of Pikica – most of the time
she is dressed as a transvestite – and that of Dr. Klepec are played by the
same actor. It is a matter of the two poles of the same function in which
knowledge, power and pleasure are merged. Similarly, Andrej Auersperg and
Constable Andrej are personified by the same actor.
2)
Description of the characters:
Pikica Petelin
is a gifted singer, who substituted his career of an opera singer with one of a
transvestite cabaret singer. Very popular in his/her youth, he/she recorded
several cassettes. Now a bit out of fashion, she still performs weekly in the
café of the Union Hotel. Hotel directors offered her a free attic room. She
descends from a poor revolutionary family, which after the World War II moved
from the country to the city and she cherishes leftist ideas in spite of the
social reforms currently under way. The young rave generation is discovering
Pikica as a living monument of their parents' music and for this reason she
performs in the rave discotheques as well. This renders her more self-conscious
and at the same time gives her plenty of opportunities to seduce youngsters.
She wants to find a man with whom to live together and this is what she is
subordinating all her activities to. Financially she is far from being well
off. She drives an old car, which is then stolen at a party. Her stronger
figure makes her look like a feminine matron. Because her ideals are getting
further and further away, she is looking for younger sex partners more and more
intensely. The Cognitive Institute has been analyzing Pikica for more than 20
years and several researchers were studying her during this time. Recently a
young and ambitious psychologist, Dr. Agata Pokrajculja, took her over. Dr.
Pokrajculja is firmly resolved to devote her life to science.
Agata Pokrajculja
is well educated, very promising and has ambitious plans. She views the affairs
globally and rationally, judges them without sentiments and has no time to
spare. Not long ago she joined the Cognitive Institute, where she became
involved in a secret project termed 'Little Red Riding Hood'. The project's aim
is to introduce adolescent and adult gay people into a straight way of life by
way of compensating for the symbol castration that was concealed in their
childhood. Her primary motive is a major finding by which she would win fame in
the scientific world. She is very attractive, youthful, and lives a healthy way
of life. She descends from an intellectual, well-off Ljubljana family. Already
as a child she was moving in the scientific and artistic circles. She dwells
alone in a house of her own on the brink of the Barje marsh and drives a car.
In the past she had shorter relationships with several men but was never able
to keep them. She is attracted to macho type of men and enjoys sex. Her
intimate desire is to found a family and to live with a man she would love. She
is attracted to her co-worker Andrej Auersperg but he turns her down. Agata
then seduces one of the objects of her research project. In order to get him
she makes a good use of her professional skills and advantages, for instance,
confidential personal information and the ability to manipulate with the
beloved person and the competitors. When involved in the love affair with the
object of her analysis, she is equally vulnerable as the analyzed person, whom
she used to observe from a distance. Familiarity with the personal info on the
people she is getting in touch with does not help her in unpredictable
situations and she is not able to rationally control her emotional reactions,
which then leads her to conflicts.
During his studies Lovre Uhelj was seduced by Manica, a
student of medicine. She became pregnant with him and gave birth to Jurij.
Lovre, otherwise gay, was successfully straight-socialized by the Institute.
When both Lovre and Manica received their doctorates, they got married. Lovre
found a job with a TV station as an art program editor. Manica devoted herself
to cancer research. The Institute went on using Lovre as an object for the
symbol castration experiments. One of the researchers, Domen, a young and
nice-looking dancer who was dancing in Lovre's shows, started to seduce Lovre.
Lovre began managing Domen's career and publicly exposing him. He fell in love
with him and although Domen did not return the emotions, Lovre decided to break
his marriage. Manica started to worry about her husband. The Institute wants to
use a shock therapy to bring him back to his family; Manica is found ill with a
cancer. Lovre returns home and looks after his son and Manica, but when Manica
is proclaimed healthy again, he moves away. A not too serious traffic accident
is staged in which Lovre is injured, so he has to rest at home, where Manica is
looking after him. When he recovers, he once again moves away and breaks
contacts with his old friends. He is not very successful at making new
acquaintances. When his son starts rejecting him, he tries to commit suicide.
Pikica saves him away from the railway tracks and they become friends. Later on
Lovre starts to work abroad and with time he becomes an ambassador. He no
longer maintains contacts with Pikica, but remains in close touch with his son,
for whom he is now planning a successful career. Lovre transfers his principal
motive to his son.
After his parents’
divorce Jurij Uhelj lived with his
mother for a while, then with his father, then with his grandparents. Whenever
Lovre went abroad officially, he took his son Jurij with him. Jurij was
attending schools for diplomats’ children so he speaks several foreign
languages. He is a son of successful and well-educated parents, who came to
their current position by the sweat of their brow. They try to control their
children so much the more. Jurij lives alone in his father’s apartment in a
middle-class house in Ljubljana. Studies represent no difficulties to him, he
possesses several talents, but lack of the motivation is a serious problem for
him. He does what he is told to do or expected to do with ease. He lacks ideas
of his own and also an independent relation towards the world. Values of his
father’s generation proved to be a failure, new ones are missing, so he is taking
over those of others. He spends most of his spare time in having fun, he cannot
hold out long without a company. He still has not had any serious relationship.
He is an attractive sportsman and as an object of seduction he is the point in
which interests of main protagonists, who believe to be able to motivate him in
accordance with their own values, intersect. The Institute is carefully
supervising his socialization. When bisexual Jurij falls in love with handsome
Peter, a conflict arises in him. He falls victim of jealousy.
Dr. Klepec, Head
of the Cognitive Institute, carries out diversions in order to prevent too big
a success of the institute. By virtue of prostitution and drugs he controls the
key protagonists. As an intriguer, he enjoys in insidiously destroying other
people’s destinies. After a concealed avenge on the people who are close to
him, he offers them his assistance. He avenges on Jurij for having turned him
down. Dr. Klepec is a symbol of hyper-instance which by changing into the clothes
of ‘Pikica the Witch’ loses its realistic existence.
Peter is a
mannequin-like sports fan. He is a football coach now. He used to play football
himself but he quit when he seriously injured his knee. He had to drop his
desire to become a top sportsman. He is also a secret collaborator of the
Institute. He descends from a party leader's family, and together with his
lover Jernej he lives in a rented apartment. He falls in love with Jurij and
because of him he starts looking for a job in diplomacy. Jurij's death is a
blow to him and he attacks Dr. Klepec.
Andrej Auersperg's
task at the Institute is to discover potentially suicidal objects of research.
In spite of the depressing nature of work he is a witty and cheerful person and
he brings a spirit of everyday life into the atmosphere of fateful decisions.
He marries a nurse and they are expecting a baby.
3) Principal actors:
Pikica
and Agata are the principal actors, who in the course of the film exchange
their roles. In the beginning it is Agata who is playing the active role and is
manipulating Pikica's life in order to reach her research aims. Pikica, an
object of manipulation, is living her debauched life good-humouredly and
pleasantly. At the end Agata falls victim to her own emotions and intrigues.
When they start competing for the same man, Pikica and Agata develop a rival
relationship. Pikica spellbinds Agata into ‘The Sleeping Beauty’, who
is waiting for her prince. They both long to have a baby; this is the
manifestation of their longing for a real world.
4) Pikica, Jurij and Agata: the love triangle:
Pikica meets Jurij in a dream party in a cottage in
the Barje marsh, clandestinely organized by Agata to study Pikica's childhood
memories and her symbol castration. Jurij, himself an object of analysis and
non-resident secret collaborator of the Institute, takes part in this party at
the instigation of Peter, an acquaintance of his and also a collaborator of the
Institute. Everything was spurred by Pietro, whom they had met in a
discotheque. This unknown Italian came to an idea to enjoy themselves with a
transvestite. The men, outwardly acting straight, found the idea interesting
and they parted from their girl companions. Jurij saves the antagonism of his
sexual identity by presenting this act to his father as merely a witty
adventure. It was beyond Pikica's knowledge that Jurij is a grown-up son of her
childhood gay friend, whom she once saved from committing suicide.
At first Agata treats Jurij merely from a distant position of a secret analyst. In the
course of time she starts perceiving him as a potential partner. When Andrej,
her younger coworker, an attractive and educated psychiatrist, turns her down,
and when a gay drug dealer starts seducing Jurij, she decides for a risky move.
She offers herself to Jurij as an object of straight-socialization. She is very
well informed on the life-story of Jurij as well as on that of his father
Lovre, which makes her very confident in predicting his reactions in certain
situations. She plans their initial encounter in a supermarket in which Jurij
usually does his shopping. When queuing, she drops a credit card and waits for
Jurij to pick it up. Then she tears the shopping bag by a fingernail and the
provisions scatter on the floor. Jurij helps her collect the food and drives
her home. Agata tipsifies him and seduces him into an occasional sex. She gives
him all her telephone numbers and then starts waiting for him to call her up.
She is tracing him by way of a control system and whenever Jurij lifts the telephone
receiver, she glances at hers to see whether it will ring or not. In short,
from an analyst she turned into a woman in love.
After a while Jurij rings up Agata and invites her to Pikica's
concert. Pikica is getting more and more popular with the young generation.
Agata wants to dodge the concert but Jurij persists. After the concert Jurij
says hello to Pikica. At first Pikica does not recognize him. Later she starts
seducing him. Not long ago Lovre, Jurij’s father, visited Pikica and threatened
her to live Jurij alone. Now Pikica wants to revenge and in doing this she pays
no attention to Agata. She invites them to her room and seduces Jurij - during
the concert Agata clandestinely drugged him to increase his sexual desire -
into sex. Jurij suggests 'menage á trois' but Agata runs away in pain. Pikica
falls in love with Jurij and when competing with Agata for his inclination she
is taking advantage of her acquaintances. Jurij and Agata become friends again
and Jurij moves to Agata's place. Agata is getting more and more possessive.
She motivates Jurij, with her extensive education she helps him graduate and
she plans to start a family with him. She is disturbed by his desire to pursue
a diplomatic career, which would draw him away from her, but in order to keep
him motivated she stimulates this desire and plans to eliminate it later. The
relationship between Jurij and Agata is based on Jurij finding Agata attractive
and useful. He is attached to her and feels safe in her presence but his love
is not as passionate as Agata's. By being with Agata Jurij comes up with the
expectations of the society and his family. Age difference offers him more
freedom although Agata is accompanying him often when he goes out. This
inequality is a source of her behavior, which is no longer under her rational
control.
When fighting for Jurij, Agata finds herself in a double
position: she is trying to pull Jurij away from Pikica, but on the other hand she tries to maintain Pikica's crush
on Jurij because of analytical purposes. The transference - the analyzed being
in love with the analyst - is in this case being substituted for by Pikica loving
Jurij. By using a method of transfer she wants to bring back the oppressed
traumatic childhood memories.
Jurij is
swaggering about Pikica in front of
his friends and Pikica occasionally makes him make love to her. He promises to
her to sleep at her place when Agata is off for a congress. Agata is following
Jurij and is disturbed by his sexual activities with Pikica. She sets forth an
ultimatum and so Jurij stops seeing Pikica. Agata starts to send roses to
Pikica. Pikica mistakenly explains these to herself as an assurance of Jurij's
love. She is keeping the dried roses and dreams about a family with Jurij and
about an adoption of children. In the meantime, Jurij has already forgotten
about her. One day she was walking along Ljubljanica river, dressed in normal
man's clothes. She ran into Peter and Jurij having a passionate sex. She had
hired Peter to help her pull Jurij away from Agata and now she is expecting
Jurij to throw his arms around her neck. Jurij does not even recognize her, he
turns her down and he denies having sent her the roses. Pikica runs away
through the foggy night towards the Barje marsh. At home she eats the dried roses
in anger.
To Agata this is a confirmation of her hypothesis and also her
personal victory, but she also has powerful opponents. Dr. Klepec, Head of the
Institute, also ordered Peter to seduce Jurij.
He is jealous of Agata's success and also of Jurij, whom he seduced when Jurij
- a son of his good friend - was still a child. Peter seduces Jurij through the
act of blackmailing when selling drugs. With time they fall in love. Jurij
describes his new love to Agata with delight. He no longer wants to make love
to her. She goes through a nervous breakdown and throws him out of her house.
When she realizes she was set a trap, she talks to Jurij. They apologize to
each other and plan a child, which would bind them tightly. Jurij moves back to
Agata's, who now bridles her jealousy. They stop using condoms.
Jurij goes abroad as a
diplomat, and Agata stays at home. While jogging she fally and loses her unborn
child. Jurij succeeds in comforting her but their relationship is getting
colder. Agata stays at home. Peter finds a job in the Department of Foreign
Affairs.
Dr. Klepec avenges
himself on Jurij and Agata. He infects Jurij with HIV. Jurij
then infects Agata. In strange circumstances Jurij is murdered in Moscow. The
murder is being explained as a suicid
case because of HIV
infection. Pikica enjoys in Agata's pain. Dr. Klepec offers his help to all
involved, to Uhelj family and to Agata, whom he is offering a medicine that
would cure her. Agata is broken and refuses the therapy. Peter threatens Dr.
Klepec to disclose his intrigues. Dr. Klepec then threatens Peter with his
brother's death. Peter becomes dr. Klepec's lover.
Agata and Pikica confront each other at Jurij's
funeral. Their communication is still full of by-comprehension, which then
leads to a sharp verbal fight. One of them forgives the other, the other, on
the other hand, does not.
5)
Cognitive Institute:
Conspiratorial instance of paranoid structure, the latter
causing the role swapping between the conspirators and the victims. Never fully
transparent. Gays, objects of socialization, are at the same time secret
non-resident collaborators of the Institute. Situations occur where both are
being in a relationship as prescribed by the Institute. The scientists in the
Institute know all the details about the objects of their research and - in
addition - can check their functioning at any time. The objects, on the other
hand, have no knowledge on the official function of the scientists, but
gradually they are gaining some. Since even the scientific structures were not
able to eliminate emotions, detrimental activities occur because of personal
interests and resentments. These result in a deformation and elimination of the
objects of research and the scientists. The process of recognizing the
self-position of both groups results in short circuits.
6)
Fabulous beginning and end of the film:
The two are wiping the boundaries between the real and the
apparent. The fabulousness can be evident from the imagery of archetypal
postcard sceneries. In the latter the details of the motifs of some well known
European fairytales (Little Red Riding Hood, Snow White, Hansel and Gretel, The
Sleeping Beauty, The Brave Little Tailor, Three Little Pigs, The Ugly Duckling)
are being intertwined. In the realization of the dream wish, everything is
lovely and graceful above average.
Fairytale
associations are used by the researchers in the Institute to analyze the
unconsciousness of their socialization objects. In the last scene the object of
analysis turns his own analyst into a fairytale hero possessing a fairy wish.
Screeplay
82. int./ext. AT AGATHA’S. HER
BEDROOM/GARDEN. EVENING.
AGATA is in her bed reading. She is wearing
glasses. There are lamps on both sides of the bed.
JURIJ comes out of the
bathroom, lies down on his side of the bed, turns off his lamp and turns his
back towards AGATA.
AGATA takes off her glasses, closes the book and
switches off her lamp. A streetlight is casting light through the
window-shades. AGATA snuggles up close to JURIJ and starts carressing his
shoulders. JURIJ doesn’t react. AGATA persists. After a while JURIJ starts
talking.
JURIJ
Is our
agreement still valid? That there should be no secrets between us?
AGATA
Of
course, I am not hiding anything from you!
JURIJ
And what
if we were unfaithful?
AGATA
I was
not – were you?
JURIJ
I am not
sure if that counts.
AGATA
What?
JURIJ
Forget
it. Nothing.
AGATA
If what
counts?
JURIJ
Jacking
off.
AGATA
With
whom?
JURIJ
You
don’t know him.
AGATA
Peter?
JURIJ
How do
you know him??
AGATA
I’ve been
seeing you together.
JURIJ
You're
spying on me??
AGATA hugs JURIJ.
AGATA
(jokingly)
Because I love you.
JURIJ
He seduced me like a chick. I didn’t even know it
can feel so good if someone grabs you and leads you so that you can’t resist.
AGATA is hurt, but she is doing
her best to remain in a good mood. She sits on JURIJ and holds his hands so
that he can’t move.
AGATA
Like
this?
JURIJ
With a woman I never experienced anything like
this. His muscles are so hard, and his skin so soft...
AGATA is offended. She rolls to
her side of the bed but she keeps carressing JURIJ.
JURIJ
Man’s smell is completely different. He barely
touched me and I already had a hard-on.
AGATA jumps up and drags the blanket off JURIJ.
AGATA
(screaming)
Get out of my bed! Get out of my
house! Why doesn’t that fucking faggot do your
laundry, why doesn’t HE write your thesis, why
doesn’t HE pay for the movies and stay
up all night when you are not at home?!?! Get out!
JURIJ is staring at her
perplexedly. When AGATA grabs a lamp and throws it at him, he runs out. AGATA
opens the window and tosses his clothes into the garden.
AGATA
Don’t you ever dare come here again!!! I’ve been
doing everything for you and you...you...you fuck the first fucking whore that
walks by! Why don’t you just stay with him, I really wonder how long he’ll
stand you running after every man in a closet?! Oh God, I went through so many
things and for you it’s so easy!! You have NO idea what you are losing!
83. int. LOVRE’S APPARTMENT. EARLY MORNING.
A phone is ringing in a living room that is full of gothic statues of
the Virgin Mary and baby Jesus. JURIJ, awakened by the ringing, comes from his
room and lifts the phone:
jurij
(sleepy)
Yeah...
agata
(speaks very fast)
Hi, sorry about last time. I think we should talk. What do
you say? D’you have any time today? Let’s get together at
Roznik Hill, OK?
jurij
OK.
agata
At six?
jurij
Alright.
agata
OK, see you!
jurij
Bye!
84.
ext./int. ROzNIK hill. tavern on roznik
hill. afternoon, evening.
AGATA, in an attractive outfit, is nervously glancing at
the clock in front of the statue of Cankar at Roznik Hill. First it’s several
minutes before six o’clock, then it’s already several minutes after six. People
taking a walk are passing by her and all of a sudden she is greeted by dr.
KLEPEC.
dr. KLEPEC
Good afternoon, dr. Pokrajculja,
and what are YOU doing here?
AGATA
Nothing, I
have a date.
dr. KLEPEC
Oh really? Well, have a
beautiful day then!
AGATA
Thanks, you
too, see you tomorrow!
Dr. KLEPEC leaves and AGATA once
again casts a glance at the clock. Some moments later JURIJ arrives running.
JURIJ
I’m so sorry for being late! I was already at the
door when the phone rang. A call from abroad, I could’t just hang up.
AGATA
It’s OK! You
want to go for a walk?
JURIJ
You had lunch
already? I’m starving. Let’s see what they have to offer in the tavern.
AGATA
I can keep you
company.
AGATA and JURIJ enter the Roznik
Tavern and take a seat in an empty room, right next to a baker's oven. JURIJ
orders lunch and some red wine to go with it. JURIJ and AGATA empty three
pitchers. They are drunk.
AGATA
Are you still
sulking?
JURIJ
Nope. And you?
AGATA
No.
JURIJ
I have to apologize. I shouldn’t have told you
about Peter.
AGATA
Well, perhaps it’s better not to be hiding it.
JURIJ
I shouldn’t
have used such a tone.
AGATA
It really
hurts. Do you love him?
JURIJ
It was just an
adventure.
AGATA
You still
seeing him?
JURIJ
We saw each
other once more in the town. By chance.
AGATA
Have you ever
had such a nice time with me -
JURIJ
I already told you I shouldn’t have spoken like
that.
AGATA
And us?
JURIJ
What about us?
AGATA
I don’t lose my temper very often. Only when I
worry about someone. Only when my father was sick was I so tense, never before.
But lately it’s happening to me all the time. I worry about you. – Do you love
me?
JURIJ
How else can I tell you!? You were always loved by
everybody, and now you want to hear this every single moment. I was being
tossed like a ball, some time it was my grandparents that were looking after
me, then it was my father. Then boarding schools abroad, then my mother and
stepfather, for a month I was perhaps at my grandparents’, then at the old
man’s again. So many times I was thinking about how no one really loved me, about
being exhibited as if I were some gothic statue. “Our Jurij has such beautiful
eyes, our Jurij speaks three languages already, our Jurij won the skiing
championship.” In all those boarding schools abroad I was so lonely. I was
sending everybody to hell.
(tries not to cry)
Nobody gives you a goodnight kiss.
AGATA takes JURIJ’s hand.
JURIJ
Peter showed me that he wanted me. That confused
me.
AGATA
It’s OK.
JURIJ
You can’t really understand. You’ve always had
everything, you had your mother and your father.
AGATA
But I need you.
JURIJ
Yeah, for sex.
AGATA
Well, and what did Peter want from you? Did he
want to type your thesis or what? – Oh, I’m sorry, I am just so tense! Why
don’t you come back home?!
JURIJ
You kicked me out.
AGATA
But you said yourself you deserved it!
JURIJ
Well, I didn’t really put it that way. – Your old
man bought you a house and a car. I had to earn everything by myself.
AGATA
Why don’t we leave childhood traumas for later?
JURIJ
I want to have a son, to look after him.
AGATA
Are you sure about that?
JURIJ
Absolutely.
AGATA
But you are never at home. A child is a
responsibility!
JURIJ
It would all change.
AGATA
I wanted to propose this to you ages ago, but I
was afraid of losing you. I'm still afraid that one day you’ll simply leave. Why
can’t I live like a normal woman, believing that there’s a man out there who’d
be with me all my life?!
JURIJ
(jokingly)
Perhaps you are not normal!
AGATA and JURIJ laugh. WAITRESS approaches the table and
starts to carry things away.
WAITRESS
Closing time. Should I call a
cab for you?
JURIJ
Nope, thanks.
AGATA and JURIJ are intoxicated.
Supporting each other they are loudly staggering through the woods towards
Mestni Log. JURIJ howls to the moon like a wolf.
JURIJ
Woooooooooooooow....
AGATA
Woooooooooooooow...
JURIJ
To Marko!
AGATA
To whom?
JURIJ
To our son!
AGATA
To Marko!
