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Sunday afternoon with translation notes

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Intro - video-poems

Separations Show, Balmain, Oct 7-9, 2011

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Archived

Jan- Feb 2012
Dawn sequences, self portraits, humour in art, poems, Camp Ceative, Paperbark swamp

Nov - Dec 2011
Xmas in Australia, NSW's rarest bird, 'Driving into a Photograph', Blue tongue in the strawberry patch, Humpback whales.


Sept - Oct 2011
Spring Valla, All Hallows Eve, Genocide, Bird Lane Nettle show Balmain, Spring poems, 3 key terms, Beauty, Soulfood with Will Barton, Nambucca photographs

June to Aug 2011
Autumn Valla, Overseas in Ireland, UK, Rousseau on St Pierre, Venice Biennale and more

May 2011
Our Japanese garden; marine parks controversy; slang - drongo /galah; birding; planetary alignments; dogs in national parks; classification - Borges, Wilkins; Ai Wei Wei; Tsai Yu-Long; Artists' responsbility; Pakistan,

April 2011

Beetles; the Bellingen Readers & Writers festival; SLN Quiz; Gumbaynggirr Elder, Auntie Bea Ballangarry wins; Reading with Mary White; the slow art of bushwalking; sustainable bush tucker; Fracking; adventures in music; RIP Poly Styrene & God; over population 

Feb-March 2011
Oyster Creek, B's show at the Federal,
Happy in Valla, Myrtle Rust, mp3 dawn chorus, sunrises  

Jan 2011
What is a poem; Mary White; teaching ecopoetry; Andy Goldsworthy; sculptures


Nov-Dec 2010
Eco-love poem; Bron's show, Camperdown; highway carnage

Oct 2010
W4F; Ceps; biodiversity; piano poems; Nimbin

2010 Archive
Overseas: Suzhou, Amersham, Napoli; Tate Modern

2010 Archive
Jan to May: moving north; Bron's shows, Balmain, Bondi; poems

2009 Archive 
Aug to Dec

2009 Archive
Jan to Aug

2008 Archive

FAQ

Essais

Leaving the City (has Sydney lost its Mojo?)

Cities when to visit

BRWF 2011

John Bennett ~ a commonplace book (blog)

The BRWF 2012 (BRWF) has finished - a long, exhausting  weekend of great writers, great weather – great feedback already:

"Thanks for a wonderful festival. I’ve been to heaps over the years, but rarely have enjoyed such hospitality and conviviality. Congratulations to you both, and your team of kind and capable volunteers. Thanks again." Morris Gleitzman

"The Bellingen festival surpassed all expectations. it was warm, with a wide welcome, a great variety of inventive, enjoyable, and meaningful opportunities to listen and speak. thanks so much for the opportunity to participate." debbie rose

"The scale and spirit of your festival, not to mention the intelligence of everything about it and the wonder of that scenery you've got up there, made your festival, for me, one of the loveliest I've attended." Mark Tredinnick

“I just wanted to congratulate you all on a great festival weekend, and to thank you for the opportunity to be involved. It was a pleasure – stimulating, cruisy, interesting and fun.” Laurel Cohn

"I have been meaning to be in touch to thank and congratulate you on a most surprisingly wonderful festival ! I bet you have been getting smashed with letters of praise and adulation. We truly had a great time of it, especially the breakfast event that was blessed by sun, waves and community interest." Taylor Miller 
With surfing legend Rusty Miller at Valla Beach - kicking off BRWF 2012 with surfing stories - image Taylor Miller 
We had a wonderful range of writers and a slew of poets: Mark Tredinnick, Peter Boyle, Alan Gould, Bronwyn Lea, Martin Harrison, Kit Kelen and Michael Sharkey - locals Brian Hawkins, Liz Routledge, Gumabynggirr elder Auntie Emily Walker and slam poets from Brisbane and around.

My highlight as a poet was paddling down the Bellinger.
See Advocate article.


BRWF 2011


Winner of the inaugural Jack Iggulden Award for Indigenous Writing, Aunty Bea Ballangarry, with festival artistic director, John Bennett (left) and festival founder, Brain Purcell.
Photo, Ute Schulenberg, Coffs Coast Advocate



November project - poem/s & image/s each day
               
Nov 14

Our way to the beach is baulked by two roos, a young male and small female.

They pose in a tableau, granting us full attention,

We turn our backs, pretend to look for a Spotted Pardolote singing

an exquisite triad the last two high notes repeated as if that’s that,

then they repeat the whole song like a mantra.

The roos resume cropping the track. They are made of fur and instinct,

objects of wonder and love, but we slowly resume moving towards the sea

abandoning any hope of that unobtainable state of grace,

of meaning no harm ever, of utter generosity.

The ground repays attention, its rough marquetry lavishes

quality elements of form and colour in various versions

designer’s inventiveness anywhere you look, but all the creations

are foxed, stained, with small tears and creases (bitten).

The forest ends onto slender dunes and the amazing sequence

of colours and blocks of materials endlessly rearranged as beach,

both ends illegible, sea-mist stalling colour and hiding the world.

The seas skips in, tongues licking up the slope, gilding the sand

as they retreat triggering a series of dainty entropic fountains,

replicating the jeu d'eau  of Italian Renaissance gardens at crab scale,

a bubbling beach with air forced back up into circulation, breathing in

the ozone rumour, in reality the fresh scent of dimethyl sulphide,

haphazard release by nervous plankton and bacteria

and the exhalations of whales still passing south to Antarctica for summer

and the eagle that drifted over yesterday, and momentarily silicon

is suggestive of glass, a liquid capturing light and energy.

 

Seawashed shells pool lustrous diffusions

formal delights the eye evolves with.

and simple forms wrapping a surprise

to delight the human eye has evolved with.




Nov 4

 

Breakfast News Theories

                                    for Liz Keen, Nov 4 2011

1

This slice of horizon is a knife edge of sunspill,

a physicist’s theory of light skimming below bulk

shadows ‘not visible on the radar’. The weather

is happening right now with the koel’s insistent yelp

piercing the double-glazed picture windows.

 

There is so much more to this moment than interest

rates and cricket fixing - I’ve turned to music,

the thin sound of a violin stretches the room's

natural amplitude the way the best Sung ceramics

start afresh from the behaviour of clay on the wheel.

 

Last night, the stars wheeled across the sky

the spokes of the universe appeared through cloud.

 

2

Online marginalia reads ‘Lohan jailed for 30 days’,

was this one of Buddha’s 18 disciples entrusted

to uphold the Law? They were worshipped

for an ability to pacify wild animals and meditate

so deeply that trees grew up around them.

 

Is that a mutant form of anorexia, or form of loving?

For some, 15 minutes of fame lingers a little longer,

30 days is nothing for a Lohan, but what could

cause an invasion of police? Bodily needs,

excessive envy, unfamiliarity with empathy

 

or separation from the animals we co-evolved

with but who are losing their grip on existence?


It is risky releasing a poem into the world quickly (in this case 20 minutes) - many need to hibernate for weeks or months before the poet listens to the poem again, with fresh ears.

I mean to link poems and theory more closely to images - just came across the blog of Cherise Asmah and remembered she had requested some writing - I sent her a piece on ecopoetics and natural sculptures with images.



Valla Beach scene the morning after




My Camp Creative course (Jan 9) now complete:
 'Writing Nature Poetry – renewing the tradition'
Comments on my previous course:
"Wonderful +++++ . . . such a generous teacher.
"
"I have done 7 courses, 4 of them writing and this was by far the best. I was the most productive and learnt so much.
"
"Excellent course. John was a very good teacher. Highly creative and mind expanding."













Note - 2008. After an online hiatus of nearly ten years
having maintained a website
in the nineties I then undertook a PhD in poetics.
I return to cyberspace with a variety of recent projects.  
 
website statistics




Aut insanit homo, aut versus facit. Horace

MAY

Coffs Council have been conducting an online forum, now closed, on the cultural opportunities and potential of the Coffs Coast region. Clearly there are major opportunities Council can facilitate - and major infrastructure needs, for example: a new art gallery and a performance space, that in the current financial climate are problematic.

Today Thursday May 24 “Women on the move . . . with the emphasis on a good time . . . Bus trip to Coffs Harbour visiting Buddha’s garden and Op shops in the area.” 

 
Monday 21st – the first Humpback was spotted off Sydney.
In June and July up to 200 whales pass by Letter Box Beach every day heading to Queensland for winter and calving.

Lewin's Honeyeater; flew into one of our windows, just one of many dangers birds face: cats, cars, foxes, pesticides, guns, other birds,habitat loss.A birder told us silhouettes don't work, hanging reflective materials may be the answer.   


http://www.getup.org.au/campaigns
one of their latest is to stop mining export projects currently planned along the Great Barrier Reef already under threat from run off (nutrients, fertilisers, pesticides, toxic chemicals, sewage, rubbish, detergents, heavy metals and oil) and global warming.


Sarsaparilla, Lawyer Vine;

Woman hit with stick
                                                            13 May 2012

“If you can hold on to and repeat to yourself the simplest fact of existence—atoms and void and nothing else, atoms and void and nothing else—your life will change.”
                             Stephen Greenblatt summarising Lucretius 


A Lewins chuckles from the screen of Banksias 

launching the forest and the radio tells you 

there’s no turning back. The taps and lights 


are de rigueur, like the Sunday roast - lamb, 

potatoes and pumpkin just picked from the garden

with the local headline ‘Woman hit with stick’. 


It’s a Sabbath, just another waltz around our star 

for the planets, plants and animals, roos graze 

the slope towards the sea slumped into glow. 


I thank Wyn and the dead sheep and the marvellous 

taste and solidity of sticks and stones and love and flesh,

the way things don't change and the way things don't last.

Bron's wonderful 'Mary White's Waterfall' is a finalist in the inaugural 

Flannery Centre Art Prize - the guiding criterion was: Humanity is now living in ways which outstrip the capacity to provide an equitable, healthy lifestyle for future generations. With 7 billion people a number of planetary boundaries have been reached which will drive fundamental changes to the way we live and work.

Bron/Wyn entering Jagun

Large Bracket fungus, Oyster Creek
David Bromley and Kiyomi at his opening - his linocuts are so detailed, his paintings have a different mood. Top left you can see  a painting of his family in Sierra Leone - I must have seen it a dozen times now and it still haunts me.

Letter Box Beach

Pandanus and Shark's egg


For your diary Bron is giving a reading and talk on e-publishing at Coffs Library this Wednesday 9th, 6pm

Monday

Garden theory - Hugh Possingham on the radio today talked of “an extinction crisis in some sense.” In any sense I would have thought. He suggests that National Parks can’t do the job of protecting all species and habitats given economic realities and concludes that “not all the conservation of Australia’s wildlife needs to be done not by the Government.”[i] There must be more support by governments who proclaim national parks as media release then don’t provide resources to manage them. On the other hand, we should all be responsible, and gardens are one part of an overall conservation strategy.   

The oldest garden in the archaeological record (The Hanging Gardens of Babylon were 100 years earlier) is Persian from 500BC. One can still see remains of the geometric plan, its white columns, can trace pavilions and the archaeologists have revealed waterwheels. We know where Cyrus the Great used to sit on his throne. They grew some bulbs, tulips and hyacinths, but mainly figs, palms, and pomegranates.

The ideal Garden in the classical tradition is benevolent and generous and grants a dynamic variety of enjoyable perceptions and sensations. Poets from Ovid and before had established an ideal landscape of gentle hills, streams, shading trees, cool fragrant breezes, birdsong and blooms

Milton’s Eden is an English Arcadia in the classical tradition with flowery banks, shaded bowers and ‘‘pleasant walks’’ under magnificent trees and yet this garden remains wild.

A Wilderness of sweets; for Nature here
Wanton’d as in her prime, and play’d at will
Her Virgin Fancies, pouring forth more sweet,
Wild above Rule or Art, enormous bliss.  (5.294–97 )[ii] 

John Dixon Hunt believed Milton was recalling the Italian Renaissance gardens he visited with their variety of landscape features and mixing formal with the informal and the boschetti (wild woods).[iii]

How does that affect us gardeners here? Jane Drakard comments, “Italy itself has often been compared to a garden paradise, and the major European gardening styles have all been influenced, at least in part, by the great Italian Renaissance gardens, which were themselves conceived as a return to classical ideals. This influence finds expression even in contemporary Australian suburban gardens with their turn to formality and to what are often described as ‘Italianate’ styles.  . .  In this respect the current vogue for Italian gardens is nothing new.”[iv]

Drakard quotes Edna Walling (1895–1973) who wrote: “There is little doubt that as we advance in the designing of our garden in Australia, we shall derive more and more inspiration from the old gardens of Italy [...]. The chief elements of the Italian garden – stone, water and trees – are most appropriate to the conditions governing the construction of gardens in Australia.”

This is on the wrong track if gardens are to become an important part of conserving Australian flora and fauna. Last year I visited Villa d’Este and heard or saw only two species of birds. It is a very formal garden, the world’s preeminent water garden and a marvellous visual experience, but one that lacks the variety that Milton celebrated and that our flora and fauna needs.


[i] Tom Nightingale, The World Today, ABC RN Monday, May 7, 2012

[ii] Very different to the slopes below Eden where Satan finds ‘‘a steep wilderness, whose hairy sides / With thicket overgrown, grotesque and wild, / Access deni’d’’ (4.135–37).

[iii] John Dixon Hunt, ‘‘Milton and the Making of the English Landscape Garden,’’ Milton Studies 15 (1981): 81–105.

[iv] Jane Drakard, ‘Elusive landscapes: Australians and ‘the Italian garden’’, in Australians in Italy : contemporary lives and impressions, Ed Bill Kent, Ros Pesman and Cynthia Troup, Monash University ePress, 2008. The English garden (giardino inglese) became popular in Italy in the early 19th C from Como in the north down to Sicily, it’s main them being naturalistic, no geometry.


Sunday Full Perigee Moon Day

Started very early with a pretty good FA Cup final, then a walk at Bonville Creek.

Then on to the wonderful Coff's Botanic Gardens (much under utlised) to the bird hide:
melting Brahminy Kite

and for the Japanese Children's festival:
Action calligraphy by Ren (a larger more visceral display than 
the Buddhist artist Tsai Yu-Long - see bottom of May 2011), including a dance attack on the interface of brush and paper with loud ejaculations. 

Koi flags and very tasty 
Okonomiyaki by Kiyomi

the drumming group from the Gold Coast 
then lost two games of table tennis and caught up with an old friend at the Federal in Bello - then back home for the moon
 
Deep Creek, a distracting osprey circled overhead as I took this.
The moon's perigee

Full moon creature

"This presumptive anchorage of the photograph to the real provides an opportunity for photographic fakers to take advantage of us . . . much as sixteenth-century entrepreneurs manufactured specimens of mermen and mermaids, furry fish, sea bishops, unicorn horns, and griffin claws and their nineteenth-century counterparts produced grotesque "medieval" torture devices and sinister-looking chastity belts to satisfy expectations aroused by gothic tales.  (Conversely, when a specimen of the unlikely looking platypus was first carried back to Europe, it was widely suspected of being an assembled fake. Nobody thought that anything would look like that!) . . . These sorts of images function as pseudo-acheiropoietoi--ersatz relics used to create belief that something existed on earth." 

William J. Mitchell, The Reconfigured Eye: Visual Truth in the Post-Photographic Era, (Cambridge: MIT Press, 1994), Chapter Nine, ‘How to Do Things with Pictures’.


Saturday - big moon tonight (99%)
An osprey flew heavily from right to left, it carried a large fish hanging like a bomb - and was attacked by another raptor - playing that amazing upside-down talons-out trick, perhaps trying to steal the catch, which dropped back into the sea.
 Wedding with mixed bouqet

at 1pm
an unusually low tide 

7am. Gathering Seaweed, Letter Box Beach

Poetry is so much more important than sport in Arabic and Muslim counties. Journalist David Rohde, who was held hostage by a Taliban faction for more than seven months, said poetry was part of his captors' daily lives. "They would sing and recite poems every night after dinner," he said, who is now a commentator for the Reuters news agency. "Privately they would sing love poems, but when their commanders were around, they would only sing war poems. "

Friday. Power off today - forgot to get the car out - so were locked in - read, weeded the garden, read a wonderful pamphlet by Ross Macleay questioning the genre of nature writing, wrote a poem and imagined life without electricity - quieter, more difficult especially at night - and now we are bound to technology, even though it distances us from our natural environments. (Georges Bataille thought technology is the cause for our dissatisfaction, for our searching for ‘a lost intimacy’). 

Dusk Friday from our top deck 

The weekend moon coincides with the moon's perigee - its closest approach to Earth (356,955 ks away) as 14% bigger and 30% brighter than usual and likely to lead to coastal erosion from a two-metre high tide.
  
 
I am scoping a book on natural aesthetics - attention to the world around us and creatively working/playing with it is rewarding/ important. 

Attention to the patterns, the seasons, the fauna and flora - now is fungus time - but why were the mosquitoes today the worst ever experienced in the forest? Saw more Fan-tailed Cuckoos, singing a single note with tremelo, not their downward trilling.
 
Three overlapping parasol mushrooms (Macrolepiota procera)  thanks Mick).

APRIL

Sunday 30th  Fungi day - picking porcini and seeing all kinds

Sunday morning - Robert Wyatt is singing to me; a Pied Butcher bird is calling – I hear it as music, but it is not music to the roos below, or the lorikeets or probably to the Butchers themselves. Music is universal in cultures (at level of rhythm anyway) and deeply moves most of us – but we don’t know why – is it: 

1. a biological adaptation – in which case surely not simply for sexual advantage as Darwin reduced adaption to (alternatives are social or familial bonding) , or 

2. a cultural evolution – a bricolage using existing skills and abilities such as language, pattern perception and emotion? 

A wet miserable Saturday - Happiness is so topical with Depression now an epidemic - a Perfect Day will not suffice - see John Holmstrom's wonderful (5 page) cartoon. Four kangaroos browned by the rain in our garden - perfect - (not The 5-HTT gene which regulates serotonin)Thomas Jefferson made a mistake in emphasising the “pursuit of happiness” in the Declaration of Independence, now conflated with the "pursuit of pleasure' - happiness comes to you. 

Autumn is here: starry nights, cold mornings, plenty of fungi about and Fan-tailed Cuckoos.

Cortinarius australiensis, a meaty forest mushroom, apparently inedible and with no common name. It should have a name - any suggestions?


I asked Gary Williams who teaches at 
Muurrbay Aboriginal Language and Culture Centre for the Gumbaynggirr seasons. He told me: The two seasons are : galaagarr – warm weather and maguurr – cold weather. There are times during the year when other things happen, that have no specific names, that denote change but these two words are the main ones.

From a poem of mine from Sydney): 
We are now in the middle of bana’murrai’yung 
when the tiger quoll seeks a mate and we haul down the doona. 
 
The Maguurr light is immaculate:
Mangrove, Nambucca River

Letter Box Beach, Valla - tyre tracks - In 1909 "it was a wild and lonely place but always beautiful." 
Early Valla Days by Kathleen Thurtell and 'Pop' Smith

Start the week with a fish 

at Deep Creek 


Built in obsolescence has become ridiculously pervasive: watches, cameras, and even a hand windscreen wiper-washer I bought this morning – no way of changing the sponge pad.

Thanks to the Capitalist move from production (Fordism) to consumerism - with serious repercussions for the health of our planet and our psyches. Charles Kettering of General Motors should be remembered , not for the starter motor, but for arguing in the 1920s that ‘The key to economic prosperity is the organised creation of dissatisfaction.’ General Motors began to introduce new model lines every year and ran advertising campaigns designed to make people discontented with the cars they owned. The emphasis on production now turned to the consumerism and vast marketing empires.

In 1954, Brooks Stephens, industrial designer (of Harley-Davidsons and early Jeeps) explained that "planned obsolescence" is "instilling in the buyer the desire to own something a little newer, a little better, a little sooner than is necessary".


Out with the Bello Birders - 73 species - very close views of ospreys (on a farm - and a parent bringing a large mullet to the nest over the Highway - by the speed camera) 

Macksville sewage works, swallow drinking algal bloom


Volunteer Wrap for the BRWF - congratulations to Roby for getting 8 out of 10 in my lit quiz including:
Richard Glover in Desperate Husbands wrote:  “During the 1970s, I spent most of my leisure time trying to summon up: a) Satan, b) a decent pair of sideburns, c) the courage to ask the girl next door to go for an ice cream, d) a single chest hair.


Bellinger River 

Photographs from 18 April - Jagun forest - and flooded bridge

I was reading Rimbaud, who I find mostly too rich, too boisterous to appreciate, then read about his life. He gave up poetry at 19 and roamed - he claimed to have visited "Palmerston", now Darwin in 1876 - ended up in Ethiopia attempting to become a rich colonialist- finally ending up back in France in agony on one leg. He left what little he had to his boy, none to his mistress.

His Voyant period ended with A Season in Hell:

I! I called myself a magician, an angel, free from all moral constraint.... I am sent back to the soil to seek some obligation, to wrap gnarled reality in my arms. A peasant!     'Farewell' 

I used to believe in every kind of magic.   'Second Delirium: The Alchemy Of The Word'

My kind of poet knows the soil and the reality of the soil and its destruction - John Clare. 

‘Soil is the mother of all things’ – Old Chinese proverb


I missed my 'Pocket Diary' launch in Sydney over the weekend - along with the other poets in Kit's Pocket Series. Rae Desmond Jones read from my 'Easter Songs':

I wake early, put on the radio, Neddy Seegoon

is constructing a ladder to save the world with buckets

of water. He’s just heard the news – the sun is on fire.

I look. It’s hiding under the sea’s skin.                                                                                   

Ra’s resurrection is an engineering triumph with 

another six billion years of performance. I hurry

to shore for the bleed, only the brightest planets

are sticking to this rubbery darkness.


We had guests from overseas. The weather held for walks, fishing, swimming and a barbecue - the most natural activities.
Nambucca

Crustose lichen, Deep Creek Bridge
More than 3200 species of lichen occur in Austalia and its islands in around 400 genera from about 100 families.
.
Wednesday
Last of the light
Tuesday
A rose wired from the roos who tend to stick with grasses. A late afternoon stroll to the creek revealed a couple of Swamp Wallabies in a clearing downstram, playfully wrestling. They stay in the forest thankfully, they eat anything in a garden. 

Easter Monday
A pair of Sooty Oystercatchers, Shelly Beach
 
Easter Sunday
This is Paradise, but Paradise doesn't exist - we were on North Beach - henceforth reverting to its name Postbox Beach, from when a postbox was nailed to a tree and the postie rode along the beach delivering mail.

Unknown to us, as we sat watching a rough dirty green sea, a young local man drowned off Deep Creek, just the other side of the headland; a wave swept him off his kayak. There is no resurrection, not even today.

Do we indeed desire the dead
Should still be bear us at our side?
Is there no baseness we would hide
No inner vileness that we dread?
                            Alfred Lord Tennyson, In Memoriam A.H.H.

It took him 17 years to write (the final spurt probably due to reading
Chambers' Vestiges, which suggests evolution progresses from simple forms to Homo sapiens). Queen Victoria told him that the poem had helped her deal with Prince Albert's sudden death more than anything apart from the Bible. And by coincidence, an old uni friend sent me his most moving eulogy for his mother and used the Dylan Thomas poem know for such occasions - grief is hard to assuage, but somehow poetry assists.

These guys stuck to the ground:


Easter Saturday 


Deep Creek, not that deep


The tiny Leek Lilly
The tiny Leek Lily

Warning Urunga




Winter Senna in Jagun - a beautiful but highly invasive weed, yet people cultivate them.
What to do: dig out the entire root system and leave it out of contact with the soil. Cut, scrape and paint the stump or inject it with glyphosate. 
 

Female Golden Orb Weaver Spider, Nephila (Tetragnathidae) with her larder and male (above her back left leg). He gives her a back massage to try and calm her and avoid being eaten. We saw more species of spider in our small Marrickville garden (about 15) than we have in our much larger one here.


Nambucca Storm - it quickly came and quickly went

A walk to Coachwood Falls, Dorrigo



One Red-necked pademelon, one thrush, one April Fool's tick, one leech, hundreds of tadpoles, lyrbirds singing, and the white song of the Never Never for much of the track.


Our C'tte wrap party began on Valla Beach
and continued in the Headland Cafe, with another quiz:

Alice Pung was a lovely guest of the festival – but what is a Pung
a) a simple horse drawn sleigh 
b) a plumber’s wrench.

MORRIS GLIETZMAN sold his first story to which magazine?
a) Dolly 
b) 17.

A series taken in a Greek Cafe with original interior, a rare one remaining in rural NSW - Big Jim's, The Bridge, Macksville.

Time for a litle gardening now the festival is over.

How would you have done in my literary quiz at BRWF's Saturday Night Live?

8. This festival sits beside the Bellinger River, which one of the following lines come from Robert Gray’s poem  ‘A Day at Bellingen’, (the others come from a poem  of mine about canoeing down the river) a) Now the reflected water becomes, momentarily, white b) over shadowy fish, submerged forests and rippling grass beds, c) Like hippos, black bulls stand their ground on shifting gravel beds, d) Mountains veer in and out of view, green as ‘in the beginning green’?

9. Charlotte Wood keeps a blog called? a) How to kill a lobster, b) how to shuck an Oyster, c) How to Bombe Alaska, d) How to cook your Goose, e) How to eat and read and be happy?

A great start at Valla Beach 7am with wonderful weather
with surfing legends, Rusty Miller and Derek Hynd (and Taylor Miller). Here am I confessing to my lack of ability.


Derek Hynd modelling – futuristic surf wear. Riding a finless surfboard, he is the star of Jack McCoy's new surf film, Deeper Shade of Blue – which by wonderful synchronicity opened at our local cinema The Majestic, the same day!

Photos of the morning's surfing here.



I rarely catch Jennifer Byrne's First Tuesday Book Club on ABC TV, but caught a few minutes of her blockbuster special with Lee Child’s totally ignorant of why many writers write, spouting nonsense that all writers secretly want to write bestsellers to become millionaires and provide for their families. Mathew Reilly responded more reasonably (though never responded to a few requests to be a guest at BRWF)

I am interested in writing poetry, not publishing and no publishing best sellers. However Kit Kelen  who is a prodigious energy is Australian and Australian  <>  Chinese  poetry is publishing my Pocket Diary – the series to be launched at the BRWF festival Sunday lunchtime in the Talking Tent. My first book for a decade, comprising all dated poems for each year since my book Field Notes.



100 emails a day last Wed & Thurs - a rare chance to get to the sea last week revealed By-the-wind-sailors - rows of them beside a wrack of Blue-bottles and the nudibranch Glaucus.

Coming up !!!
Marathon Reading of Peter Carey's Oscar & Lucinda - kicking off the BRWF this Sunday 18 March,
7am to 9pm Glennifer Hall in the Promised Land.

A charity event for Life without Barriers that help  with care and protection for those with disability, mental health, homelessness, youth justice and immigration issues. Glennifer Hall next to the small church Peter Carey helped save and which inspired the book. Peter Carey is the Festival patron and his response to the idea was 'wow'

if you would like to read and be sponsored email info@bellingenwritersfestival.com.au subject Marathon.


Unknown bird

In slow motion on the ocean at a discrete distance . . .

the impulse of the eye is to force itself on the form

 

lines, keel, bow, rigging the skeleton of an engine

constructed from accumulated ideas that swallow oil

 

drilled out of the Carboniferous Period, with batteries

topped up with vitriol. The effort to leave behind

 

the current and move and manipulate is an imperfection

of kings, dictators, lawmakers, institutions, careless

 

followers and our day-to-day disregard for language.

The world opens and closes on this small pale craft.


Reading: March 10, 3pm Coffs Regional Art Gallery, 'The Poetry of Art and the Art of Poetry' - see details. I rose from my sick bed with a high temperature, some microbe from the plateau.

Just back from a reading in Armidale, a quiet place now . . .
The Plateau & Ebor Falls is in full flight
.
I read a poem from Field Notes, from 15 years ago 

The ground I stand on, buffed hard as nails

and dry enough to burn, is the northern aspect

facing Ebor Falls just wet enough to fall . . .


The drover sits on his saddle inside

a driz-a-bone making an honest living

engrossed in a paperback.


Our car noses in amongst the young beef cattle

meandering the last of the long paddock,

the worst drought in faded memory.



Wollomombi Falls (believed to be the tallest in Australia at one time).


 
5:44 March 2. I can't get bored of this giant canvas viewed from our deck ~ the picture is continually changing, birds fly across, song irrupts, the sun stares too hard, the sky is tarnished, polished, clouds bulge, eviscerate,vanish, re-appear.
 
So busy with the festival and the modem dies, a new modem arrives - wrong one.
Agggh!!! How did Rome conquer half the world without mobile phones or the net? With less distractions -
"As our attentional skills are squandered, we are plunging into a culture of mistrust, skimming and a dehumanising merger between man and machine.”
Maggie Jackson, Distracted: The Erosion of Attention and the Coming Dark Age.







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