Battle of the Field

 
Battle of the Field
Albion Country Band
 
Island Records HELP 25 (LP, UK, April 1976)
 
Engineered and produced by John Wood
Recorded in 1973 at Sound Techniques Studio and Island Studio, St. Peter's Square, London
Album cover by Ian Logan Associates
Photography by Keith Morris
 

Musicians

Martin Carthy, vocals, acoustic guitar;
Sue Harris, vocals, oboe, hammered dulcimer;
Ashley Hutchings, vocals, electric bass guitar;
John Kirkpatrick, vocals, anglo-concertina, button accordion, melodeon, electric piano;
Simon Nicol, vocals, electric and acoustic guitars, electric dulcimer, synthesiser;
Roger Swallow, drums, percussion

with
Dave Mattacks, percussion on Reaphook and Sickle;
Martin Nicholls, John Iveson, Colin Sheen and Paul Beer, sackbuts on Gallant Poacher

Tracks 1-7 and 9: Albion Country Band, recorded 1973
Track 8: actually John Kirkpatrick & Sue Harris with Dave Mattacks, recorded 1976 (although credited to ACB)

All tracks Trad. arr. Hutchings / Swallow / Kirkpatrick / Harris / Carthy / Nicol except
Tracks 1, 4a Richard Thompson,
Track 2 Trad. arr. Nicol / Carthy / Hutchings

This album was recorded in 1973 by the last incarnation of the Albion Country Band and was shelved by Island Records at the time because when the time came for its release, there was no band to promote it, the ACB having broken up in August 1973 and its members moved on to other projects. However over the following year or two the ACB legend grew and a few people clamoured for the album's release (fuelled by the preview release of 2 tracks - Albion Sunrise and The New St. George - on the Karl Dallas compiled Electric Muse 4 album set in 1975), such that Island eventually released it on its budget HELP label in 1976. By that point, one track (All of a Row) was deemed unfit for inclusion as the band were not particularly happy with it and anyway, Martin Carthy had by then re-recorded it in a different arrangement for one of his solo albums. As the original ACB could not be re-convened, John & Sue Kirkpatrick (a.k.a. John Kirkpatrick and Sue Harris) quickly recorded a new track (Reaphook and Sickle) which was added to fill the vacant slot on the album, assisted by Dave Mattacks on percussion (and also hammered dulcimer tuning, according to John Kirkpatrick!).

Other songs and tunes featured by this incarnation of the Albion Country Band in concert (though not on record) included a pace-egging song Beg Your Leave, which introduced the band members one by one (the original song, from Overton in Lancashire, appeared in the Folk Song Journal in 1906, and can also be heard on the 1968 Topic album Deep Lancashire, sung by Pete Smith); Richard Thompson's Nobody's Wedding; I'll Go and 'List for a Sailor, reprised from the Morris On sessions; and various morris tunes such as Lumps of Plum Pudding and William and Nancy, which were accompanied in concert by dancers from Albion Morris. These latter morris dance tunes eventually surfaced on John Kirkpatrick's Plain Capers album in 1976.

Another version of one track (Harvest Home / The Gas Almost Works) from this incarnation of the ACB appears on Ashley Hutchings: The Guv'nor Vol. 3, and 4 tracks (The New St. George, I'll Go and 'List for a Sailor, Hanged I Shall Be, and Harvest Home / The Gas Almost Works), recorded for the BBC in May 1973 appear on The Albion Band: The BBC Sessions released in 1998 after only a 25 year wait!

tracks
 
side one
 
1. Albion Sunrise

2. Morris Medley
* Mouresque
* London Pride
* So Selfish Runs The Hare
* Maid Of The Mill
* Sheriff's Ride

3. I Was A Young Man

4. New St George / La Rotta
 
side two
 
1. Gallant Poacher

2. Cheshire Rounds / The Old Lancashire Hornpipe

3. Hangèd I Shall Be

4. Reaphook And Sickle
 
 
the never-to-be-duplicated
Albion Country Band line-up of  Simon Nicol,
Martin Carthy, Roger Swallow, Sue Harris and John Kirkpatrick.
Ashley Hutchings missing in action.
 
related internet links
 
the name says it all. join now and
make your voices count where and
when it matters. also see here
 
created on 9th June 2009.
furthering the work, counting
where it matters.