The dancers show up clearly in considerable form. Adeline Pastor convinced as pirouettes miracle just as seductive ballerina ,who masters in flowing neoclassical pointes shoes work. (14.02.2011) by Michael Georg Müller Adeline Pastor as Carmen overwhelmed by sensual elegance and power, where her Grace is never missing. recklinghäuser zeitung (14/02/2011) by Bernd Aulich The French Adeline Pastor dance this role extremely well: she smiles smugly at the audience, Smugly flirting to dancers and to the Audience. Full of effects was Pastor with her exceptional Rotation Art and don't save on multiple pirouettes, which harmonize well with the overwhelming will of Carmen. Gesamte Zeitung (14/02/2011) by Larissa Reith Carmen is a high standard of dance and the typical Cauwenbergh neo-classical level. His Carmen (Adeline Pastor) dominates the expression range of supple lyricism and virtuoso Pirouettes. Her duets was dreamily dance with Marat Ourtaev as José and Armen Hakobyan as Escamilio , of the gripping dance show highly concentrated, elegant lift figures, exciting expression in tragic conflict. Der Westen (13/02/2011) by Dirk Aschendorf The last piece of the evening was presented by Adeline Pastor – soloist of Aalto Ballet Theatre in choreography “Je ne regretted rien” on a chanson of the same title from Edith Piaf. Her spirited performance together with a breathtaking speed of her feet and precise tours and pirouettes of all kinds (and there was a surreal amount of them for one choreography) brought the audience to an ecstasy. tanecniaktuality.cz (08/01/2011) by Petra Dotlacilová In "a Kind of Magic", Adeline Pastor appear blessed with supernatural abilities to Pirouette. Pastor, who whips through turns faster than the speed of light, was unfazed, whizzing off 7 or 8 pirouettes on pointe, not just once, but several times. Dance Europe (12/2010) by Deborah Weiss The evening was dominated by the highly acclaimed Bochum Symphony Orchestra conducted by Volker Perplies and of course the dancers. Especially the 1st. Soloist Adeline Pastor, after the break with her virtuoso performances and tremendous stage presence, finally showed the expected highlights. Theater Pur ( 11/2010) by Peter Ackermann Radiantly beautiful, sparkling with self-confidence, the dancer tries to wrap her opponent. Virtuoso Pirouettes, jumps and big bold poses, Polemon to distract from his future wife, Beatrice. The nymph, illustrated by the gorgeous Adeline Pastor is under the influence of their lord and master Tirrenio. He wants to avenge Undine. (...) Seduction, Adeline Pastor as Solo-nymph, brings so brilliantly to the stage that remains at "Undine" against it. Dance for You Magazin (11/2010) by Isabell Steinböck Les Saisons de la Danse (08/1994) by Vera Weber Adeline Pastor won the
Grand-Prix Bidoux-Cantrelle, she was dazzling throughout the Competition,
accomplished technician, is the first holder of this Prize and also receives the gold
medal. ... Adeline Pastor, ... , have been most noted for their technical and personality. Les Saisons de la Danse (11/1994) by Vera Weber A revelation of France, Adeline Pastor , who has impressed with her incredible "Odile" , with a scenic projection and a powerful technique. Cuban Newspaper (05/1997) by Ada Oramas "I have with Adeline Pastor a Multi-Talent, a fantastic gift to sing Edith Piaf "... Interview from
Ben Van Cauwenbergh about
„La Vie EN Rose“ "Wiesbadener Tagblatt" (05.02.2003) by Gabriele C.Jung Adeline Pastor in the role of Edith Piaf, real "sparrows of Paris". Adeline is very convincing in singing and she is dancing perfectly. "Wiesbadener Kurier" (05.02.2003) by Richard Hörnicke The Solo dancer ,Adeline Pastor, sing live, but with an excellent intonation. ... Adeline Pastor is very enthusiastically as Edith Piaf. Kurier (10.02.2003) by Roland Langer Adeline Pastor is "the" ballerina, the classical and modern dance elements brings together elegant and expressive. Staatstheater Darmstadt (2004) The interpreter of Swanilda is assigned to the principal dancer Adeline Pastor, strong technically and solids Pirouettes, showed a break in the artistic work of Alicia Alonso in Cuba, without losing the grace of wonderfull arms that is typically French school. Associazione Culturale Fonopoli (05/2010) by Emanuela Cassola Adeline Pastor in the Role of Swanida was nothing else than phenomenal and without the technical Cuban legs could hardly play that role so well. She was virtually there from the start to the end of the show and has not spared nothing. More than once, we could see until five pirouettes, perfect balance and kept on the edge of the music, combined with an excellent interpretation. Sonia Baccinello May 7, 2010 "The Queen of Pirouettes, Adeline Pastor, scores once more, in the inserted part of the nymph / Odile with spirit and verve." Review from Marieluise Jeitschko (19.09.2010) www.tanznetz.de .... ECT  Facebook Page Adeline Pastor Became a Fan of Adeline Pastor
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