Susan Wood Title: Professor of Art History Degrees Ph.D. Columbia University, New York, NY Major Fields Ancient Roman sculpture, portrait sculpture, sarcophagi, and luxury objects with relief decoration, all from 1st century B.C.E. -- 3rd century C.E. Publications Imperial Women: a Study in Public Images, 40 B.C. - A.D. 68. Brill: Leiden, 1999. 2nd edition, paperback, 2000. Roman Portrait Sculpture, A.D. 217-360: the Transformation of an Artistic Tradition, Vol. 12 of Columbia Studies in the Classical Tradition. Leiden: Brill, 1986. Articles Sarcophagus, Encyclopedia of Sculpture, Chicago: Fitzroy-Dearborn, 2004, 1516-1521. Literacy and Luxury: A Papyrus-scroll Winding Device from Pompeii, Memoirs of the American Academy in Rome XLVI,2001, 23-40. Also presented as a poster-session at the annual meetings of the AIA/APA, January 4, 2003. Mortals, Empresses and Earth Goddesses: Demeter and Persephone in Public and Private Apotheosis, I Claudia II: Women in Roman Art and Society. Papers from the Colloquium. Austin: University of Texas Press, 2000, 77-99. Oral version presented November 2, 1996, at a colloquium at Yale University Art Gallery. Goddess or Woman? Bryn Mawr College Alumnae Bulletin, Fall, 1999, 9-12. Forgotten Women in the Roman Imperial Portrait Group at Beziers, Archaeological News 21-22 (1996-97), 1-19, also presented at the annual meetings of the Midwest Art History Society, March 29, 1996 and at the annual meetings of the AIA/APA, December, 1996. Diva Drusilla Panthea and the Sisters of Caligula, AJA 99 (1995), 457-482, presented under title of "Sisters and Mothers of Tyrants," at the annual meetings of the A.I.A./A.P.A., December, 1994. Alcestis on Roman Sarcophagi - Postscript, Roman Art in Context: an Anthology, ed. Eve D'Ambra, Prentice Hall: Englewood Cliffs, N.J., 1993, 96-103. Messalina, Wife of Claudius: Propaganda Successes and Failures of his Reign, JRA 5 (1992) 221-234. Memoriae Agrippinae: Agrippina the Elder in Julio-Claudian Art and Propaganda, AJA 92, 1988. Isis, Eggheads and Roman Portraiture, JARCE 24, 1988. Child Emperors and Heirs to Power in Third Century Roman Portraiture, Ancient Portraits in the J. Paul Getty Museum I: Occasional Papers on Antiquity 4, 1987. A Too-Successful Damnatio Memoriae : Problems in Roman Portraiture of the Third Century, AJA 87 (1983). The Bust of Philip the Arab in the Vatican: a Case for the Defense, AJA 86 (1982). An Enigmatic Roman Portrait, Cleveland Museum of Art Bulletin, LXVIII,No. 8, Oct. 1981. Subject and Artist: Studies in Roman Portraiture of the Third Century, AJA 85 (1981). Alcestis on Roman Sarcophagi, AJA 82 (1978), reprinted with postscript in Roman Art in Context , 1993, 84-103. Book Reviews: Representing Agrippina:Constructions of Female Power in the Early Roman Empire, by Judith Ginsburg, ed. Eric Gruen, American Philological Association, 2005, forthcoming in Journal of Roman Archaeology 2007 or '08. Cleopatra and Rome, by Diana E.E. Kleiner, Massachusetts and London: Belknap Press, 2005, The New England Classical Journal, 33.3, August 2006, 237-240. Mit Mythen Leben: Die Bilderwelt der romischen Sarkophage, by Paul Zanker and Bj r rn Christian Ewald, Bryn Mawr Classical Review 2004.11.22. Death and the Emperor, by Penelope Davies, Cambridge: Cambridge University Press, 2000, Bryn Mawr Classical Review 00.12.08. Agrippina: Sex, Power and Politics in the Early Empire , by Anthony A. Barrett, New Haven, 1996, Bryn Mawr Classical Review 97.3.11. Antonia Augusta, Portrait of a Great Roman Lady , by Nikos Kokkinos, London, 1992, American Journal of Numismatics 7-8 (1995-96) 293-98. Portratreliefs stadtromischer Grabbauten , by Valentin Kockel, Beitrage zur Erschlie?ung hellenistischer und kaiserzeitlicher Skulptur und Architektur Vol. 12, ed. Klaus Fittschen and Paul Zanker, Mainz am Rhein: Verlag Philipp von Zabern, 1993, Archaeological News 20, 1995 . Griechische und Romische Kolossalportrats bis zum spaten ersten Jahrhundert n.Chr, by Detlev Kreikenbom, JdI E-H 27 (Berlin and New York, 1992), forthcoming in AJA 98 (1994). Ancient Portraiture: Image and Message , ed. Tobias Fischer-Hansen, John Lund, Marjatta Nielsen and Annette Rathje, Acta Hyperborea 4, Copenhagen 1992, AJA 97 (1993) 811-812. Roman Art from Romulus to Constantine , by Nancy H. and Andrew W. Ramage, Cornell University Press: New York, 1991, AJA 96 (1992) 773-774. Roman Portraits, by Richard Daniel de Puma, exh. cat., University of Iowa Museum of Art, 10 Sept. - 30 Oct. 1988, AJA 94 (1990). Aion in Merida und Aphrodisias , by Andreas Alfoldi, AJA 87 (1983) Roman Portraits: Aspects of Self and Society, First Century B.C. - Third Century A.D. , by K. Patricia Erhart, Jiri Frel and Sheldon Nodelman, Art Bulletin, LXIV (1982). Selected Public Lectures An Obscure Family Without Ancestral Images,' or, How to build a dynasty from scratch, presented at the symposium The Miller Collection of Roman Sculpture, Intenti

Living History Performance, Jamestowne. Nik Color Efex Pro's Glamor Glow only in certain area. Shot about 150 feet away as a very large image., and then cropped. The expression is a long gaze, and beneath it one of introspection it would seem, as with the expression of the hands. The saturation is intentional as the face is different than the hands. The vegatation behind the figure is different. Its not consistent and that is what I like. The full colored image did not look right since it did not capture the face and hands the right way. It had to have an almost 1930's look to the image; the eyeglasses made me realize this. It reminds me of the 1930's images of Edward Steichen. But his portraits were for the most part indoors, not outdoors like this. The face, this is a Yeats expression. (All those college classes in literature...) After this was done, I realized I should have saved this as a preset.