Christopher Marlowe (baptised 26 February 1564 – 30 May 1593) was an English dramatist, poet and translator of the Elizabethan era. The foremost Elizabethan tragedian next to William Shakespeare, he is known for his blank verse, his overreaching protagonists, and his own mysterious and untimely death. Marlowe was born to a shoemaker in Canterbury named John Marlowe and his wife Catherine.[1] Marlowe attended The King's School, Canterbury (where a house is now named after him) and Corpus Christi College, Cambridge on a scholarship and received his Bachelor of Arts degree in 1584.[2] In 1587 the university hesitated to award him his master's degree because of a rumour that he had converted to Roman Catholicism and intended to go to the English college at Rheims to prepare for the priesthood. However, his degree was awarded on schedule when the Privy Council intervened on his behalf, commending him for his "faithful dealing" and "good service" to the Queen.[3] The nature of Marlowe's service was not specified by the Council, but its letter to the Cambridge authorities has provoked much speculation, notably the theory that Marlowe was operating as a secret agent working for Sir Francis Walsingham's intelligence service.[4] No direct evidence supports this theory, although the Council's letter is evidence that Marlowe had served the government in some capacity. Dido, Queen of Carthage was Marlowe's first drama. Marlowe's first play performed on stage in London stage was Tamburlaine (1587) about the conqueror Timur, who rises from shepherd to warrior. It is among the first English plays in blank verse,[5] and, with Thomas Kyd's The Spanish Tragedy, generally is considered the beginning of the mature phase of the Elizabethan theatre. Tamburlaine was a success, and was followed with Tamburlaine Part II. The sequence of his plays is unknown; all deal with controversial themes. The Jew of Malta, about a Maltese Jew's barbarous revenge against the city authorities, has a prologue delivered by a character representing Machiavelli. Edward the Second is an English history play about the deposition of King Edward II by his barons and the Queen, who resent the undue influence the king's favourites have in court and state affairs. The Massacre at Paris is a short and luridly written work, probably a reconstruction from memory of the original performance text,[6] portraying the events of the Saint Bartholomew's Day Massacre in 1572, which English Protestants invoked as the blackest example of Catholic treachery. It features the silent "English Agent", whom subsequent tradition has identified with Marlowe himself and his connections to the secret service.[7] Along with The Tragical History of Doctor Faustus, The Massacre at Paris is considered his most dangerous play, as agitators in London seized on its theme to advocate the murders of refugees from the low countries and, indeed, it warns Elizabeth I of this possibility in its last scene.[8][9] The Tragical History of Doctor Faustus, based on the German Faustbuch, was the first dramatised version of the Faust legend of a scholar's dealing with the devil. While versions of "The Devil's Pact" can be traced back to the 4th century, Marlowe deviates significantly by having his hero unable to "burn his books" or repenting to a merciful God in order to have his contract annulled at the end of the play. Marlowe's protagonist is instead torn apart by demons and dragged off screaming to hell. Dr Faustus is a textual problem for scholars as it was highly edited (and possibly censored) and rewritten after Marlowe's death. Two versions of the play exist: the 1604 quarto, also known as the A text, and the 1616 quarto or B text. Many scholars believe that the A text is more representative of Marlowe's original because it contains irregular character names and idiosyncratic spelling: the hallmarks of a text that used the author's handwritten manuscript, or "foul papers", as a major source. Marlowe's plays were enormously successful, thanks in part, no doubt, to the imposing stage presence of Edward Alleyn. He was unusually tall for the time, and the haughty roles of Tamburlaine, Faustus, and Barabas were probably written especially for him. Marlowe's plays were the foundation of the repertoire of Alleyn's company, the Admiral's Men, throughout the 1590s. Marlowe also wrote poetry, including a, possibly, unfinished minor epic, Hero and Leander (published with a continuation by George Chapman in 1598), the popular lyric The Passionate Shepherd to His Love, and translations of Ovid's Amores and the first book of Lucan's Pharsalia. The two parts of Tamburlaine were published in 1590; all Marlowe's other works were published posthumously. In 1599, his translation of Ovid was banned and copies publicly burned as part of Archbishop Whitgift's crackdown on offensive material. As with other writers of the period, little is known

The monument in the middle of the Old Town Square in Prague is the statue of the reformer Jan Hus (John Huss), one of the most important personalities in Czech history. John Huss (Jan Hus) was born in Bohemia (now part of the Czech Republic) in about 1371. He received a master's degree from Charles University in Prague in 1396, became a professor of theology in 1398, was ordained to the priesthood in 1400, was made rector of the University in 1402, and in 1404 received a bachelor's degree in theology (presumably a more advanced degree than the term suggests today). In his day, there was a crisis of authority in the Western Church. In 1305, under pressure from the King of France, the seat of the Popes was move from Rome to Avignon in France, where it remained for 70 years. (This period is called the Babylonian Captivity of the Papacy, suggesting the 70 years that Jerusalem lay desolate after when the Jews were deported to Babylon.) In 1376, the then pope returned to Rome. When he died soon after, the cardinals, mostly French, were disposed to elect a French Pope, but the people of Rome objected, fearing that a Frence Pope would move the Papacy back to France. The cardinals therefore elected an Italian Pope, and then fled elsewhere, where they elected a French Pope and said that the first election had been under duress, and was void. Thus there were two (later three) claimants for the Papal Office. The Council of Constance was called to settle the matter. One claimant recognized the Council and then abdicated. The Council responded by proclaiming that he had been the true Pope. It then deposed the other two, and elected a new Pope, thus healing the schism. Meanwhile, Huss had begun to denounce various church abuses in his sermons. His disputes with authority did not concern basic theological issues, but rather matters of church discipline and practice. The custom had arisen, at celebrations of the Lord's Supper, of distributing the consecrated bread to all Christians in good standing who desired to receive it, but restricting the chalice to the celebrant alone. Huss denounced this restriction as contrary to Holy Scripture and to the ancient tradition of the Church. He also held that Church officials ought to exercise spiritual powers only, and not be earthly governors. In 1412 his archbishop excommunicated him, not for heresy, but for insubordination. (The real problem was that Huss supported one papal claimant and the archbishop another. Huss's candidate was ultimately declared to be the true pope.) Matters came to a head when one claimant (later declared unfit) proclaimed a sale of indulgences to raise money for a war against his rivals. Huss was horrified at the idea of selling spiritual benefits to finance a war between two claimants to the title "Servant of the Servants of God," and said so. In 1414 he was summoned to the Council of Constance, with the Emperor guaranteeing his personal safety even if found guilty. He was tried, and ordered to recant certain heretical doctrines. He replied that he had never held or taught the doctrines in question, and was willing to declare the doctrines false, but not willing to declare on oath that he had once taught them. The one point on which Huss could be said to have a doctrinal difference with the Council was that he taught that the office of the pope did no exist by Divine command, but was established by the Church that things might be done in an orderly fashion. The Council, having just narrowly succeeded in uniting Western Christendom under a single pope after years of chaos, was not about to have its work undone. It accordingly found him guilty of heresy, and he was burned at the stake on 6 July 1415. After his death, his followers continued to insist on the importance of administering the Holy Communion in both kinds, and defeated several armies sent against them. In 1436 a pact was signed, by which the Church in Bohemia was authorized to administer Chalice as well as Host to all communicants. The followers of John Huss and his fellow martyr Jerome of Prague became known as the Czech Brethren and later as the Moravians. The Moravian Church survives to this day, and has had a considerable influence on the Lutheran movement. The monument of Jan Hus at the Prague Old Town Square was designed by Ladislav Saloun. The foundation stone was laid down in 1903 and the monument was unofficially revealed on 6th July 1915, the 500th anniversary of Jan Hus?s death.