Off The Record: The Complete 1923 Jazz Band Recordings

Off the Record offers an amazingly fresh and simple alternative--one that proves to be a definitive step in presenting these truly classic sides. By special arrangement with Archeophone Records, Off the Record is proud to present all 37 issued titles by the Oliver band, newly transferred from the best available original sources, issued on two compact discs. Engineer and master sound recording restoration specialist Doug Benson--known for his definitive work on "The Complete Hit of the Week" on Archeophone Records--and David Sager--jazz historian and trombonist--have searched far and wide to gain access to the cleanest copies of all the Oliver discs, including the unique copy of "Zulus Ball" and "Working Man Blues." Using a meticulous musical ear, a wide variety of styli and the subtlest application of digital technology, Benson, perhaps for the first time, has revealed the natural ambience of these discs. Unprecedented Detail and Clarity: The Oliver ensemble has never been heard to better advantage. Passages long accepted as muddy and indistinct pour forth with unprecedented clarity. Even the introduction of the ultra-rare "Zulus Ball," often lamented for its poor condition, shines through crystal clear! Straight off the discs with as little processing as possible: There is no better way to bring these old discs to life than with the right stylus, a sensitive ear, and careful application of non-invasive processing. Whereas many reissues are marred by over-processing, resulting in muffled sound and/or digital artifacts, Off the Record has judiciously applied just enough non-invasive technique in order to remove ticks, pops, harsh resonances and other unwelcome noise--leaving the music to speak for itself. Expertly Speed Corrected: Just because we call them "78s" doesn't mean that they really are. Sound recordings from the early days of sound recording rarely spin at exactly 78 rpm. Back in those days there was no standardization regarding speed; often discs ran a

Face Value fue el disco debut de Phil Collins en su carrera como solista. A partir de aqui compartiria su carrera con la banda Genesis y como solo. Editado en 1981, es un disco que combina de manera perfecta rock prog, R&B, Soul y en ciertas canciones un toque de melancolia (provocado por la reciente ruptura de su primera esposa). Contiene temas que los toco a lo largo de toda su carrera como ''Hand In Hand'', ''I Missed Again'', el top chart ''In The Air Tonight'' y una version R&B de un tema de Genesis ''Behind The Lines'' Para realizar el disco conto con la colaboracion de grandes artistas como Daryl Stuermer, Shankar, John Giblin y Stephen Bishop. La frutilla del disco es el track final ''Tomorrow Never Knows'' un cover de los Beatles. Face Value (1981) y Hello I Must Be Going (1982) son los unicos discos donde podemos escuchar un Collins puro, con las influencias del prog y R&B, luego se hizo mas pop y el resto todos lo saben : numeros 1, ventas de discos, peliculas, giras de estadios y contratos millonarios con Disney (pero bueno, esto no viene mal de vez en cuandoo je) saludos y sigan matando al gil Nahuel

This photo card was taken on the lake portion of the main street of Grand Bend Ontario on the shores of Lake Huron. Does anyone know the make of the vehicles. If you do I will post them to the description. The license plate on the car on left with the front only showing is a 1923 Michigan, perhaps it's a Hudson? The roadster is it a 21 Studebaker ?